Hideo Saito Vídeos
director de orquesta, profesor de música, compositor, violonchelista, arreglista
Conmemoraciones 2024 (Muerte: Hideo Saito)
- violonchelo
- música clásica
- Japón
Última actualización
2024-05-10
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Manuel Falla Daisuke Suzuki Suzuki Fleta Clerch Sparks Andrés Segovia Takemitsu Saito 1964 1993 1997 1998 1999 2003 2005 2008 2009 2010 2015 2021
Manuel de Falla : Danse Espagnole No.1 from La Vida Breve マヌエル・デ・ファリャ:スペイン舞曲第1番〜歌劇『はかなき人生』より arranged and played by Daisuke Suzuki 編曲&演奏:鈴木大介 guitar : Ignacio Fleta 1964 普段はギター二重奏またはヴァイオリンやチェロとのデュオで演奏されることの多いこの曲ですが、ギター・ソロでの演奏も80年代の終わりから90年代くらいよりいくつもの例が見られます。 僕は留学中に師事していたホアキン・クレルチ先生がこの曲を得意にしていたため、演奏会で何度もその演奏を聴くことができました。僕自身が最初にこの作品を弾いたのはおそらく2008~9年頃のことですが、最近よりシンプルな形に編曲し直しました。 デュオや合奏では、火花の散るような情熱的な表現になりますが、ギター・ソロで弾く時は、ガルシア・ロルカと共にカンテ・ホンドのコンクールを開催したファリャの歌心やポリフォニックな響きの綾に重点を置くようにしています。 この編曲の楽譜は現代ギター誌の2021年4月号に掲載されています。 This Dance is normally played by guitar duo, or duo with violin or cello, but I was accustomed to listen to solo guitar version since I was studying in Salzburg under Maestro Joaquin Clerch who was very famous for the powerful and master arrangement of this piece. I played this at the first time maybe in 2008 or 2009, but this time I re-write the transcription more simple. When we play this piece as duo, it goes very much with sparks and fire. I do also. On the other hand, I chose to express more song-like image or polyphonic resonance for solo guitar version, because Manuel de Falla had held the first Cante Jondo Competition with the poet Garcia Lorca. Music score of this arrangement is on the Gendai Guitar magazine in April 2021. Daisuke Suzuki is known for his rich tone, musical sensitivity and strong feeling for tonal color, supported a masterful technique. Since 1993, beginning with his victory at the Citta de Alessandrea, Concorso Internazionale de Chitarra Classica with Omággio a Andrés Segovia in Italy, Suzuki’s international activities have earned him great recognition both in Japan and abroad. Suzuki is considered the foremost interpreter of the music of Toru Takemitsu, which was acclaimed by The composer who praised his playing, saying, “one rarely has the opportunity to hear a performance like his.” And that gave him an honor to perform in the Saito Kinen Festival’s Toru Takemitsu Memorial Concert (1997), as well as in memorial concerts in 1998~2010. In 1999, he played a recital on the anniversary of Takemitsu’s death in Tokyo Opera City concert hall, ‘Takemitsu Memorial,’ and also performed his guitar concerto, ‘To the edge of dream,’ in 2003. Nowadays many Japanese composers offered him to play premiere of their works and recordings, which also includes guitar concertos. Suzuki has released numerous recordings, including Complete Collection of Guitar Works by Toru Takemitsu (1997). Other CDs include “Homage to Catalonia” which was awarded the ‘Art Work Prize of the Agency for Cultural Affairs’ in 2005, After the first release of “The Cinema Paradise” which is covered album of film music for solo guitar, it has been released four more CDs of the same series by 2015. 鈴木大介 作曲家の武満徹から「今までに聴いたことがないようなギタリスト」と評されて以後、新しい世代の音楽家として常に注目され続けている。 マリア・カナルス国際コンクール第3位、アレッサンドリア市国際ギター・コンクール優勝など数々のコンクールで受賞。 現代音楽の初演や、アンサンブルとコンチェルトの膨大なレパートリーでの、明晰な解釈力と洗練された技術は、多方面からの評価を確立し、難度の高いプロジェクトにおけるファースト・コール・ギタリストの位置を維持している。 最高水準と言われる武満徹作品の解釈のみならず、これまでに、多くの作曲家からギター協奏曲を含む多くの作品の初演を依頼されている。 美術作品からインスパイアされたプログラムにも積極的で、これまでに国立新美術館「オルセー展」、ブリジストン美術館「ドビュッシー展」、都立現代美術館「田中一光展」を始めとする多くの美術展でのコンサートを成功させている。 これまでに市村員章、福田進一、尾尻雅弘、エリオット・フィスク、ホアキン・クレルチ各氏に師事。第10回出光賞、第56回芸術選奨新人賞を受賞。 #ギター#鈴木大介#guitar#daisukesuzuki#etude
