Clement Woodcock Vídeos
compositor
- Inglaterra
Última actualización
2024-05-16
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Tichina Vaughn Verdi Angel Blue Eric Owens Woodcock Metropolitan Opera Seattle Opera Greek National Opera Staatstheater Stuttgart Opera Budapest Opera Graz Arena Verona Semperoper Theater Wien 1989 1990 1992 1996 1998 2003 2006 2010 2018 2019 2020 2021
Tichina Vaughn Interview on The Jim Masters Show LIVE as host Jim Masters welcomes the renowned mezzo-soprano to the show as his special guest. Tichina Vaughn has built a standout international reputation. Her formal vocal study began shortly after high school at Georgia State University, but her early years were steeped in musical activity: studying clarinet, playing in marching and concert bands, and singing as a choir member and soloist. Tichina received her Bachelor’s degree in Vocal Performance from the University of North Carolina School of the Arts in 1989. Even before her graduation, Tichina’s unmistakable voice drew attention from some of the world’s foremost opera houses – and after winning the 1989 Metropolitan Opera National Council Auditions, she joined the Met’s Young Artist Development program and made her stage debut there as Lily in the Gershwins’ Porgy and Bess in 1990. Tichina’s first leading role on a major opera stage, Amneris in a Seattle Opera production of Verdi’s Aida, arrived just two years later in 1992. Her interpretation sparked immediate attention from the opera community, and invitations to reprise the role began to pour in from companies around the globe. Soon, Tichina was recognized as an emerging Verdian mezzo-soprano, regularly taking on leading roles such as Princess Eboli in Don Carlos and the mezzo-soprano soloist in Verdi’s Requiem throughout the early 1990s. In 1996, Tichina made her European debut as Mistress Quickly in Staatstheater Stuttgart’s production of Falstaff, which marked the beginning of both her long relationship with the company and her robust European career. From 1998 to 2006, she continued to perform with the Staatstheater Stuttgart as a principal artist, eventually earning the distinction of Kammersängerin, the German honorific title for opera singers of the highest merit. Throughout her years in Stuttgart, Tichina’s list of signature roles blossomed as her aptitude for the works of Wagner became evident, culminating with her appearances as Fricka (Die Walküre) and Waltraute (Götterdämmerung) in the Staatstheater Stuttgart’s full recording of Wagner’s Ring cycle via Naxos in 2006. Now one of opera’s most sought-after mezzo-sopranos, Tichina has quite literally performed around the globe, with previous engagements on international stages including the National Opera Hong Kong, Greek National Opera, Budapest National Opera, Hamburg Opera, Opera Graz, and countless others. She made numerous appearances with the Arena di Verona summer festival in Italy starting in 2003, and from 2010 to 2018, she was engaged as a principal artist at Semperoper Dresden. In addition to her 1989 Metropolitan Opera National Council Auditions award, Tichina is the recipient of the Opera Index Vocal Award, Living Heritage Foundation Award, the Consul General’s Award for Cultural Diplomacy from the Consulate General Milan, and many other prestigious accolades.. Tichina returned to the Metropolitan Opera to reprise the role of Lily for the first time at the Met since her 1990 debut. She can be heard on the 2020 recording of the same production with Angel Blue and Eric Owens, which won Best Opera Recording at the 2021 GRAMMY Awards. An active voice teacher and mentor, Tichina returned to North Carolina in October 2019 and February 2020 as an artist-in-residence at her alma mater, the University of North Carolina School of the Arts. At UNCSA, Tichina led a series of master classes and mentored fellows of the A.J. Fletcher Opera Institute one on one, offering private vocal coaching and individualized career counseling. UNCSA School of Music interim dean Tony Woodcock described the residency as “a real plus for our graduate students as they transition to roles as entrepreneurial professional artists… and all of our voice students (are) inspired by her wisdom and her artistry.” Tichina has continued to perform,including an October 2020 production of Porgy and Bess with Austria’s Theater an der Wien. The current season includes