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Ring️️ 0426662070 #ankit To book your #DreamMoments #WeddingDreamsAustralia NO COPYRIGHT INFRINGEMENT INTENDED. Songs used belong to their respective owners. I do not own or claim to own any songs used in this video. #gettingmarriedWeddingDreamsAustralia #weddingphotographysydney #sydneyweddingphotographer #sydneyweddingphotography #WeddingVideographerSydney #weddingvideographysydney #weddingphotographypackages #weddingvideosSydney #sydneyweddingvideographer #weddingcinematography #bestweddingphotographerssydney #PreWeddingPhotographySydney
Vladimir Kastorsky Tchaikovsky Melnikov Gabel Glinka Mussorgsky Dargomyzhsky Delibes Rimsky Korsakov Schubert Borodin Beethoven Schumann Mariinsky Theatre Bolshoi Theatre Scala Private Opera 1870 1892 1893 1894 1898 1907 1908 1909 1918 1923 1930 1948
Владимир Касторский. Aриозо Кочубея "Мазепа" ,П.И. Чайковский. Vladimir Kastorsky. Kotchubey's Ariozo from the opers "Mazepa" by P.I.Tchaikovsky. Vladimir Kastorsky (1870, Yaroslavl region -1948, Leningrad)- the Russian operatic and chamber singer (bass). As a child he sang in a church choir. Then he studied with his cousin A. Kastorsky and took some lessons from an Italian singer A. Cotonou. In 1892 he moved to St. Petersburg where he learned his vocal art at the "Free choir class," the charity project of Melnikov. In 1893 he entered the St. Petersburg Conservatory, the course of C. Gabel, who a year later expelled the student for "voiceless and incompetence". Later C. Gabel admitted his error. In 1894 he made his debut in opera in Pskov. Vladimir surved for the operatic stage about 45 years, his repertoire included 35 roles. In 1898—1918 and 1923—1930 he was a soloist of Mariinsky Theatre, and in 1918—1923 of Bolshoi Theatre, performing Ruslan and Susanin ("Ruslan and Ludmila" and " Life for the Tsar" by M.Glinka), Pimen ("Boris Godunov" by Mussorgsky), Gremin and Kotchubey ("Eugene Onegin" and "Mazepa" by Tchaikovsky),Miller ("Rusalka" by Dargomyzhsky), Count Almaviva and Leporello ("The Marriage of Figaro" and "Don Giovanni" by Mozart), Vladimir Galitsky ("Prince Igor" by Borodin),Nilakanta ("Lakme" by Delibes). Vladimir Kastorsky was extremely successful in R.Wagner's operas: Wotan ("The Ring of the Nibelung") and Wolfram ("Tannhauser"), among others. In 1907 he organized a vocal quartet to promote Russian folk songs and toured with it in Russia and Europe. In 1907-1908 he participated in Sergei Diaghilev's Russian Seasons. The singer was the first performer of parties in Paris: Ruslan ("Ruslan and Ludmila" by Glinka, 1907), Pimen ("Boris Godunov" by Mussorgsky, 1908), Prince Yuri Tokmakov ("The Maid of Pskov" and Rimsky-Korsakov, 1909). He also was heard at La Scala (1908), as well as in in Prague, Berlin, Rome, Munich, London, Harbin, Japan, Moscow (Theater Aquarium, Zimin's private Opera), Kiev, Odessa,Tiflis, and many other cities. He taught at Mariinsky Theatre, Leningrad's Art Studio and at the Saint Petersburg Conservatory. Until the end of life he performed as a chamber singer, performing Glinka, Dargomyzhsky, Mozart, Schubert, Borodin, Mussorgsky, Rimsky-Korsakov, Tchaikovsky, Beethoven and Schumann.
Bertold Hummel Hummel Berger Hesse Schott Streicher Weise Klage 1925 1984 1985 2002
Bertold Hummel +••.••(...)) POEM for Violoncello and Strings Op. 80 (1984) I. II. 11:26 Julius Berger, Violoncello Chamber Orchestra University of Music Würzburg Conductor: Günther Wich Recording: 1985 Content and form are taken in a subjective way from the Steps poem by Hermann Hesse. The brief motifs that appear everywhere reflect in "magical formula script" the parable of the Glass Bead Game, which cyclically moves from a game with coloured beads to a game with symbols. Magic and dreams, starting out and feelings of regret, parting and transfiguration, these are the moods, often following one another in rapid succession - at the root of all this lies the thirst for life and the longing for suffering and wholeness. Bertold Hummel Publisher: Schott Music (http•••) / Bertold Hummel +••.••(...)) POEM für Violoncello und Streicher op. 80 (1984) I. II. 11:26 Julius Berger, Violoncello Kammerorchester der Hochschule für Musik Würzburg Dirigent: Günther Wich Aufnahme: 1985 Inhalt und formale Gestaltung sind in subjektiver Weise dem Stufengedicht abgewonnen. Die vielfach aufscheinende Kurzmotivik der beiden Teile lehnt sich in "magischer Formelschrift" dem Gleichnis des Glasperlenspiels an, das im Ring zum Spiel mit bunten Perlen, zum Spiel mit Symbolen wird. Zauber und Traum, Aufbruch und Klage, Abschied und Verklärung sind die Stimmungen, die oft in raschem Wechsel aufeinander folgen - untergründig der Durst nach Leben und die Sehnsucht nach Leid und Vollendung. Bertold Hummel Verlag: Schott Music (http•••)
Elisabeth Höngen Ferdinand Leitner Schumann Freund 1822 1950
Here is the great German mezzo-soprano Elisabeth Höngen with the noted German conductor Ferdinand Leitner at the piano. They perform Schumann's op. 42, "Frauenliebe und -leben" (A Woman's Love and Life), in this 1950 recording. 1. "Seit ich ihn gesehen" 0:00 2. "Er, der Herrlichste von allen" 2:24 3. "Ich kann's nicht fassen, nicht glauben" 5:40 4. "Du Ring an meinem Finger" 7:43 5. "Helft mir, ihr Schwestern" 10:37 6. "Süßer Freund, du blickest mich verwundert an" 12:31 7. "An meinem Herzen, an meiner Brust"16:58 8. "Nun hast du mir den ersten Schmerz getan" 18:22
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- cronología: Cantantes líricos.
- Índices (por orden alfabético): R...