Sean Botkin Vídeos
pianista estadounidense
- piano
- música clásica
- Estados Unidos
- pianista
Última actualización
2024-06-03
Actualizar
Sinfonia London Botkin Davidson Kurtz 1998 2021
Provided to YouTube by The Orchard Enterprises Theme from “The Young and the Restless" (“Lost") — Long Version · Sinfonia of London · Perry Botkin, Jr. · Barry De Vorzon The Young and the Restless (Original Soundtrack) ℗ 1998 CPT Holdings, Inc., under exclusive license to Madison Gate Records, Inc. All Rights Reserved. Released on: 2021-07-16 Producer: Jack Allocco Producer: Jez Davidson Producer: David Kurtz Music Publisher: Screen Gems-EMI Music, Inc. (BMI) Auto-generated by YouTube.
Cara Orlando Lasso Prego Greco Falcon Woodcock Grasse Palestrina Tedesco Botkin Reinhart Friedman Lauterbach Sullivan 1532 1594 2000
Artist: The Douglas Frank Chorale Composer: Orlando di Lasso (Lassus) 1532-1594 Italian–English Translation below Matona, mia cara, / My lady, my dear, Mi folere canzon, / I want to sing Cantar sotto finestra, / A song beneath (your) window, Lantze buon compagnon. / (A German) lancer (is a) good companion. Don, don, don, diri, diri, don, don... Ti prego m'ascoltare, / Please listen to me, Che mi cantar de bon, / Because I sing well, E mi ti foller bene, / And I long for you, Come greco e capon. / Like a Greek and (his) chicken. Don, don, don, diri, diri, don, don... Comandar alle cazze, / Command me to go hunting, Cazzar con le falcon, / To hunt with my falcon, Mi ti portar becazze, / I'll bring you a woodcock, Grasse come rognon. / As fat as a kidney. Don, don, don, diri, diri, don, don... Si mi non saper dire, / If I don't know how to say, Tante belle razon, / All the beautiful phrases, Petrarcha mi non saper, / (It's because) I don't know Petrarch,* Ne fonte d'Helicon. / Nor the springs of Helicon.* Don, don, don,diri, diri, don, don... Se ti mi foller bene, / If you really want me, Mi non esser poltron, / I won't be lazy, Mi ficcar tutta notte, / I will fuck all night, Urtar come monton. / Thrusting like a ram. Don, don, don, diri, diri, don, don... * Petrarch +••.••(...)) was a poet admired for his love sonnets. Helicon was the mountain where the nine Greek muses of the arts dwelt; poets were supposed to have imbibed from its springs. The Franco-Flemish composer and singer Orlando di Lasso (Lassus) was one of the most highly respected and revered musicians of his day. More than any other composer of the Renaissance, his works embody the spirit of the cosmopolitan "Renaissance Man." Often ranked alongside Palestrina as a principal composer of 16th century sacred music, Lassus also composed a considerable amount of secular compositions, revealing his versatility and excellence in the art of vocal composition. He frequently wrote letters that abruptly switched languages – from Dutch to French, German, Italian and Latin – apparently because he could. Matona, mia cara, is a wonderful example of Lassus' ability to go from church composer to a worldly artist. A tedesco in the villanella tradition, this work is a delightfully bawdy depiction of a German mercenary soldier who tries desperately in an unfamiliar language and strange land to win the affections of an Italian lady. Full of puns and imperfect Italian, the rustic setting of the text to music enhances the comic story behind the poem. S: Sara Botkin, Melissa Raymond, Cynthia Shaw A: Grace Check, Ariane Reinhart T: Thom Baker, Marcos Vigil B: Steve Friedman, Gregg Lauterbach, Mark Sullivan "The A Cappella Singer" by The Douglas Frank Chorale Original CD Recorded May 2000 Now Available Digitally "You'll love the performers." – The NY Times "This CD takes you to another place, another time, and a higher plane. What is most remarkable about this CD, since many of the selections are familiar to conductors and singers, is the truly stunning ensemble performance of these professional singers – I would venture to say transformational – creating music and a recording of it that is special and rare."
