Janina Fialkowska Vídeos
pianista canadiense
- piano
- Canadá
- pianista
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2024-05-15
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Franz Schubert Janina Fialkowska Carlos Prieto 2016
Provided to YouTube by Universal Music Group Schubert: 4 Impromptus, Op. 142, D. 935: No. 1 in F Minor · Janina Fialkowska Schubert: Piano Sonata No. 7 in E-Flat Major & 4 Impromptus ℗ 2016 ATMA Classique Released on: 2016-03-01 Producer: Johanne Goyette Studio Personnel, Recording Engineer: Carlos Prieto Composer: Franz Schubert Auto-generated by YouTube.
Combining the music of Chopin with digital animation, this short film artfully defines pianist Janina Fialkowska’s imprint in the world of classical music and beyond. Particles of light choreograph themselves to reveal otherworldly beauty, channelling the pianist’s explosive performance. Produced by the National Film Board of Canada in co-operation with the National Arts Centre and the Governor General's Performing Arts Awards Foundation on the occasion of the 2012 Governor General's Performing Arts Awards. Directed by Patrick Doan - 2012 | 6 min About the NFB The National Film Board of Canada produces and distributes documentary films, animation, web documentaries and fiction. Our stories explore the world we live in from a Canadian point of view. Watch more free films on NFB.ca → (http•••) Subscribe to our newsletter → (http•••) Follow us on Twitter → (http•••) Follow us on Facebook → (http•••) Follow us on Instagram → (http•••) Download our free iOS Apps → (http•••) Download our free Android Apps → (http•••)
Frédéric Chopin Janina Fialkowska Tovey Vancouver Symphony Orchestra 2010
Provided to YouTube by Universal Music Group Chopin: Piano Concerto No. 2 in F Minor, Op. 21: I. Maestoso · Janina Fialkowska · Vancouver Symphony Orchestra · Bramwell Tovey Chopin: Piano Concertos Nos. 1 and 2 ℗ 2010 ATMA Classique Released on: 2010-10-02 Studio Personnel, Recording Engineer: Don Harder Producer: Denise Ball Studio Personnel, Recording Engineer: Gary Heald Composer: Frédéric Chopin Auto-generated by YouTube.
Ignacy Jan Paderewski Janina Fialkowska Antoni Wit Teodor Leszetycki Alberto Randegger Zygmunt Noskowski Polish Radio Symphony Orchestra 1860 1887 1890 1891 1893 1895 1941
Ignacy Jan Paderewski (18 November [O.S. 6 November] 1860 – 29 June 1941) was a Polish pianist and composer, politician, statesman and spokesman for Polish independence. He was a favorite of concert audiences around the world. His musical fame opened access to diplomacy and the media. Fantaisie Polonaise sur des thèmes originaux pour Piano et Orchestre, Op. 19 (1893) Dedication: À Madame la Princesse R. Bassaraba de Brancovan Janina Fialkowska, piano and the National Polish Radio Symphony Orchestra conducted by Antoni Wit (Naxos 8.554020) The creation of Polish Fantasy originally titled "Fantaisie polonaise sur des thèmes originaux," came about in Ignacy Jan Paderewski's height of popularity as a piano virtuoso. A student of the famed Teodor Leszetycki, Paderewski made his debut in Vienna in 1887. A concert in Paris a year later kicked off his international career. In 1890 he played concerts in England, including one in front of Queen Victoria. In 1891 he went for his first tour of the United States. He came back to the US after two years. Together with his son and his family Paderewski left for Normandy in July 1893, and there in a town named Yport he soon composed the Polish Fantasy, which he dedicated to Princess Rachel de Brancovan. The premiere of the work took place during a festival in Norwich on October 4th that same year. The solo part was played by Paderewski himself, and the orchestra was conducted by Alberto Randegger. Two years later, in June 1895 the piece was played for the first time in Warsaw during one of the concerts in the Dolina Szwajcarska / Swiss Valley garden. It was interpreted by Henryk Melcer and accompanied by the orchestra conducted by Zygmunt Noskowski. Polish Fantasy, next to the Piano Concert in A Minor, is recognised as one of the most popular works in Polish piano literature. Paderewski repeatedly played this piece during his tours through various parts of the world. In 1895, after his concerts in New York and Philadelphia critics from prime newspapers emphasised that the composition not only evoked Polish folklore, but was also a symbol of the whole nation, reminding everybody about its existence.
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- cronología: Intérpretes (Norteamérica).
- Índices (por orden alfabético): F...