Johann Christian Kittel Vídeos
compositor, organista
- órgano, piano
- música clásica
- Alemania
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2024-05-13
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Johann Sebastian Bach Hubbard Blanchet Taskin Hass Vivaldi Peters Kellner Cpe Bach Kittel Rust 1685 1720 1727 1734 1750 1990
Johann Sebastian Bach (31 March [O.S. 21 March] 1685 – 28 July 1750) was a German composer and musician of the Baroque period. He is known for instrumental compositions such as the Brandenburg Concertos and the Goldberg Variations as well as for vocal music such as the St Matthew Passion and the Mass in B minor. Since the 19th-century Bach Revival he has been generally regarded as one of the greatest composers of all time. Please support my channel: (http•••) Uploaded with special permission by performer Peter Watchorn (http•••) Pastorale in F major, BWV 590 (1720 or later?) 1. Alla Siciliana (0:00) 2. Allemande (2:20) 3. Aria (5:52) 4. Alla Gigue (9:11) PETER WATCHORN, pedal harpsichord (Hubbard & Broekman after Ruckers/Blanchet/Taskin, 1990/after J.A. Hass, 1734) Details by Peter Watchorn: This beautiful work consists of four movements, only the first of which requires obbligato pedals. Given the nature of the plucked string, and the resultant decay of the sound, I have opted to arrange the second movement, a kind of pastoral lullaby, to include the pedal also, as the long bass strings help to sustain the “drone” effect that the “pastoral” title implies. The origins of this work are mysterious, as are the circumstances surrounding the form in which it has been transmitted to us. It appears to be half-way between a sonata and a suite and contains characteristics of both. After the opening movement, which concludes in A minor, the “lullaby” proceeds with the general rhythmic atmosphere of an allemande, minus the initial upbeat that defines the dance. The expressive third movement resembles the slow movement of an Italian concerto (akin to Bach’s arrangements of works by Marcello or Vivaldi, perhaps providing a clue as to the date of BWV 590), while the finale is a genuine dance movement, a gigue of the type that Bach composed for the English Suites (as well as the third Brandenburg Concerto), in which the theme is inverted in the second half. Though it is often played on the organ due to the pedal part in the opening movement, the work is perhaps more idiomatic to the harpsichord, the pedal harpsichord providing the best of both worlds. Notes on IMSLP: First movement incomplete Possibly first published in the Peters Organ works series? Peter Williams (The Organ Music of J. S. Bach, from p.196) gives for sources, as the autograph does not survive. "complete in P 287 (J P Kellner, after 1727?); also, via CPE Bach (P290, P277?, Am.B59?), and [a] lost MS used in Peters I; first movement only [survives] in copies via Kittel(?)" (note: the Darmstadt digitized collection, of works by JS and CPE Bach, is possibly one of the above- P290, P277 or Am.B59?). (Not the only work in regards to which Williams mentions the possibility that Griepenkerl may have used a source in preparing his edition that is now lost. This is also possible in regards several of Rust's editions for the BGA but with Rust as editor other issues arise.)
Christine Brewer William Bolcom Ilana Davidson Kittel Leonard Slatkin Marietta Simpson Measha Brueggergosman Nathan Lee Nmon Ford Thomas Young University Musical Society Choral Union 2004
Provided to YouTube by NAXOS of America Part 1: Introduction · Christine Brewer Bolcom: Songs of Innocence and of Experience ℗ 2004 Naxos Released on: 2004-10-01 Artist: Carmen Pelton Artist: Christine Brewer Ensemble: Contemporary Directions Ensemble Artist: Ilana Davidson Artist: Jeremy Kittel Artist: Joan Morris Conductor: Leonard Slatkin Artist: Linda Hohenfeld Artist: Marietta Simpson Artist: Measha Brueggergosman Choir: Michigan State University Children's Choir Choir: Michigan University Chamber Choir Choir: Michigan University Choir Choir: Michigan University Musical Society Choral Union Choir: Michigan University Orpheus Singers Orchestra: Michigan University Symphony Orchestra Artist: Nathan Lee Graham Artist: Nmon Ford Artist: Peter Ruth Artist: Thomas Young Artist: Tommy Morgan Composer: William Bolcom Producer: Michael Kondziolka Engineer: Roger Amett Auto-generated by YouTube.
