Ida Brag Vídeos
actriz sueca
- soprano
- Suecia
- actor, cantante de ópera, profesor de voz
Última actualización
2024-06-05
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Oplev den vilde, medrivende, storslåede og ikke mindst musikalske historie om Mozarts storhed og fald på Gamle Scene! Det bliver ikke større, når Det Kongelige Teater præsenterer Peter Shaffers moderne klassiker Amadeus. Kostumerne, spillerne, kulisserne og ikke mindst Mozarts fantastiske musik er fra øverste hylde, så der er lagt op til et brag af en oplevelse for hele familien i de helt rigtige omgivelser.
Franz Liszt Brag Prokofiev Chopin Bland Yep Czerny
0:00 Challenge 0:31 S.136/9 at 160 [Microphone switched from Smartphone to good Mic behind my piano (you can still hear the metronome faintly in the background, the smartphone quality was terrible] 2:51 Some thoughts to this 3:20 S.136/9 at 80 [Again switching Microphone while playing] I found the video today. This performance is what I could get after 30 minutes of practice. I don't want to brag but if I studied this piece a couple of hours every day, after a couple of weeks I could definitely pull off a performance with no errors at all, clear as day runs and better phrasing. This piece is SO much easier than anything remotely virtuosic in the standard repertoire. Prokofiev's toccata scoffs at this piece (talking solely about the difficulty) "demonstrate that it is a good tempo" First of all, this is very subjective obviously. I personally think it sounds *too fast*; however I think it is far from sounding -bad-. And that's the thing, I would choose a 140 or 150 rather for this piece, not a 80. The ricordanza argument has the big flaw that, although indeed played slower, it is to be played ANDANTINO. Liszt did change this on purpose. Which is really far away from "Allegro grazioso". The same is true for the Paysage: The Franz Liszt - youth version has Allegro sempre legato. The revised version has Poco Adagio (!!!). What an extremely dramatic change! Here is an easy explanation for this. All (literally ALL) pieces in the youth version are Moderato or higher. In fact, most of them are equivalents of Allegro actually. Do you think this is a balanced set of "groundbreaking" 12 Etudes at that time? Not at all! Not convincing to experienced musicians at that time! It would have been a little bit of a joke to release it like that, in the context of the time. (Think of Chopin's etudes). We imagine a young Liszt who wants to set the world on fire. No boring Adagio or Andante pieces! I also thought like that at that age. Andantes made me fall asleep. Well, when he got older he realized how terribly unbalanced his set of pieces was. So he decided to do some.... "alterations" to the existing pieces. Namely drastically reducing the tempo, almost half of the original. Oops, the new "Ricordanza" sounds bland and boring? Yep, that's the reason why Ricordanza has a loooooooooooooooooooot of cadenzas now. It's his substitute for the difficulty. It's even a lot more difficult now in fact, hence (and obviously due to other reasons) so much superior. (He Learned from Czerny in that regard, read his Op.200 or Op.500).
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- cronología: Cantantes líricos (Europa).
- Índices (por orden alfabético): B...