Anner Bylsma Vídeos
violonchelista neerlandés
Conmemoraciones 2024 (Nacimiento: Anner Bylsma)
- violonchelo
- música clásica
- Reino de los Países Bajos
- violonchelista
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2024-05-05
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Johann Sebastian Bach Carella Pau Casals Christian Ferdinand Abel Anner Bijlsma Pieter Wispelwey Jaap Ter Linden Ter Linden Mstislav Rostropovich Trionfo Robert Schumann Leopold Godowsky 1717 1720 1723 1724 1908 1910 1923
Bach - Suite n. 6 in Re Maggiore BWV 1012 (Date: 1717/1723) For Classical Guitar Arranged by Domenico Carella 00:00 Prelude 04:51 Allemande 10:14 Courante 13:52 Sarabande 17:24 Gavotte I & 19:08 Gavotte II (retourn 20:36 Gavotte I) 21:32 Gigue Le Sei suites per violoncello solo di Johann Sebastian Bach sono tra le più note e più virtuosistiche opere scritte per violoncello, e si ritiene generalmente che sia stato Pau Casals a dare loro fama[4][5][6]. Furono scritte fra il 1717 e il 1723 presumibilmente per uno dei violoncellisti che all'epoca lavoravano alla corte di Köthen[7], ma vi sono anche ragioni per supporre che le ultime suites siano state concepite indipendentemente, forse per strumenti diversi dal violoncello[7]. Furono probabilmente composte nel periodo 1717–1723, quando Bach fu kapellmeister a Köthen; l'uniformità e la coerenza di queste opere suggerisce che possano essere state concepite insieme o consequenzialmente, presumibilmente per uno dei violoncellisti di Köthen, come Christian Bernhard Linigke[7] o Christian Ferdinand Abel, assai più noto come gambista[8]. È impossibile stabilire una esatta e precisa cronologia delle suites, non vi sono dati certi riguardo all'ordine con cui furono concepite e/o se fossero state scritte prima o dopo le Sonate e partite per violino solo. In ogni caso, gli studiosi – basandosi su un'analisi comparata degli stili di queste diverse opere – ritengono che le suites per violoncello furono scritte per prime, datandole prima del 1720, l'anno indicato sulla copertina della copia autografa di Johann Sebastian Bach delle Sonate e partite per violino solo.[1][9][10] ... Si può ritenere Bach un innovatore che favorisce il soppianto della viola da gamba, ma alcuni suppongono anche che sia probabile che Bach avrebbe fatto questo perché si trovò in difficoltà nel dare parti virtuosistiche alla viola da gamba.[11] Infatti il principe Leopoldo di Anhalt-Köthen, presso cui lavorava in quel momento, era un gambista e suonava le opere di Bach, ma non era un particolare virtuoso, sicché potrebbe essere risultato difficile dare alla viola da gamba parti complicate, quindi Bach, non avendo la possibilità di scrivere parti complesse per la viola da gamba, avrebbe scritto opere più ambiziose per il violoncello.[11][12] Suite n. 6 in Re Maggiore, BWV 1012: È largamente ipotizzato che la sesta suite sia stata composta per un violoncello piccolo a cinque corde, come spiegato più sopra nella sezione Filologia e controversie interpretative. I violoncellisti che vogliono suonare questa suite su un violoncello moderno a 4 corde riescono a farlo, ma incontrano più difficoltà essendo forzati a ricorrere a posizioni più alte per suonare molte delle note. Vista la difficoltà di esecuzione e di interpretazione rappresenta un punto di arrivo nella formazione violoncellistica[51]. I musicisti di musica antica che seguono una rigorosa pratica esecutiva storica usano un violoncello piccolo a 5 corde per questa suite, fra questi si ricorda Anner Bijlsma, Pieter Wispelwey e Jaap ter Linden. Questa suite è scritta in una forma molto più libera rispetto alle