Joseph Hollmann Vídeos
compositor, violonchelista
- violonchelo
- Francia, Reino de los Países Bajos
Última actualización
2024-06-15
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Johann Friedrich Agricola Agricola Hollmann 1720 1774
Johann Friedrich Agricola (4 de enero de 1720, Dobitschen, Alemania - 2 de diciembre de 1774, Berlín, Alemania). Musicógrafo, compositor, maestro de canto y organista alemán. Hijo de un oficial gubernamental, aprendió música desde la infancia. Estudió leyes en la universidad de Leipzig, tiempo en el que tomó algunas lecciones con J. S. Bach, antes de trasladarse a Berlín en1741. Bajo el pseudónimo de Flavio Anicio Olibrio publicó escritos en 1749 y 1751 sobre los estilos francés e italiano, favoreciendo a la música italiana en oposición a F. W. Marpurg, defensor del estilo francés. Escribió muchos otros artículos y colaboró con Jakob Adlungen la publicación de su Musica mechanica organoedi (Berlín, 1768). Como compositor, Agricola logró colocar sus ópera sitalianizadas en la corte de Federico el Grande; sin embargo, solía tener dificultades para acatar los gustos de su patrono. Disfrutó de mayor éxito como maestro de canto; su traducción de Opinioni de’ cantori antichi emoderni (bajo el título Anleitung zur Singerkunst, 1757) de Tosi fue de gran importancia y Burney declaró que era considerado el “mejor maestro de canto de Alemania”. También fue un reconocido organista, dirigió una serie de conciertos en su propia casa y escribió muchas canciones, piezas para teclado y obras sacras. Sonata para Clave en Fa mayor. Gregor Hollmann, clave.
Emma Eames Bach Gounod Hollman
Soprano with 'cello In Latin with 'cello obbligato by Hollman Victrola 88016 Victrola VV8-30, 関西蓄音機倶楽部
Bohuslav Martinů Bohumil Gregor Jan Panenka Hollmann 1890 1926 1947 1957 1959 1988
- Composer: Bohuslav Martinů (8 December 1890 / 28 August 1959) - Orchestra: Prague Chamber Orchestra - Conductor: Bohumil Gregor - Soloist: Jan Panenka - Year of recording: 1988 Concertino (Divertimento) for piano (left hand) & small orchestra H.173, written in 1926. 00:00 - I. Allegro moderato 04:51 - II. Andante 11:36 - III. Allegro con brio This Concertino was later renamed Divertimento, and was commissioned by pianist/composer Otokar Hollmann. It has a sparkling personality, and would be a good introduction to someone new to Martinů's music. This seemingly isolated work looks forward to the simplified style of Špalíček and the neo-classical Serenades of the early thirties. What can be noted with certainty, however, is the fact that many of Martinů's most adventurous works from the twenties, like this piece, never made it to the theater or concert hall, and thus critics and audiences remained unaware of this most remarkable aspect of the composer's work. Martinů was no doubt discouraged by this lack of interest, and as the use of popular dance rhythms often featured in his most adventurous works became increasingly passé, the practical need to emphasize other approaches became abundantly clear. Therefore, the first performance of this concertino was only on 26 February 1947 in Prague, with Otokar Hollmann as pianist. It was not published until 1957.
Emma Eames Hollman Mathilde Marchesi 1865 1906 1913 1952
American Soprano Emma Eames +••.••(...)) / Chanson d'amour (Grandmougin; Hollman) / Josef Hollman - cello / Recorded: February 1, 1906 / The daughter of an international lawyer, Eames was born in Shanghai, China and raised in Portland and Bath in the American state of Maine. (Her surname, incidentally, was pronounced "Ames" not "Eemes".) The promising quality of her voice was recognised early by her mother and she received singing lessons as a small girl. She attended school in Boston where she studied singing with Charles R. Adams. Later she took voice lessons in Paris with the highly successful but autocratic teacher of bel canto sopranos, Mathilde Marchesi. It was noted in the press at the time of Marchesi's death in 1913 that Eames had praised the tuition she received from that teacher. Subsequently, however, she chose to downplay Marchesi's influence on her vocal technique. (http•••)/
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- cronología: Compositores (Europa). Intérpretes (Europa).
- Índices (por orden alfabético): H...