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Marnie Breckenridge Jerome Kern Oscar Hammerstein Hammerstein Kohl 2021
Marnie Breckenridge, Soprano, speaks about what makes PCO special and performs All the Things You Are to Me by Jerome Kern and Oscar Hammerstein II. Introduction by Lawrence Kohl, PCO Music Director. This video is excerpted from Bravissima!, A Celebration of Music & Community, which premiered online on May 8th, 2021.
Solberg John Tibbetts Rodgers Hammerstein
Some Enchanted Evening - Rodgers & Hammerstein II In Other Words - Bart Howard My Funny Valentine - Rodgers & Hart Fly Me To The Moon - Jimmy Van Hueson
Jack Norworth Oscar Hammerstein I Hammerstein I Sang Crane Roar 1910
I edited this audio myself so that the grainy vinyl record sound is reduced. Lyrics: "My Mother always told me that I had a splendid voice In fact, I'd sing in Opera if they gave me my choice I wrote to Oscar Hammerstein that I would be his star He said "Come down and sing for me...and I'll see how good you are And I don't suppose I'll do it again for months and months and months No, I don't suppose I'll do it again for months and months and months I sang "The wise old Owl", and he left the room at once So I don't suppose I'll do it again for months and months and months A lady friend of mine one day, thought it would be a joke to walk into a restaurant and have a little smoke she smoked a little cigarette just like a suffragette then all the papers smoked at her...but they haven't stopped her yet But I don't suppose she'll smoke again for months and months and months No I don't suppose she'll smoke again for months and months and months If she really wants to smoke, she could buy a pack just once Then I don't believe she'd do it again for months and months and months One day, an aviator...took out his aeroplane and flew from New York town to Philadelphia like a crane and when all Philadelphia saw him, they set up a wail For they thought that he must really be...Old Halley comet's tail and they won't know who it really was for months and months and months No they won't get wise to who it was for months and months and months I bought an aeroplane myself and I'm going to fly it once but I may not get out of the hospital for months and months and months Now all you married gentlemen, God bless the hollow skirts I'll show you how to tame your wives if you are real alert In case you come home late at night, and wifey makes a roar Just pick her up and spread her out...upon the parlor floor and I don't think she'll get up again for months and months and months no, I don't think she'll get up again for months and months and months You can go back to your club, and enjoy yourself for once and your wife will stay just where she's put for months and months and months"
Nicola Zerola Verdi Rossetti Ruggero Leoncavallo Oscar Hammerstein I Hammerstein Mariette Mazarin Marguerite Alvarez Emma Trentini Giacomo Meyerbeer Maschera Henry Février Teatro Comunale Florence Teatro Comunale Bologna Philadelphia Opera House Scala Manhattan Opera Company Philadelphia Opera Philadelphia Opera Company Chicago Grand Opera Company Baltimore Opera Company Metropolitan Opera Philadelphia Grand Opera Company 1876 1898 1903 1907 1908 1909 1910 1911 1912 1920 1921 1928 1936
Nicola Zerola - Pagliaccio - Non Pagliaccio non son - Victor 74247 eenregistré le 10 mars 1911 Nicola Zerola (1876 – 21 July 1936) was an Italian operatic tenor who had an active international career from 1898-1928. He began his career in his native country, but was soon heard in concerts and operas internationally during the first years of the 20th century. In 1908 he relocated to the United States where he was active with important opera companies in New York, Chicago, and Philadelphia up into the late 1920s. In 1910 he recorded several selections from Verdi's Otello for the Victor Talking Machine Company. He also made 11 solo recordings and one duet for the Gramophone and Typewriter Company in 1910-1911 Born in Naples, Zerola began his career as a baritone and made his professional opera debut in 1898 at the Teatro Rossetti in Trieste as Tonio in Ruggero Leoncavallo's Pagliacci. This was soon followed by performances at the Teatro Comunale Florence and at other opera houses in the Italian provinces. He made his debut as a tenor in 1903 in the role of Canio in Pagliacci.[2] He soon after undertook performances in Belgium, Egypt, France, Spain, Holland, and South America.[2] In November 1908 he had a great success at the Teatro Comunale di Bologna as Radamès to the Aida of Lucia Crestani In 1907 Zerola traveled with a small touring company to the United States where he was lauded by critics and audiences. This led to his appointment to New York City's Manhattan Opera Company by Oscar Hammerstein I in 1908. He made his debut with the company in January 1909 at the Manhattan Opera House under conductor Giuseppe Sturani as Radames to the Aida of Mariette Mazarin and Amneris of Marguerite d'Alvarez. He remained there until the company went bankrupt in 1910; singing such roles as Manrico in Verdi's Il trovatore and the title role in Verdi's Otello. He also sang with Hammerstein's Philadelphia Opera Company in 1909-1910. He made his debut with that company as Canio in Pagliacci with Emma Trentini as Nedda at the Philadelphia Opera House on November 25, 1909. On 21 November 1910 Zerola sang Radames again for his debut with the Chicago Grand Opera Company with Jeanne Korolowicz as Aida. He actively performed with the company through May 1911 in performances in both Chicago and Philadelphia. His other roles with that company included Raoul de Nangis in Giacomo Meyerbeer's Les Huguenots, Manrico, and Otello. In January 1911 he opened the Baltimore Opera Company's new season as Radames. In 1911-1912 he was committed to the Royal Opera House in London where he performed the roles of Riccardo in Verdi's Un ballo in maschera, Canio, Manrico, Otello, Radames, and Raoul de Nangis. In 1920-1921 Zerola was heard at the Metropolitan Opera in New York City as Canio. and at the Philadelphia Grand Opera Company as Otello. He was also active with the Philadelphia La Scala Opera Company in the 1920s. In 1928 he sang the role of Prinzivalle in the New York premiere of Henry Février's Monna Vanna.[9] He died in New York City in 1936. Source: Wikipedia
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- cronología: Compositores (Norteamérica).
- Índices (por orden alfabético): H...