role debuts at the Metropolitan Opera as the Innkeeper in Boris Gudonov and Maria in Porgy and Bess as well as house debuts in Boston (Champion), Cincinnati (Aida), and Utah (The Flying Dutchman). Subscribe to our YouTube channel and click the notification bell so you never miss any of our series episodes. If you enjoyed this video episode, please give it a thumbs up like and leave a comment for us! Thank you! Like! Follow! Subscribe! Facebook: www.facebook.com/jimmasterstv Instagram: www.instagram.com/jimmasterstv Twitter: www.twitter.com/jimmasterstv #TichinaVaughn #TichinaVaughInterview #TichinaVaughnsoprano #thejimmastersshow #thejimmastersshowlive #jimmasterstv
William Sweeney Watts Vivaldi Burns Woodcock Groves Thorn Thomson 1775 1950 1987
Sarah Watts bass clarinet Paul MacAlindin conductor Westlin Winds in Autumn (after Autumn from Vivaldi’s Four Seasons) commissioned by The Glasgow Barons with support from Creative Scotland Premiered 21.4.22 in Govan and Linthouse Parish Church Born in Glasgow, on Jan 5th, 1950. William Sweeney is a Scottish composer. He worked as a woodwind tutor for a number of years and later taught composition at the University of Glasgow. Sweeney's interest in Scottish traditional music is audibly present throughout his oeuvre. The textures of Salm an Fhearainn (1987), for 18-part a cappella choir, are derived from the heterophonic style of Gaelic psalm-singing, while Nine Days, for clarinet with drone, is cast in the form of a piobaireachd. Many works have been written for the clarinet, but the output covers a wide range of instrumental, orchestral, electronic and vocal forces. Sarah Watts has an international reputation for performance, research and teaching, specialising in low clarinets. She taught bass clarinet at the Royal Northern College of Music and is Director of Performance at Sheffield University. She hosts bass clarinet and clarinet courses on the Isle of Raasay in Scotland and runs other wind chamber music courses in the UK and France. Robert Burns: Now westlin winds, and slaught'ring guns Bring Autumn's pleasant weather; The moorcock springs on whirring wings, Amang the blooming heather: Now waving grain, wide o'er the plain, Delights the weary farmer; And the moon shines bright, as I rove by night, To muse upon my charmer. The paitrick lo'es the fruitfu fells; The plover lo'es the mountains; The woodcock haunts the lonely dells; The soaring hern the fountains: Thro lofty groves, the cushat roves, The path o man to shun it; The hazel bush o'erhangs the thrush, The spreading thorn the linnet. We'll gently walk, and sweetly talk, While the silent moon shines clearly; I'll clasp thy waist, and fondly prest, Swear how I lo'e thee dearly: Not vernal show'rs to budding flow'rs, Not Autumn to the farmer, So dear can be, as thou to me, My fair, my lovely charmer! Now, Westlin Winds – originally titled Song Composed In August – is one of Robert Burns’ earliest songs, although he revised it several times. It was first written, in standard English, in 1775 at the time of the 16-year-old Burns’ infatuation with a girl called Peggy Thomson of Kirkoswald.
Sammartini John Baston William Babell Robert Woodcock Giuseppe Sammartini Laurin Wassenaer 1690 1695 1708 1723 1728 1750
00:00 Concerto a piu istromenti in F major (for fifth flute) (Giuseppe Sammartini, 1695-1750): Allegro - (Siciliano) - Allegro assai 12:24 Concerto No.5 in D major (for sixth flute) (John Baston, fl. 1708-39) Allegro - Andante - Presto 17:42 Concerto No.1 in D major (for sixth flute) (William Babell, c1690-1723) Allegro - Adagio - Allegro 26:23 Concerto No.4 in A major (for sixth flute) (Babell) Allegro - Adagio - Allegro 34:29 Concerto No.2 in A major (for sixth flute) (Robert Woodcock, 1690-1728) Allegro - Adagio - 1st Minuett; 2nd Minuett; 1st Minuett da capo 43:11 Concerto No.3 in D minor (for sixth flute) (Babell) Adagio - Allegro - Adagio - Allegro 54:53 Concerto No.2 in D major (for sixth flute) (Babell) Adagio - Allegro - Adagio - Allegro 1:02:00 Concerto No.3 in D major (for sixth flute) (Woodcock) Allegro - Siciliana - Vivace Dan Laurin, recorder Orchestra ¨Van Wassenaer¨ - Makoto Akatsu, violin & director
Saint Saens George Li Paton Chopin Oberlin Byun Shi Woodcock Haydn Beethoven Mendelssohn Mozart Schumann Ling Tao Benjamin Zander Eduardo Marturet Botti Christian Lindberg Lindberg McPhee Rachmaninoff Waring Cleveland Orchestra Boston Philharmonic Orchestra Brooklyn Philharmonic Waltham Symphony Orchestra Princeton Symphony Orchestra Albany Symphony Orchestra Lexington Symphony Steinway Hall Carnegie Hall 1995 2008 2010
