Grigory Bolshakov Vídeos
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Bolshoi Theatre Pyotr Ilyich Tchaikovsky Nebolsin Grigory Bolshakov Ivan Petrov Petrov 2008
Provided to YouTube by The Orchard Enterprises Mazeppa: Act II, Scene 1, "Udar obduman... " · Bolshoi Theatre Chorus · Pyotr Ilyich Tchaikovsky · Vassily Nebolsin · Bolshoi Theatre Orchestra · Grigory Bolshakov · Ivan Petrov · Tikhon Tchernyakov Tchaikovsky: Mazeppa ℗ 2008 Music Online Released on: 2008-12-12 Auto-generated by YouTube.
Tamara Milashkina Irina Arkhipova Petrov Verdi Glafira Deomidova Laptev Bolshakov Ivan Petrov Yaroslavtsev Bolshoi 1964
Верди. ДОН КАРЛОС. Милашкина, Архипова, Петров / Найденов (фрагменты). 1964. Verdi. DON CARLO. Milashkina, Arkhipova, Petrov / Naydenov G. Verdi "Don Carlo" Kremlin Palace, Moscow; 1964 (highlights from the telecast, b/w) Elisabetta - Tamara Milashkina Eboli - Irina Arkhipova Tebaldo - Glafira Deomidova Don Carlo - Alexander Laptev Rodrigo - Alexei Bolshakov Filippo II - Ivan Petrov Il grande inquisitore - Valery Yaroslavtsev Chorus & orchestra of the Bolshoi Conductor - Asen Naydenov
Peter Tchaikovsky Samuil Samosud Modest Tchaikovsky Hertz Glafira Zhukovskaya Bolshakov Alexander Baturin Levina Bolshoi Theatre 1840 1893 1940 1960
The orchestral introduction to Tchaikovsky's "Iolanta" describing "the world of blindness" could also serve perfectly as music to accompany the present historical moment in which we live. What follows this introduction is an exact parable on what could happen in the coming future in our present world under the best of conditions. So, maybe we can see the last opera of Tchaikovsky as a good-bye present the composer made especially for all of us alive right now. As far as this "old recording" itself is concerned: it's one of the best examples I know of when it comes to what art is capable of giving us ... but art which stands outside all conceptions of passing time and space in order to give us something in the first place. 93 years ago, the artist Kazimir Malevich wrote: "art is not what it could be for us" ... and this has not changed for 93 years to the slightest degree. Tchaikovsky: Iolanta Side 1: Introduction Iolanta's scene with Marta Iolanta's Aria Lullaby For further information, see: (http•••) Peter Tchaikovsky +••.••(...)) Iolanta, Op. 69 Lyric Opera in one act Libretto: Modest Tchaikovsky after Henrik Hertz: "King René's Daughter" Boris Bugaisky - René, King of Provence Glafira Zhukovskaya - Iolanta, his daughter - Panteleimon Nortsov - Robert, Duke of Burgundy Grigori Bolshakov - Count Vaudémont, a Burgundian knight Alexander Baturin - Ibn-Hakia, a Moorish physician Alexander Khosson - Alméric, armor-bearer to King René Mikhail Solovyev - Bertrand, doorkeeper of the castle Maria Levina - Marta, Bertrand's wife, Iolanta's nursemaid Kapitolina Rachevskaya - Brigitta, Iolanta's friend Basya Amborskaya - Laura, Iolanta's friend Bolshoi Theatre Orchestra and Chorus / Samuil Samosud This recording of Iolanta was made for the 100th anniversary of Tchaikovsky's birth in 1940. (Melodiya, c. 1960's; recorded 1940) LP transfers.
Peter Tchaikovsky Samuil Samosud Modest Tchaikovsky Glafira Zhukovskaya Bolshakov Alexander Baturin Levina Bolshoi Theatre
The orchestral introduction to Tchaikovsky's "Iolanta" describing "the world of blindness" could also serve perfectly as music to accompany the present historical moment in which we live. What follows this introduction is an exact parable on what could happen in the coming future in our present world under the best of conditions. So, maybe we can see the last opera of Tchaikovsky as a good-bye present the composer made especially for all of us alive right now. As far as this "old recording" itself is concerned: it's one of the best examples I know of when it comes to what art is capable of giving us ... but art which stands outside all conceptions of passing time and space in order to give us something in the first place. 93 years ago, the artist Kazimir Malevich wrote: "art is not what it could be for us" ... and this has not changed for 93 years to the slightest degree. Tchaikovsky: Iolanta Side 4: Ending Scene and Finale For further information, see: (http•••) Peter Tchaikovsky +••.••(...)) Iolanta, Op. 69 Lyric Opera in one act Libretto: Modest Tchaikovsky after Henrik Hertz: "King René's Daughter" Boris Bugaisky - René, King of Provence Glafira Zhukovskaya - Iolanta, his daughter - Panteleimon Nortsov - Robert, Duke of Burgundy Grigori Bolshakov - Count Vaudémont, a Burgundian knight Alexander Baturin - Ibn-Hakia, a Moorish physician Alexander Khosson - Alméric, armor-bearer to King René Mikhail Solovyev - Bertrand, doorkeeper of the castle Maria Levina - Marta, Bertrand's wife, Iolanta's nursemaid Kapitolina Rachevskaya - Brigitta, Iolanta's friend Basya Amborskaya - Laura, Iolanta's friend Bolshoi Theatre Orchestra and Chorus / Samuil Samosud This recording of Iolanta was made for the 100th anniversary of Tchaikovsky's birth in 1940. (Melodiya, c. 1960's; recorded 1940) LP transfers.
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- cronología: Cantantes líricos (Europa).
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