Sofiya Gubaidúlina Vídeos
compositora rusa
1
- piano
- música clásica
- Unión Soviética, Rusia
- compositor, compositor de bandas sonoras, pianista de música clásica
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2024-05-11
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Sofia Gubaidulina Molinari Messiaen Shostakovich Natalia Gutman Oleg Kagan Heed 1705 1722 1931 1981 1988
Rejoice! sonata for violin and cello (1981) [Радуйся! (Raduysya!)] [Freue dich!] Composer: Sofia Gubaidulina (b. 1931) Performers: Frédéric Bednarz, violin; Pierre-Alain Bouvrette, cello (from Quatuor Molinari) I - Your joy no man taketh from you: 0:00 II - Rejoice with them that do rejoice: 2:49 III - Rejoice, Rabbi: 7:28 IV - And he returned into his house: 17:05 V - Listen to the still small voice within: 22:46 / "The background to Sofia Gubaidulina's Rejoice!, as Laurel Fay's sleeve-note informs us, is in the spiritual lessons of Grigory Skovoroda, an eighteenth-century Ukrainian philosopher and religious thinker. These supply the sub-titles (rather Messiaen-like in resonance) of each of the five movements. The composer herself cautions, ''It should not be assumed that I wanted to illustrate the theme of joy in my music… the religious theme is experienced metaphorically''. It is meant to be experienced musically as well, through the juxtaposition of 'normal' sounds and harmonics: 'The possibility for string instruments to derive pitches of various heights at one and the same place on the string can be experienced in music as the transition to another plane of existence. And that is joy.' " Source: (http•••) "The title of the substantial sonata for violin and cello, Rejoice! (also known as Raduysya! and Freue dich!), ought not be taken literally, the music less expression of outward joy than metaphoric contemplation upon its stated theme. Composed in 1981 and premiered in 1988 by its dedicatees, Natalia Gutman and Oleg Kagan, at Kuhmo in Finland, each of the work’s five movements takes its title from an aphorism by the Ukrainian religious philosopher Hryhorii Skovoroda +••.••(...)) who embraced the simple life and sympathized with the underprivileged. 'Your joy no one will take away from you' (I) opens with the solo violin meditating upon a handful of high notes that alternate with harmonics. The cello then rises up from its depths, eventually matching its partner with a harmonic of its own. The two don mutes in 'Rejoice with joy' (II), whose chromatic, humming figures suggest a pair of insects buzzing around one another. In 'Rejoice, Rabbi' (III), the solo cello’s grinding low clusters, flailing tremolos, harmonic double stops and pizzicato chords establish wild contrast in technique and mood as the movement’s organizing principle. A frenzied violin cadenza collapses into a magical moment — perhaps the work’s heart — in which ethereal double-stop harmonics sing like a distant choir of heavenly voices. The ponderous 'And he returned to his own abode' (IV) traces a gradual descent from the stratosphere of pitch where glacial tones in the violin combine with wind-like whistling in cello harmonics. 'Heed thyself' (V) offers by far the most overtly joyful music in the sonata, a rhythmically-precise, energetic figure in the violin playing out over a drawn-out chant in the cello. Earthly joy in the form of giddiness thus makes an appearance — but has not the last word: a coda steers us back into a world of introspection, the 'still small voice within' surely finding expression in the concluding soft chord in harmonics." ~Robert Rival Source: CD booklet / For education, promotion and entertainment purposes only. If you have any copyrights issue, please write to unpetitabreuvoir(at)gmail.com and I will delete this video.
Kashperova Gubaidulina Ustvolskaya Firsova Alexander Tcherepnin Tcherepnin Anton Rubinstein Rubinstein Balakirev Glazunov Lyapunov Prokofiev 1872 1918 1922 1940
1 - Andante; 2 - Allegro moderato / There are several prominent female Russian composers of the post-war era - Gubaidulina, Ustvolskaya and Firsova come to mind - but here in the UK one rarely hears of Russian woman composers prominent in earlier eras. One exception seems to have been Leocadia Kashperova ( Леокадия Александровна Кашперова )+••.••(...)). She is probably remembered now - if at all - for having been a piano teacher of Alexander Tcherepnin at the St. Petersburg conservatory, but she herself had studied there with Anton Rubinstein, and was an associate of Balakirev and Glazunov, some of whose works she premiered. She married a revolutionary and moved to Rostov-on-Don in 1918, but settled in Moscow in 1922. Kashperova wrote a piano concerto, a cantata, and two cello sonatas, as well as piano music. These pieces - 'Two Autumn Leaves' - come from a collection called СРЕДИ ПРИРОДЫ (= 'In Nature' - the published French title is used for the video), dedicated to the composer's sister. The first piece seems reminiscent of Lyapunov, but the energy and directness of expression of the second piece looks ahead to the Prokofiev of the 'Visions Fugitives'. / Played by Phillip Sear (http•••) (Email: •••@••• WhatsApp: (http•••) )
Janne Rättyä Sofia Gubaidulina 2017
"De Profundis" was written and composed by Sofia Gubaidulina, and performed by Janne Rättyä for Yórgos Lánthimos' motion picture "The Killing of a Sacred Deer" (2017).
Gidon Kremer Alfred Schnittke Sofia Gubaidulina Victor Kissine Kissine Mirga Gražinytė Tyla Lucas Debargue Martha Argerich David Zinman Christoph Eschenbach Konzerthaus Berlin Kremerata Baltica 1947 1997 2019
Mit unserer zehntägigen Hommage ehren wir in dieser Saison einen großen Geiger: Gidon Kremer (*1947 in Riga) gilt mit seiner kompromisslosen künstlerischen Grundhaltung als einer der tiefgründigsten und originellsten Interpreten seiner Generation. Alle Infos und Tickets: (http•••) Sein Repertoire reicht von der Klassik bis ins 20. und 21. Jahrhundert. Eng verbunden ist sein Name mit zahlreichen zeitgenössischen Komponisten wie Alfred Schnittke, Sofia Gubaidulina oder Victor Kissine, die alle mit Werken in den Programmen vertreten sind. Jungen Musikerinnen und Musikern ist Gidon Kremer seit Jahrzehnten ein wichtiger Mentor, zu ihnen gehören zum Beipspiel Dirigentin Mirga Gražinytė-Tyla und Pianist Lucas Debargue. Wie sie reist natürlich auch sein 1997 gegründetes Nachwuchs-Kammerorchester Kremerata Baltica an den Gendarmenmarkt – und langjährige musikalische Freunde von Weltruf wie Martha Argerich, David Zinman und Christoph Eschenbach.
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- cronología: Compositores (Europa). Intérpretes (Europa).
- Índices (por orden alfabético): G...