Sofi Jeannin Vídeos
cantante, director de coro
- mezzosoprano
- Suecia
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2024-05-30
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Maîtrise Radio France Maîtrise Notre Dame Paris Sofi Jeannin Henri Chalet Yves Castagnet Notre Dame Paris 2018
Provided to YouTube by IDOL Adeste Fideles (Harmonisé par David Willocks) · Maîtrise de Radio France · Sofi Jeannin · Maîtrise Notre-Dame de Paris · Henri Chalet · Yves Castagnet Noël éternel ℗ Radio France Released on: 2018-11-09 Lyricist: Anonymous Composer: Anonymous Auto-generated by YouTube.
Donizetti Cammarano Lillo Beard Jeannin Eugenia Tadolini Giorgio Ronconi Carlo Guasco 1599 1626 1839 1843 1996 2003
This overture is probably the composer's greatest sinfonia, and was much-admired by the Viennese critics at the time of its premiere in 1843. Writing about the event to his brother-in-law and closest confidant Antonio Vasselli / the opera's dedicatee / Donizetti referenced the piece with an especial pride. 'Maria di Rohan' is as much based on the career of the dashing Conte de Chalais as it is on Marie de Rohan, Duchesse de Chevreuse, as fantastical a creature as she was. Cammarano's original libretto was for a failed opera written by Lillo in 1839 and named 'Il Conte di Chalais'. The following is the conclusion to an account of the career of the real historical Chalais---an end more sensational and gruesome than many opera libretti---'L'affaire Chalais': Henri de Talleyrand-Périgord, comte de Chalais, was born in 1599, the youngest of three children, and was a childhood playmate of the future Louis XIII. Despite being the head of the king's wardrobe, he was arrested, aged 27, for his part in a conspiracy. In prison, he gave the following letter to a servant to deliver to Marie de Rohan, Duchesse de Chevreuse: "It is not at this hour that I first recognize the divinity of your beauty but I have now begun to learn that one must serve you as a goddess, since I am not permitted to give you any proof of my love without endangering my life. Please protect it therefore, because it is completely dedicated to you alone, and if you esteem it worthy of being preserved, tell this trusted companion of my misfortune that you will sometimes remember the most loving of men.” Chalais, not well-connected enough to fight the charges against him, was captured in his room at the Castle of Nantes on July 8, 1626, and imprisoned in a dungeon there. Chalais gave himself up to the darkest despair. He let his beard grow; the guards related that he would rage up and down his cell foaming at the mouth, and crying out that he would rather be in hell, and when his keepers reminded him that he belonged to a Christian communion, he exclaimed, "A fig for Christianity! (using a stronger expression) I am not in a state to have my duty shown me!” Henri in despair threatened suicide, cursed religion and uttered impieties, refusing to pray. The King's opinion of him was completely formed. The sentence dealt with the crime of high treason only, condemning Chalais to be beheaded; his head was to be set on a pike over one of Nantes’ rampart gates, and his body quartered and hung on four gibbets erected in the four chief streets of the town. His mother Françoise de Montluc wrote an imploring letter from Nantes to the King on 9 August 1626: "Sire, I beseech you on my knees to grant me my son's life! Do not let the child whom I have bred up with so much tenderness cause the few years left to me to be desolate! I gave him to you when he was eight years old: he is the grandson of the Marshal de Monluc and of President Jeannin..." The King consented only to suppress any torture and the ignominious additions that aggravated the death sentence. When the condemned man learned his fate he was filled with bitter sorrow at the thought that he had denounced Mme. de Chevreuse. He declared that his deposition concerning Marie had been false and that "what he had written had been written out of the extreme fury into which he had been thrown by a false idea he had had, that she had deceived him." He was once more brought before his judges, and renewed his retraction. On August 2, Chalais wrote to the King, "May it please you to remember that I only belonged to the faction for thirteen days. Permit me, Sire, to appeal to your Majesty, with tears in my eyes, and as the most repentant of men, to grant me pardon, out of your extreme goodness." The execution was carried out in Nantes on Wednesday, 19 August 1626 at the Place du Bouffay. Chalais’ many sympathetic supporters had bribed the executioners at Nantes and nearby towns to stay away, and thus perhaps obviate the execution, but the authorities had recourse to the assistance of a poor wretch who had been condemned to be hung, and who knew nothing of the grisly trade. Thirty-six blows were delivered with a Swiss sword purchased on the spot before the head was parted from the trunk, and the headsman had to turn the head round the other way before he could cut it quite off. The unfortunate young man groaned till the twentieth blow, crying out "Jesus, Maria et Regina Cali!" No other conspirators were put to the sword. On the day of Henri's execution the king arose at dawn and hunted furiously all day long. The last descendent of the Talleyrand-Périgord family, Helen Violette de Talleyrand-Périgord, died 7 March 2003, buried at Passy, Paris. #MariadiRohan #Donizetti #overture #Chalais #opera #16260 Thumbnail: Eugenia Tadolini, Giorgio Ronconi, and Carlo Guasco in the premiere. published 5 August 1843 in Vienna by the Wiener Theaterzeitung.
Orchestre National France Maîtrise Radio France Sofi Jeannin 2021
Chorégraphie originale créée par Sadeck Waff. Film : Réalisé par Thibaut Charlut La Blogothèque Productions Interprétation : Sadeck Waff, Oxandre Peckeu et 126 performers professionnels et amateurs. Remerciements à la Neodance Academy et leurs équipes pour le casting et la gestion des danseurs. Remerciements à Alexandre Mattiusi et les équipes d’AMI pour le stylisme. Musique : Œuvre Originale « Prologue » composée par Woodkid Musique enregistrée le 26 juin 2021 dans le Studio 104 de Radio France Orchestre National de France Direction : Chloé Dufresne Maîtrise de Radio France (Paris & Bondy) Direction : Sofi Jeannin
Arcas Patrick Kabongo Claes Jeannin Jasper Stevens 2014
La Forêt (The Forest) - Chamber Opera in One Act. Creation 2nd - 5th of april, 2014 at "le Théatre de la Balsamine", Brussels, Belgium. Libretto & Scene Director: Stéphane Arcas Composer: Baudouin de Jaer Musical Director: Martijn Dendievel (www.martijndendievel.com) singers&actors: A: Patrick Kabongo B: Pauline Claes C: Cécile Chèvre ensemble beSides: Romy-Alice Bols, flute ; Nele Geubels, saxophone ; Toon Callier, electrical guitar ; Maria Jose Jeannin, harp ; Dejana Sekulic, violin ; Sam Faes, cello ; Jasper Braet, electronics ; Fabian Coomans, piano and keybaord ; Jeroen Stevens, percussion Stage assistant: Julie Devigne Lights: Julie Petit-Etienne On-stage sound engineer: Marc Doutrepont Production manager: Arnaud Timmermans Recording and mastering by Jarek Frankowski (www.acoustic-recordings.com) Photos by Hichem Dahes 2014 Video and editing by Martijn Dendievel.
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- cronología: Directores de orquesta (Europa). Cantantes líricos (Europa).
- Índices (por orden alfabético): J...