Emmy Bettendorf Vídeos
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2024-05-15
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Reiter Bettendorf Diana Syrse Bauer Mayer 1937 2012 2015 2016 2020 2021
Aufzeichnung des Konzertes vom 08. Juni 2021, schwere reiter musik Mit KP Werani (Viola-Solo) 00:00:00 Start 00:05:00 Carl Christian Bettendorf: Souvenir für Viola solo und Elektronik (2012) 00:17:10 Diana Syrse: Asylum für Viola solo und Zuspielung (2015) 00:29:10 Michael E. Bauer: Melt Down (After Kubrick: Orange) für Viola solo (2020) 00:45:29 Alexander Strauch: limiti, stanze e passaggi für Viola solo und Live-Elektronik (2021) 01:09:25 Markus Muench: Lakehurst N.Y. 5-6-1937 für Viola solo und Elektronik (2016) 01:21:44 Philipp C. Mayer: Flutter - Dance - Beat für Viola solo und Elektronik (2020/21) Klangregie: Zoro Babel
Schiff Emmy Bettendorf Richard Wagner 1928
Soprano Emmy Bettendorf sings "Jo-ho-hoe! Traft ihr das Schiff" (Senta's ballad from act II of Der fliegende Holländer by Richard Wagner) on Decca record 25075, played on an EMG Mark Xb Oversize gramophone with a Meltrope III soundbox and a Burmese Colour Needle. Recorded February 17, 1928. #EMGgramophone #Phonograph #Opera #ClassicalMusic
Cornelis Bronsgeest Julius Stockhausen Stockhausen Schulz Richard Wagner Mozart Richard Strauss Sir Thomas Beecham Bayreuth Gast Anton Sistermans Gemma Bellincioni Emmy Bettendorf Frida Leider Morrison Rossini Barber Rundfunk Sinfonieorchester Berlin Rundfunkchor Berlin Staatsoper Berlin Staatsoper Bayreuth Festival 1878 1900 1906 1910 1914 1919 1920 1922 1924 1933 1935 1944 1945 1957
Cornelis Brongeest - Tannhauser - Lied am den abendstern- Parlophone P317 enregistré en 1910 Cornelis Bronsgeest (24 July 1878 in Leiden - 22 September 1957 in Berlin) was a Dutch bass-baritone who made his career in Germany. Born to a bourgeoisie catholic family from Leiden cultivating arts and after discovering his musical talent, Bronsgeest decided to give up career as an architect and became an opera singer, touring internationally. Bronsgeest is linked to the beginnings of radio at the beginning of the 20th century. He founded two major institutions, the Berliner Rundfunk Orchester (now the Rundfunk-SinfonieOrchester Berlin) and the Berliner Rundfunck Chor (now the Rundfunkchor Berlin).He directed the opera department at Berlin radio and was a stage manager with Berliner Theater der Jugend. Cornelis Bronsgeest completed his musical studies in Germany under the supervision of Pr. Julius Stockhausen in Frankfurt and Richard Schulz-Dornburg in Berlin. Bronsgeest debuted in Magdeburg in 1900. In 1906, he joined the Berlin Opera (HofOper Berlin, and then StaatsOper Berlin) where he became the first Bass-Baritone of the HofOper Berlin. He performed as a special guest of the major European Opera Houses in the Netherlands, Austria, the UK, Belgium and France with a repertoire including Richard Wagner, Wolfgang Mozart, German contemporary musicians such as Richard Strauss and the Italian repertoire. In 1914, he performed in London under Sir Thomas Beecham. In 1919 and 1920 he toured the US. He appeared at the Bayreuth Festival, as a famous Wagner performer. Bronsgeest is linked to the beginnings of radio at the beginning of the 20th century. He founded two major institutions, the Berliner Rundfunk Orchester (now the Rundfunk-SinfonieOrchester Berlin) and the Berliner Rundfunk Chor (now the Rundfunkchor Berlin). From 1924 to 1933, Bronsgeest was the Director of the Opera department of Berlin Radio. He created the concept of "ton meister" or "sound engineer" to provide the best possible audio quality. Radio opera performances were adaptated by Bronsgeest to suit broadcasting requirements. Concurrently, Bronsgeest founded in 1922 Deutsche Gast–Opera in the Netherlands, spending two years commuting between Berlin and The Hague. He led this flying Opera Society, staging singers including Anton Sistermans, Gemma Bellincioni, Emmy Bettendorf, Leo Schutzendorf, Frida Leider and Louis Morrison. In 1933, Bronsgeest was forced by the Nazi regime to give up his position at Berlin Radio. However he continued to perform and direct the Berliner Theater der Jugend from 1935 to 1944. He provided opera performances with a small Opera troupe for German soldiers during World War II. He directed Berlin's first postwar Opera performance on August 12, 1945 (Rossini’s Barber of Seville), singing the Role of Count Almaviva. The performance was staged as a chamber opera and performed before a full house, with representatives from the American military government, Critic Christian Wrickert wrote, "the attempt was an adventure, but the success justified Bronsgeest. Source : Wikipedia
Giuseppe Verdi Richard Tauber Emmy Bettendorf Seele Heckmann Odeon 1891 1895 1948 1963
Richard TAUBER (Linz, 16. V. 1891 – London, 8. I. 1948) (Tenor) Emmy BETTENDORF (*Frankfurt am Main, 16. VII. 1895 + Berlin, 20. X. 1963) (Soprano) Troubadour (Verdi). Miserere (Kerkerszene). „Hab Erbarmen, o Herr, mit meiner Seele“. Frau Heckmann-Bettendorf und C. Richard Tauber mit großem Orchester und Chor der Stattsoper Berlin. Odeon, O-9015 (Lxx 80964, xxB 6746 II) (30 cm) (*With two autograms)
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- cronología: Cantantes líricos (Europa).
- Índices (por orden alfabético): B...