Scholl Bernd Redmann Johann Sebastian Bach Moser Wünsch Kuhn Rojas Rodriguez Udo Zimmermann Zimmermann Franz Schubert Seidl Younghi Pagh Paan Huber Marquardt Steigerwald Lechner Yamamoto Saito Yoon Hummel Reichardt Ben Haim 1685 1750 1797 1800 1828 1943 1945 1983 1994 2021
3. Gemeinschaftskonzert der drei bayerischen Hochschulen für Musik Programm des Livestreams 9. Mai 2021, 18:00 Uhr aus dem Großen Konzertsaal der Hochschule für Musik und Theater München Begrüßung durch Prof. Dr. Bernd Redmann, Präsident der HMTM/ Johann Sebastian Bach (1685–1750) aus: 6. Brandenburgisches Konzert BWV 1051 1. Satz (ohne Satzbezeichnung) Studierende der HMTM: Davis Sliecans, Mert Basar, Lina Bohn und Maximiliane Norwood (Viola), Sarah Moser (Violoncello) und Giovanni Michelini (Cembalo)/ Grußworte von Prof. Dr. Christoph Wünsch (Präsident der HfM Würzburg) und von Prof. Christoph Adt (Präsident der HfM Nürnberg)/ Eva Kuhn +••.••(...)) »Aus den Verhörprotokollen« … nach Zitaten von Sophie Scholl (komp. 2021, Uraufführung) Studierende der HMTM und der HfM Nürnberg: Lukas Amberger (Sprecher), Marcelino Rojas Rodriguez (Violine), Sarah Moser (Violoncello), Riccardo Gagliardi (Klavier) Zuspielungen: Sophia Fixle, Nadine Caspar, Jasmin Binde, Doris Heinrichsen, Lena Kühn/ Udo Zimmermann +••.••(...)) aus: »Weiße Rose«, Szene IX für Sopran und Flöte »Einmal möchte ich mit dir noch durch unsre Wälder laufen …« Studierende der HfM Würzburg: Stefanie Wagner (Sopran), Juhee Kim (Flöte)/ Lesung von Briefen durch Prof. Susanne Kelling, Vizepräsidentin der HfM Nürnberg/ Franz Schubert (1797–1828) »Das Lied im Grünen« D 917 (Text: Friedrich Reil) »Der Wanderer an den Mond« D870 (Text: Johann Gabriel Seidl) Studierende der HfM Würzburg: Rebecca Suta (Gesang), Diego Mallen (Klavier)/ Eva Kuhn »Aus den Briefen« …nach Zitaten von Sophie Scholl (komp. 2021, Uraufführung) Studierende der HMTM und der HfM Nürnberg: Lukas Amberger (Sprecher), Marcelino Rojas Rodriguez (Violine), Sarah Moser (Violoncello), Riccardo Gagliardi (Klavier)/ Younghi Pagh-Paan (*1945) »Flammenzeichen« für Sopran und kleines Schlagzeug (1983) Nach Texten von Sophie Scholl, aus den Flugblättern der »Weißen Rose« und den letzten Briefen von Franz Mittendorf und Kurt Huber. Mara Maria Möritz (Gesang und Schlagwerk), HfM Nürnberg/ Eva Kuhn »Aus den Flugblättern« …nach Zitaten der Weißen Rose (komp. 2021, Uraufführung) Studierende der HMTM, der HfM Nürnberg und der HfM Würzburg: Lukas Amberger (Sprecher), Marcelino Rojas Rodriguez (Violine), Sarah Moser (Violoncello), Riccardo Gagliardi (Klavier) Zuspielungen: Sophia Fixle, Nadine Caspar, Jasmin Binde, Doris Heinrichsen, Susanna Marquardt, Philipp Steigerwald, Dominik Lechner, Martin Axtner, Paula Kaiser, Lena Kühn und Eva Kuhn/ Franz Schubert (1797–1828) aus: Quintett D-Dur D 667, »Forellenquintett« 4. Satz, Thema mit Variationen (Andantino) Studierende der HMTM und der HfM Nürnberg: Mika Yamamoto (Klavier), Mio Saito (Violine), Yuri Yoon (Viola), Johannes Väljä (Violoncello), José Trigo (Kontrabass)/ Mitwirkende: Studierende der Hochschule für Musik Nürnberg, der Hochschule für Musik Würzburg und der Hochschule für Musik und Theater München Konzeption des Programms: Prof. Martin Hummel (HfM Würzburg), Prof. Susanne Kelling (HfM Nürnberg) und Prof. Christine Schornsheim (HMTM) Beratung: Dr. Tobias Reichardt (Ben-Haim-Forschungszentrum