Carl Guhr Vídeos
compositor alemán
- violín
- Alemania
- compositor, director de orquesta, violinista
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2024-05-26
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Karl Wilhelm Ferdinand Guhr Sibelius Schnabel Spohr Spontini Wagner Berlioz Rode Paganini 1781 1787 1808 1809 1811 1814 1815 1818 1821 1830 1831 1840 1848
★ Follow music ► (http•••) Composer: Carl Guhr +••.••(...)) Work: Sonata in E Flat Major, Op.1 (c.1809) (World Premiere Recording) Performers: Sibelius + Harpsichord samples (edited by Pau NG) Sonata in E Flat Major, Op.1 (c.1809) 1. Allegro con Fuoco 0:00 2. Adagio con espressione 11:40 3. Rondo 17:48 Painting: Luke Clennell +••.••(...)) - Baggage wagons in a thunderstorm (c.1815) Image in high resolution: (http•••) Further info: (http•••) Listen free: No available / Karl (Wilhelm Ferdinand) Guhr (Militsch [now Milicz], 27 October 1787 - Frankfurt, 23 July 1848) German conductor and composer. He studied in Breslau with Schnabel and Janitschek, and held conducting appointments in Nuremberg, Wiesbaden, Kassel and Frankfurt +••.••(...)). In Nuremberg ‘he brought fire and life into everything’ (AMZ, xi, 1809, col.411), and both there and in Kassel he raised mediocre companies to a new state of excellence. On his arrival in Frankfurt (1 March 1821) he immediately restored the standards that had dropped in the wake of Spohr's resignation two years previously: he was said to ‘understand with virtuosity how to play the orchestra’, which played like men awakening from sleep (AMZ, xxiii, 1821, col.275). Spontini described him as the leading music director in Germany, and Wagner, who admired his Die Zauberflöte in Mein Leben, also praised him as ‘of high standing, secure, strong and despotic’ (Über das Dirigieren). Berlioz was impressed by his Fidelio, and left a lively personal account of Guhr in his Mémoires, saying that ‘everything about him suggests musical intelligence and purpose’. Guhr was a good violinist, of the Rode school until impressed by Paganini: he wrote Über Paganinis Kunst die Violine zu spielen (Mainz, 1831), and his Violin Concerto in E minor is sub-titled ‘Souvenir de Paganini’. His operas include a new setting of Spontini's La vestale text as Die Vestalin (1814: long review, with music examples, in AMZ, xvi, 1814, cols.641ff, 662ff); the others are Feodora (1811), Deodata (1815; first given as Das Gespenst, 1808), König Sigmar (1818) and Aladin (1830). He also wrote a mass, a symphony, concertos, quartets and violin pieces.
Niccolò Paganini Moretti Carl Guhr Beethoven 1802 1817 1982
The 24 Caprices for Solo Violin were written in groups (six, six and twelve) by Niccolò Paganini between 1802 and 1817. They are also designated as M.S. 25 in Maria Rosa Moretti's and Anna Sorrento's Catalogo tematico delle musiche di Niccolò Paganini which was published in 1982. The Caprices are in the form of études, with each number exploring different skills (double stopped trills, extremely fast switching of positions and strings, etc.) The compelling lyricism of opening bars of the foueth Caprice has been noted by several comrnmentators: "Quel doloroso primo tema, con la sua frase pensosa..." (A. Cantil); "Une idee large et prenante" (A.Bachmann); "D'un archet calme, Paganini attaque en doubles cordes, Maestoso, en ut mineur, son 4e Caprice. La pensee est grave" (Georges de Saint-Foix); "II quarto Capriccio. in do minore, euno dei piu belli. L'inizio Maestoso, di carattere sinfonico, ha una frase ampia e avvolgente, e accenti beethoveniani" (MariaTibaldiChiesa). It is quite possible that Carl Guhr had the privilege of a private audition of Caprice 4. Paganini had the greatest admiration for Ludwig van Beethoven and, as Geraldine de Courcy finely observes, put him "at the summit of his musical Olympus" An unmistakable reference to the Marcia Funebre of the Eroica appears in one of his later works, the 4th Concerto in d minor. The quotation appears in the opening bars of the second movement. The above example is therefore of great interest to the performers in so far as it is not identical with either the manuscript or the first Ricordi edition.
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- cronología: Compositores (Europa). Directores de orquesta (Europa). Intérpretes (Europa).
- Índices (por orden alfabético): G...