Thomas Morley Giovanni Gastoldi Botkin Reinhart Friedman Lauterbach Sullivan 1557 1591 1594 1602 2000
Artist: The Douglas Frank Chorale Composer: Thomas Morley (c.1557-1602) Sing we and chant it, while love doth grant it, Fa-la-la... Not long youth lasteth, and old age hasteth; Now is best leisure to take our pleasure. Fa-la-la... All things invite us now to delight us, Fa-la-la... Hence, care, be packing, no mirth be lacking; Let spare no treasure to live in pleasure. Fa-la-la... English composer, Thomas Morley, was a staunch proponent of Italian music. He used his treatise, A Plaine and Easie Introduction to Musicke (1594) to extol the virtues of newer Italian composers and their techniques. Morley was obviously taken with a collection of balletti by Mantuan composer, Giovanni Gastoldi, published in 1591. He borrowed tunes from and modeled Sing We and Chant It directly after Gastoldi's balletto, A Lieta Vita (To Happy Life). Though set to voices, the Italian balletto was designed to be danced to at either courtly ceremonies or theatrical entertainments; hence, its bright and playful rhythmic qualities. It is unclear whether the English adaptations were also meant for choreographic use. Nevertheless, they retain the flavor of their Italian prototypes. The "fa-la-la" refrains are typical of the form / inviting imagination / as are the homophonic settings; the repeating stanzas, strophically set to music; and the lighthearted nature of the text. S: Sara Botkin, Cynthia Shaw S: Grace Check, Melissa Raymond A: Ariane Reinhart T: Thom Baker, Marcos Vigil B: Steve Friedman, Gregg Lauterbach, Mark Sullivan "The A Cappella Singer" by The Douglas Frank Chorale Original CD Recorded May 2000 Now Available Digitally "You'll love the performers." – The NY Times "This CD takes you to another place, another time, and a higher plane. What is most remarkable about this CD, since many of the selections are familiar to conductors and singers, is the truly stunning ensemble performance of these professional singers – I would venture to say transformational – creating music and a recording of it that is special and rare."
Thomas Morley Orazio Vecchi Botkin Reinhart Friedman Lauterbach Sullivan 1557 1602 2000
Artist: The Douglas Frank Chorale Composer: Thomas Morley (c.1557-1602) Recorded May 2000 April is in my Mistress' face, And July in her eyes hath place. Within her bosom is September, But in her heart, a cold December. English composer, Thomas Morley, chose mainly to compose lighter forms of music. A more serious type of vocal music was the madrigal. This seriousness was reflected in the type of poetry chosen and the manner in which it was set to music. While Morley rarely delved into the world of the ultra-serious, his madrigal, April is in my Mistress' face, is a remarkable example of his concisely elegant and refined style. In the text, one month from each season of the year is used metaphorically to describe the characteristics of the poet's "mistress." The text is a translation of Nel vis'ha un vago Aprile, composed by Orazio Vecchi from his Book of Canzonets à 6, though Morley did not use Vecchi's music. The turn from sweet, tertian duets used for April and July to minor, melancholic subdominant and mediant harmonies for September and "cold" December is an effective means of depicting the dual-faceted nature of the lady in the poem, and perhaps of love itself. S: Sara Botkin, Melissa Raymond, Cynthia Shaw A: Grace Check, Ariane Reinhart T: Thom Baker, Marcos Vigil B: Steve Friedman, Gregg Lauterbach, Mark Sullivan "The A Cappella Singer" by The Douglas Frank Chorale Original CD Recorded May 2000 Now Available Digitally "You'll love the performers." – The NY Times "This CD takes you to another place, another time, and a higher plane. What is most remarkable about this CD, since many of the selections are familiar to conductors and singers, is the truly stunning ensemble performance of these professional singers – I would venture to say transformational – creating music and a recording of it that is special and rare."
o
- cronología: Intérpretes (Norteamérica).
- Índices (por orden alfabético): B...