der HMTM) Projektbetreuung der Uraufführung: Prof. Anselm Dalferth (HfM Nürnberg) Szenische und visuelle Gestaltung der Beiträge aus Würzburg: Prof. Katharina Thoma und Katrin Nicklas (HfM Würzburg) Aufnahme und Produktion: Tonstudio der Hochschule für Musik und Theater München mit den Tonstudios der HfM Nürnberg und der HfM Würzburg Das Konzert hat Ihnen gefallen? Zahlreiche weitere Konzert-Mitschnitte finden Sie in den Digitalen Sammlungen und auf den Youtube-Kanälen der drei Hochschulen. HfM Nürnberg: Website: (http•••) Youtube-Kanal: (http•••) HfM Würzburg: Website: (http•••) Youtube-Kanal: (http•••) HMTM – Digitale Sammlung: (http•••) Eine gemeinsame Veranstaltung der drei bayerischen Musikhochschulen in München, Nürnberg und Würzburg.
Beethoven Uru Daniel Barenboim Elisabeth Leonskaja Seiji Ozawa Saito Matsumoto Nikolaj Znaider Riccardo Chailly Claudio Abbado Vladimir Jurowski Christian Thielemann Orquesta Gewandhaus Orquesta Festival Lucerna Gewandhaus Festival Lucerna 1900 2000
CICLO GRANDES MAESTROS E INTÉRPRETES DE BEETHOVEN Todos los viernes de diciembre ARG/CHL/PAR/URU 21:00 BOL 20:00 COL/ECU 19:00 Viernes 4 de diciembre Concierto para piano n.º 1, de Ludwig van Beethoven – Daniel Barenboim & Orquesta Estatal de Berlín Maestros del pianismo – Elisabeth Leonskaja interpreta sonatas para piano n.os 30, 31 & 32, de Ludwig van Beethoven Viernes 11 de diciembre Seiji Ozawa & Orquesta Saito Kinen en el Matsumoto Festival: Sinfonías n.os 2 & 7, de Ludwig van Beethoven Concierto para violín de Ludwig van Beethoven – Nikolaj Znaider, Orquesta de la Gewandhaus & Riccardo Chailly Viernes 18 de diciembre Sinfonía n.º 3, «Eroica», de Ludwig van Beethoven – Orquesta del Festival de Lucerna & Claudio Abbado Vladimir Jurowski dirige Beethoven – Orquesta del Siglo de las Luces Viernes 25 de diciembre Vladimir Jurowski dirige Beethoven – Orquesta del Siglo de las Luces Ludwig van Beethoven: Missa Solemnis – Christian Thielemann & Orquesta Estatal de Dresde Sintonízanos: Cablevisión 503 | Zapping 136 | Tigo-UNE 323 | TVCable 926 | Copaco 352 y Tigo 513 | TCC 462 Nuevo Siglo 818 y PuntaCable 834. ️ Si aún no disfrutas de Allegro HD en tu hogar, conoce cómo pedirlo aquí: (http•••) Facebook: www.facebook.com/AllegroHD Instagram: @allegrohd.tv Twitter: @AllegroHD YouTube: (http•••)
André Watts Seiji Ozawa Rachmaninoff Leonard Bernstein Fleischer Norton Nagano Beethoven Hideo Saito Charles Munch Koussevitzky Herbert Karajan Matsumoto New York Philharmonic Orchestra Philadelphia Orchestra Boston Symphony Orchestra Toronto Symphony Orchestra San Francisco Symphony Orchestra Metropolitan Opera Vienna State Opera Tanglewood Ravinia Festival Saito Kinen Festival Matsumoto 1602 1935 1959 1964 1965 1968 1969 1970 1973 1976 1988 1992 1998 2002 2010 2011 2015
I. Allegro ma non tanto (D minor) 0:06 II. Intermezzo: Adagio (A Major-D♭ Major-C♯ Major) 16:02 III. Finale: Alla breve (D minor-D Major) 25:50 Andre Watts, piano Seiji Ozawa, conductor New York Philharmonic Orchestra ANDRE WATTS: "André Watts is a German-born American pianist who was known for a surpassing technique and understated manner that made him a favoured concert performer. Watts was the son of an African American soldier and a Hungarian mother. At age nine he made his debut at a Philadelphia Orchestra children’s concert. He attracted wide attention when at age 16 he performed on television under conductor Leonard Bernstein. Though already a mature musician, he chose to continue study with Leon