Clara Buttd Vídeos
contralto inglesa (1872–1936)
- mezzosoprano
- música clásica
- Reino Unido
- cantante de ópera
Última actualización
2024-05-10
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Por favor suscríbete y deja un like @THE VIRTUAL VIOLIN TUTOR Entrevista con el maestro William Harvey - musico Compositor, Violinista y Director de orquesta. quien actualmente ocupa el puesto del Concertino de la Orquesta Sinfónica Nacional de México. Con su organización Culturas en Armonía (Cultures in Harmony) ha recorrido medio mundo viajando en ocasiones a lugares de escasos recursos socio- económicos ayudando a crear oportunidades para superación personal a través la música. Afganistán, Papua Nueva Guinea, Camerún, Egipto, Pakistán, India, Argentina son solo algunos de los paises que ha visitado con el propósito de crear puentes entre culturas usando como plataforma su Proyecto - Cultures in Harmony. Para conocer mas sobre las actividades pasadas y recientes visite: www.culturesinharmony.org ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: En esta entrevista maestro William nos cuenta sobre sus inicios y primeros años como violinista y primeros años de su carrera profesional con una increíble historia que lo ha incentivado a crear un movimiento ciudadano con el propósito de crear puentes entre las culturas uniendo la pasión por la música con las políticas. La misión ultima de sus esfuerzos como musico es influir positivamente en el mundo actual con la esperanza de crear una humanidad mas fraterna y compasiva. :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: Los videoclips que muestran el trabajo de Cultures in Harmony en Pakistán son extractos de la película "Liberating Bach's Butterfly", realizada para Dawn (televisión nacional de Pakistán) por Umbreen Butt en 2009.
Рейнгольд Морицевич Глиэр Boris Lyatoshinsky Lyatoshinsky Butt Philharmonia Orchestra 1874 1875 1895 1956 1968
Reinhold Moritzevich Glière (Russian: Рейнгольд Морицевич Глиэр, Ukrainian: Ре́йнгольд Мо́ріцевич Гліер / Reingol'd Moritsevich Glier; born Reinhold Ernest Glier, which was later converted for standardization purposes; 11 January 1875 [O.S. 30 December 1874] – 23 June 1956), was a composer in the Russian Empire and Soviet Union, of German and Polish descent. Violin Concerto in G minor, Op. 100 (1956) completed by Boris Lyatoshinsky +••.••(...)) One movement Yuko Nishino, violin and the Philharmonia Orchestra conducted by Yondani Butt It should be noted that despite the allocation of an opus number, the work was actually completed from the sketches by the Ukrainian composer, Boris Lyatoshinsky. We are not told in the liner notes how much input from Lyatoshinsky was involved or whether this is merely a completion of the opening movement of Gliere's projected work: it sounds like a torso, rather than a concerto that was conceived in one movement, and Gliere's late cello and horn concertos were both written in the conventional three movement form.
Louise Kirkby Lunn Kirkby Lunn Greenwood Jacques Bouhy Louise Homer Schumann Drury O Brien Massenet Gluck Clara Butt I Sang Henry Wood Carl Rosa Opera Company Covent Garden 1899 1901 1902 1904 1914 1921 1922
From Cantabile-Subito Louise Kirkby Lunn "She was born in Manchester and studied with J.H. Greenwood, afterwards with Alberto Antonio Visetti in London. Further studies with the renowned Jacques Bouhy in Paris (Louise Homer was also a student of him). She made her early debut as Margaretha in Schumann’s Genoveva at the Drury Lane Theatre in London. Later she appeared in Délibes’ Le Roi l’a dit (!). She considered her real debut as Nora in Charles Standford’s opera Shamus O’Brien. She also sang at the Harris Opera Theatre and at the Carl Rosa Opera Company. From the very beginning she loved to sing on the concert platform. After her marriage in 1899 she had planned to terminate her career, but in 1901 she continued singing and signed a contract with Covent Garden. She was an important member at this famous opera house until 1914 (and again in the season 1921/22). She participated in some first opera performances: Massenet’s Hérodiade, Saint-Saëns’ Hélène and Gluck’s Armide. In 1902 she was invited to the Metropolitan where she debuted as Ortrud. Within the next two years she also sang Brangäne and Amneris. She toured America in 1904 where she was heard as Kundry (first performances of the opera in English) and this role was one of her greatest achievements. She created the role of Dalila in Saint-Saëns’ opera Samson et Dalila in the first English performance at Covent Garden. Despite her great success on stage she made many concert appearances and she became even more popular on the concert platform than in opera. She became THE great British oratorio contralto besides Dame Clara Butt. She was not only heard at the festivals of Birmingham, Sheffield and Norwich but also toured widely (USA, Australia and New Zealand). Her last opera appearance (as Amneris) took place in 1922 at Covent Garden. She continued to give concerts and recitals. At the end of her career she became a renowned singing coach." “A singer with a glorious voice and an even tone throughout a compass of well over two octaves, a singer with whom I never found fault in so much as a quaver all the years I worked with her, and who never sang out of tune. Her Brangäne at Covent Garden, her fine acting and singing as Kundry in America, and a marvellous rendering of Isolde’s Liebestod ... are among my most cherished memories of her” Sir Henry Wood, conductor
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- cronología: Cantantes líricos (Europa).
- Índices (por orden alfabético): B...