altre, avendo molti passaggi virtuosistici e/o simili a cadenze. È anche l'unica delle suites in cui vi siano parti che, in tutti i manoscritti, adottano la chiave di contralto, appunto per l'altezza delle note in essa, e infatti viene ampiamente esplorato, soprattutto nella Corrente, l'intero registro di questo strumento. Mstislav Rostropovich chiamò questa suite "una sinfonia per violoncello solo", infatti la sua tonalità di re maggiore evoca gioia e trionfo e dà alla suite un carattere luminoso. Questa atmosfera raggiante e calorosa si manifesta sin dal Preludio, in cui il ritmo a terzine con due suoni ripetuti introduce ad una dimensione molto vivace e festosa rispetto alla quinta suite; tale atmosfera è ripresa nelle Gavotte e nella Giga. La Sarabanda e in particolar modo la Allemanda invece sono di un carattere più introspettivo e solitario ma manifestano una luminosa atmosfera di bellezza e purezza. Pau Casals la descrive come la descrizione di una scena bucolica, in cui il preludio assomiglia a una grande scena di caccia.[5] Sono state fatte trascrizioni delle suites per numerosi strumenti, fra cui viola, contrabbasso, viola da gamba, mandolino, pianoforte, clavicembalo, marimba, chitarra classica, basso elettrico, ukulele, flauto dolce, corno francese, sassofono, clarinetto basso, fagotto, tromba, trombone, euphonium e tuba.[4][52][53] Fra i tentativi di comporre un accompagnamento pianistico alle suites si annovera un notevole lavoro da parte di Robert Schumann, mentre nel 1923 Leopold Godowsky arrangiò le suites 2, 3 e 5 in contrappunto per pianoforte solo. Wikipedia
Staple Yo Yo Ma Johann Sebastian Bach Pablo Casals Keating Alfred Wallenstein Dimitry Markevitch Markevitch Battanchon Victor Herbert Carlo Alfredo Piatti Zara Nelsova Paul Bazelaire Franz Schmidt Gaetano Braga Raya Garbousova Ofra Harnoy Antonio Maria Bononcini Bononcini Misha Quint Bernhard Cossmann Auguste Franchomme Carlos Prieto Giovanni Sollima William Henry Squire Djokic Jacques Offenbach William Pleeth Meneses Claret Katz Schott Julian Lloyd Webber Lloyd Webber Webber Alisa Weilerstein Soyer Spalding Maurice Gendron Julius Klengel Anner Bylsma Sol Gabetta Heinrich Schiff Schiff Lynn Harrell Steven Isserlis Hauser Heitor Villa Lobos Emanuel Feuermann Jean Pierre Duport Duport
The cello is an extremely popular instrument and a staple in any orchestra. The cello is much deeper in sound than a violin but is still played with a bow. Some of historys greatest composers wrote for this powerful instrument, and, played without a symphony behind it the cello can be one of the deepest, most moving instruments in the world, especially when played by one of the musicians on this list, all of whom are considered as a best cellist! Who are the greatest cellists of all time? Who is the best cellist in the world?Since the cello has such a rich and unique sound it is often played without any other instruments; perhaps the most famous cellist of all time is Yo-Yo Ma who often prefers to play this instrument solo. He has become a household name in modern music, and brought classical music to a new generation as one of the greatest cellists and most famous cello players.This list features the all time greatest cellists ever and famous cello players, ranked by music lovers and including, Johann Sebastian Bach, Pablo Casals, Jacqueline du Pr, Zo Keating, Alfred Wallenstein, and Dimitry Markevitch. Vote up the best cello players below and see where the musicians you think are great rank!...more 0:00 - Intro 0:00:08 - Richard Aaron 0:00:15 - Hildur I. Gudnadttir 0:00:23 - Flix Battanchon 0:00:30 - Victor