Fleischer. In 1976 he gave a concert that was the first live television broadcast of a solo recital in history. His popularity continued into the 21st century. Watts was the recipient of numerous honours, including the Avery Fisher Prize (1988) and the National Medal of Arts (2011)." SEIJI OZAWA: "American orchestra conductor Seiji Ozawa is noted for his energetic style and sweeping performances of 19th-century Western symphonic works. Among the honors he received throughout his career were two Emmy Awards for his performances on public television specials, the French Chevalier de la Légion d’Honneur, and honorary doctorates in music from Harvard University, the University of Massachusetts, the New England Conservatory of Music, and Wheaton College in Norton, Massachusetts. In February 1998 he joined musicians around the world via satellite link to close the opening ceremonies at the Winter Olympics in Nagano, Japan, with Ludwig van Beethoven’s Ode to Joy. Seiji Ozawa was born on September 1, 1935, in Hoten, Manchukuo (now in China), of Japanese parents. He grew up in Japan and showed interest in Western music as a child. He had hoped to become a pianist, but at age 16 he injured his hands. Ozawa then turned to conducting, studying with Hideo Saito at the Toho School in Tokyo. In 1959, after conducting with the NHK (Nippon Hoso Kyokai) Symphony Orchestra of Japan and the Japanese Philharmonic, Ozawa went to Europe, where he won the Besançon International Conductors’ Competition. The following summer he studied in the United States under Charles Munch at the Berkshire Music Festival in Tanglewood, Massachusetts, where he won the Koussevitzky Prize. At that time he began a long and fruitful association with the Boston Symphony Orchestra. After a further year of study with Herbert von Karajan in Berlin, Ozawa was engaged as an assistant conductor of the New York Philharmonic by Leonard Bernstein. From 1964 to 1968 Ozawa served as music director of the Ravinia Festival in Chicago. He became music director of Canada’s Toronto Symphony Orchestra in 1965 and of the San Francisco Symphony Orchestra in 1970. In 1973 Ozawa was appointed conductor and music director of the Boston Symphony Orchestra, a position that had for years been the exclusive preserve of European conductors. His tenure with the symphony lasted until 2002, the longest of any active music director with a major orchestra. Ozawa became increasingly interested in opera during the 1990s. In 1992 he debuted with the Metropolitan Opera in New York and, as a tribute to Hideo Saito, cofounded the Saito Kinen Festival in Matsumoto, Japan. He was principal conductor of the Vienna State Opera from 2002 to 2010. Early in 2010 Ozawa underwent surgery for esophageal cancer, which forced him to retreat from the public stage for the better part of the year. Ozawa made his return to public performance at the Saito Kinen Festival that September. Ongoing health issues continued to restrict his performance schedule, but he nonetheless made occasional appearances, notably at the Saito Kinen Festival. It was renamed the Seiji Ozawa Matsumoto Festival in his honor in 2015. In 2011 Ozawa received the Japan Art Association’s Praemium Imperiale prize for music. He was named a Kennedy Center honoree in 2015." Remastered By: Wayne Yang, USA-Taiwan
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- cronología: Compositores (Asia). Directores de orquesta (Asia). Intérpretes (Asia).
- Índices (por orden alfabético): S...