May 29, 2008, 12 years old George Li performed this with Simon Bolivar Youth Symphony Orchestra of Venezuela under the paton of Sarah Ioannides, at Caracas, Venezuela. George's Website: (http•••) 2010 is the Milestone Year for the 15-year-old pianist George Li. In July, George performed Chopin's Piano Concerto No. 1 with the Cleveland Orchestra and won first prize in the Cooper International Piano Competition 2010; the prize package includes a full, four-year scholarship to the Oberlin Conservatory of Music and concerto performances in Beijing and Shanghai, China. In November, George won first prize in the Young Concert Artists (YCA) International Auditions, awarding him debut recital opportunities in New York, Washington D.C., and Boston, as well as Performance Management services by YCA. Born in August 1995, George Li (黎卓宇) is a 10th grade student at the Walnut Hill School and the New England Conservatory (NEC) Preparatory School, where he studies piano with Ms. Wha Kyung Byun (卞和暻). George's previous piano teachers include Mrs. Dorothy Shi (杨镜钏) and Mr. Yin Chengzong (殷承宗). Since his first public performance at Boston Steinway Hall at the age of nine, George has gained significant attention as a recitalist, chamber musician, and soloist with orchestra. George has appeared at the opening ceremony of Boston's new Institute of Contemporary Art, at the inauguration of President Tony Woodcock at New England Conservatory, solo recital at Boston's Steinway Hall, and performed with the Cleveland Orchestra at Severance Hall. He also played at New York's Carnegie Hall in new TV series produced by the popular NPR radio show, From the Top. In addition, he has been featured on WBZ-TV's Liz Walker Show and ABC's Martha Stewart Show. George was presented by the Hilton Head International Piano Competition and by the Gina Bachauer International Piano Competition to perform solo recitals. He has been invited to perform in the "Prodigies & Masters of Tomorrow" event of the Discovery Series organized by the Miami International Piano Festival. As an active chamber musician, George is the pianist of New England Conservatory's Vivace Trio. The Trio has performed on From the Top's radio series, at the NEC's annual gala, Feast of Music. The ensemble also performed for members of US Congress at Senate Office Building, Washington D.C., as well as for NPR at WGBH. George has performed Haydn's Concerto No. 11, Beethoven's Concerto No. 1, Saint Saens' Concerto No. 2, Mendelssohn's Concerto No. 1, Mozart's Concerto No. 21, Schumann's Concerto and Chopin's Concerto No. 1 with symphony orchestras. These orchestras include the Cleveland Orchestra (Jahja Ling conductor); Xiamen Philharmonic (China; Tao Lin conductor), Symphony Pro Musica (Mark Churchill conductor), Simon Bolivar Youth Symphony Orchestra of Venezuela (Venezuela; Sarah Ioannides conductor), Boston Philharmonic Orchestra (Benjamin Zander, conductor), Brooklyn Philharmonic Orchestra (Arkady Leytush conductor), Spartanburg Philharmonic Orchestra (Sarah Ioannides conductor), Miami Symphony Orchestra (Eduardo Marturet conductor), Waltham Symphony Orchestra (Patrick Botti conductor), Nordic Chamber Orchestra Sweden (Christian Lindberg conductor), Princeton Symphony Orchestra (Benjamin Zander, conductor), Albany Symphony Orchestra (David Alan Miller conductor), Lexington Symphony Orchestra (Jonathan McPhee), and Orchestra "I Solisti di Perugia" (Spoleto, Italy). George is also invited to perform Rachmaninoff Concerto #2 with Ridgewood Symphony Orchestra (Arkady Leytush conductor) George won first prizes in MMTA piano competition at the age of 6 and 7. George won second prizes in both the Virginia Waring International Piano Competition and the World Piano Competition at the age of nine. In 2008, George won the second prize in the Gina Bachauer International Piano Junior Artist Competition. In 2010, George won the first prize in the Cooper International Piano Competition in July; George also won the first prize in the Young Concert Artists International Auditions in November.
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- cronología: Compositores (Europa).
- Índices (por orden alfabético): W...