Häßler Johann Christian Kittel Kittel Joseph Haydn Johann Sebastian Bach 1747 1762 1790 1792 1822
Johann Wilhelm Häßler +••.••(...)): Vorspiel G-Dur Johann Wilhelm Häßler wurde 1747 in Erfurt geboren und studierte - nach einer Ausbildung zum Strumpfwirker - bei seinem Onkel Johann Christian Kittel. Bereits 1762 wirkte er als Organist an der Erfurter Barfüßerkirche. Es folgten Konzertreisen, auf denen er sich als Klaviervirtuose einen Namen machte. 1790 begab Häßler sich nach London, wo er gemeinsam mit Joseph Haydn konzertierte und reiste 1792 nach Sankt Petersburg, wo er von Katharina der Großen zum Kaiserlich-Russischen Hofkapellmeister ernannt wurde. Er machte die Werke Johann Sebastian Bachs in Rußland bekannt und schrieb selbst zahlreiche Sonaten und Kantaten sowie Klavier- und Orgelwerke. Mozart jedoch schrieb einmal über ihn: "... übrigens hat er [Häßler] nur Harmonie und Modulationen vom alten Sebastian Bach auswendig gelernt, und ist nicht im Stande eine fuge ordentlich auszuführen (...)." Organist: Thorsten Pirkl Johann Wilhelm Häßler was born in Erfurt in 1747 and - after training as a hosiery maker - studied under his uncle Johann Christian Kittel. As early as 1762 he worked as organist at the Barfüßerkirche in Erfurt. Concert tours followed, during which he made a name for himself as a piano virtuoso. In 1790 Häßler went to London, where he gave concerts together with Joseph Haydn, and in 1792 he traveled to St. Petersburg, where he was appointed Imperial Russian Court Kapellmeister by Catherine the Great. He made the works of Johann Sebastian Bach known in Russia and wrote numerous sonatas and cantatas as well as piano and organ works himself. Mozart, however, once wrote about him: "... by the way, he [Häßler] has only learned harmony and modulations from old Sebastian Bach by heart, and is not able to execute a fugue properly (...)."
Johann Wilhelm Hässler Bacha Kittel Bach Rohr 1747 1794 1822
Johann Wilhelm Hässler, německý skladatel, varhaník a klavírista. Narozen roku 1747 v Erfurtě. Studoval u svého strýce J. Ch. Kittela, který byl posledním žákem J. S. Bacha. V roce 1794 se usídlil se svou rodinou v Moskvě, kde v roce 1822 zemřel. Preludium C dur na domácí digitální varhany Viscount Prestige 20 nahrál Ludvík Šuranský Johann Wilhelm Hässler, deutscher Komponist, Organist und Pianist. Geboren 1747 in Erfurt. Er studierte bei seinem Onkel J. Ch. Kittel, der der letzte Schüler von J. S. Bach war. 1794 ließ er sich mit seiner Familie in Moskau nieder, wo er 1822 starb. Der Preludium in C-Dur auf der digitalen Heimorgel Viscount Prestige 20 wurde von Ludvik Suransky aufgenommen. Johann Wilhelm Hässler, German composer, organist and pianist. Born in 1747 in Erfurt. He studied with his uncle J. Ch. Kittel, who was the last disciple of J. S. Bach. In 1794 he settled with his family in Moscow, where he died in 1822. The prelude in C major on the Viscount Prestige 20 home digital organ was recorded by Ludvik Suransky Dispozice: Pedal - Prinzipal-bass 16, Subbas 16, Gedackt 16, Violon 16, Oktav-bass 8, Gedackt 8, Choral-bass 4, Bombarde 16, Trompete 8, Schalmei 4, Coupler I/P, Coupler II/P I. Manual - Prinzipal 16, Prinzipal 8, Hohlflöte 8, Oktave 4, Spitzflöte 4, Quinte 2 2/3, Super-oktave 2, Mixtur 4f. Fagott 16, Trompete 8, Tremulant, Coupler II/I II. Manual - Prinzipal 8, Rohr-gedackt 8, Gamba 8, Vox Celeste 8, Rohrflöte 4, Nasard 2 2/3, Blockflöte 2, Terz 1 3/5, Zimbel 3f., Oboe 8, Vox Humana 8, Tremulant
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- cronología: Compositores (Europa). Intérpretes (Europa).
- Índices (por orden alfabético): K...