Herbert 0:00:37 - Andr Navarra 0:00:44 - Carlo Alfredo Piatti 0:00:51 - Zara Nelsova 0:00:58 - Paul Bazelaire 0:01:05 - Franz Schmidt 0:01:12 - Gaetano Braga 0:01:19 - Mark Summer 0:01:26 - Antonn Kraft 0:01:33 - Julia Kent 0:01:40 - Kanon Wakeshima 0:01:47 - Raya Garbousova 0:01:54 - Ofra Harnoy 0:02:01 - Friedrich Grtzmacher 0:02:08 - Antonio Maria Bononcini 0:02:15 - Misha Quint 0:02:22 - Bernhard Cossmann 0:02:29 - Auguste Franchomme 0:02:36 - Carlos Prieto 0:02:43 - Giovanni Sollima 0:02:50 - William Henry Squire 0:02:57 - Lev Aronson 0:03:04 - Denise Djokic 0:03:11 - Jacques Offenbach 0:03:18 - William Pleeth 0:03:25 - Antonio Meneses 0:03:32 - Llus Claret 0:03:39 - Paul Katz 0:03:46 - Yehuda Hanani 0:03:53 - Daniel Mller-Schott 0:04:00 - Julian Lloyd Webber 0:04:07 - Alisa Weilerstein 0:04:14 - Claus Adam 0:04:21 - David Soyer 0:04:28 - Dimitry Markevitch 0:04:35 - Jean Spalding 0:04:42 - Maurice Gendron 0:04:49 - Alfred Wallenstein 0:04:56 - Julius Klengel 0:05:03 - Anner Bylsma 0:05:10 - 0:05:17 - Benyamin Snmez 0:05:24 - Luka uli 0:05:31 - Zo Keating 0:05:38 - Sol Gabetta 0:05:45 - Heinrich Schiff 0:05:52 - Lynn Harrell 0:05:59 - Daniil Shafran 0:06:06 - Gautier Capuon 0:06:13 - Steven Isserlis 0:06:20 - Stjepan Hauser 0:06:27 - Heitor Villa-Lobos 0:06:34 - Truls Mrk 0:06:41 - Emanuel Feuermann 0:06:48 - Jean-Pierre Duport Music DreamHeaven - (http•••) Subscribe (http•••) About Us Welcome! Here are the ratings of everything that may interest you, you will definitely find something for yourself. Updated every day so you'll definitely have something to see for breakfast!
Anne Sophie Mutter Lambert Orkis Rondeau Herbert Karajan Sebastian Currier Henri Dutilleux Sofia Gubaidulina Witold Lutosławski Moret Krzysztof Penderecki Previn Wolfgang Rihm John Williams Daniel Barenboim Zubin Mehta Beethoven Brahms Schubert Mstislav Rostropovich Lynn Harrell Anner Bylsma Schott Julian Rachlin Schroeder George Crumb Richard Wernick Boyer Berlin Philharmonic English Chamber Orchestra New York Philharmonic National Symphony Orchestra Lucerne Festival Salzburg Festival Carnegie Hall 1946 1963 1976 1977 1980 1985 1986 1987 1988 1998 2000 2011
Anne-Sophie Mutter, Lambert Orkis -Mozart- Violin Sonatas [Disc 2] [Disc 2] - 01 Mozart- Violin Sonata In A, K 305 - 1. Allegro Di Molto.wav [Disc 2] - 02 Mozart- Violin Sonata In A, K 305 - 2. Tema & Variazioni, Andantino Grazioso.wav [Disc 2] - 03 Mozart- Violin Sonata In B Flat, K 378 - 1. Allegro Moderato.wav [Disc 2] - 04 Mozart- Violin Sonata In B Flat, K 378 - 2. Andantino Sostenute E Cantabile.wav [Disc 2] - 05 Mozart- Violin Sonata In B Flat, K 378 - 3. Rondeau- Allegro.wav [Disc 2] - 06 Mozart- Violin Sonata In G, K 301 - 1. Allegro Con Spirito.wav [Disc 2] - 07 Mozart- Violin Sonata In G, K 301 - 2. Allegro.wav [Disc 2] - 08 Mozart- Violin Sonata In E Flat, K 481 - 1. Molto Allegro.wav [Disc 2] - 09 Mozart- Violin Sonata In E Flat, K 481 - 2. Adagio.wav [Disc 2] - 10 Mozart- Violin Sonata In E Flat, K 481 - 3. Allegretto.wav (http•••) Anne-Sophie Mutter (born 29 June 1963) is a German violinist. She was supported early in her career by Herbert von Karajan, and has had several works composed especially for her, by Sebastian Currier, Henri Dutilleux, Sofia Gubaidulina, Witold Lutosławski, Norbert Moret, Krzysztof Penderecki, Andre Previn, Wolfgang Rihm,[1] John Williams and others. Career Mutter's playing began to receive attention and she stopped attending school to devote herself full-time to music. Conductor Herbert von Karajan arranged for her to play with the Berlin Philharmonic. Only 13 years old at the time, she made her public debut on stage in 1976 at the Lucerne Festival, where she played Mozart's Violin Concerto No. 4 in D major. In 1977, she performed at the Salzburg Festival and with the English Chamber Orchestra conducted by Daniel Barenboim. At 15, Mutter made her first recording of the Mozart Third and Fifth violin concerti with Karajan and the Berlin Philharmonic.[2] In 1980, Mutter made her American debut with the New York Philharmonic under Zubin Mehta. In 1985, at the age of 22, she was made an honorary fellow of the Royal Academy of Music (London) and head of its faculty of international violin studies and in 1986 an honorary member.[3] In 1988, she made a grand tour of Canada and the United States, playing for the first time at Carnegie Hall. In 1998 she played and recorded for CD and DVD the complete set of Beethoven's Violin Sonatas, accompanied by Lambert Orkis; these were broadcast on television in many countries. 안네 소피 무터 (Anne Sophie Mutter) 바이올리니스트 출생 - 1963년 6월 29일, 독일 수상 - 2011년 그래미어워드 최우수 실내악연주가상 경력 - 1987 루돌프 에베를레 파운데이션 (http•••) Lambert Orkis (born 1946, Philadelphia) is an American classical pianist.[1] His career has been based on many differing roles: ranging from being the collaborative pianist for Anne-Sophie Mutter for works of piano and violin chamber music since 1988 (mainly containing sonatas for violin and piano by Beethoven, Mozart, Brahms, and Schubert). In 2000, the duo was honored by a Grammy Award for their interpretation of the Beethoven violin sonatas[2][circular reference]. For eleven years, Orkis had also collaborated with the famous cellist (and conductor) Mstislav Rostropovich on chamber music recitals. From this collaboration, Rostropovich created a permanent position for Orkis, appointing him as first piano instrumentalist member of the National Symphony Orchestra during his tenure as a chief conductor in Washington, D.C. A third specialty of Lambert Orkis are his performances on period instruments but is also a specialist in contemporary music, having collaborated with the cellists Lynn Harrell, Anner Bylsma and Daniel Muller-Schott, as well as with the violinists Julian Rachlin and Jaap Schroeder. Contemporary composers such as George Crumb, Richard Wernick and James Primrosch have written piano compositions especially for him. Lambert Orkis is Professor of piano of the Boyer College of Music and Dance at Temple University in Philadelphia. #안네 소피 무터 #Anne Sophie Mutter #Lambert Orkis
Anne Sophie Mutter Lambert Orkis Herbert Karajan Sebastian Currier Henri Dutilleux Sofia Gubaidulina Witold Lutosławski Moret Krzysztof Penderecki Previn Wolfgang Rihm John Williams Daniel Barenboim Zubin Mehta Beethoven Brahms Schubert Mstislav Rostropovich Lynn Harrell Anner Bylsma Schott Julian Rachlin Schroeder George Crumb Richard Wernick Boyer Berlin Philharmonic English Chamber Orchestra New York Philharmonic National Symphony Orchestra Lucerne Festival Salzburg Festival Carnegie Hall 1946 1963 1976 1977 1980 1985 1986 1987 1988 1998 2000 2011
Anne-Sophie Mutter, Lambert Orkis -Mozart- Violin Sonatas [Disc 4] [Disc 4] - 01 Mozart- Violin Sonata In C, K 303 - 1. Adagio Molto Allegro.wav [Disc 4] - 02 Mozart- Violin Sonata In C, K 303 - 2. Tempo Di Menuetto.wav [Disc 4] - 03 Mozart- Violin Sonata In F, K 377 - 1. Allegro.wav [Disc 4] - 04 Mozart- Violin Sonata In F, K 377 - 2. Tema Con Variazioni, Andante.wav [Disc 4] - 05 Mozart- Violin Sonata In F, K 377 - 3. Tempo Di Menuetto.wav [Disc 4] - 06 Mozart- Violin Sonata In E Minor, K 304 - 1. Allegro.wav [Disc 4] - 07 Mozart- Violin Sonata In E Minor, K 304 - 2. Tempo Di Menuetto.wav [Disc 4] - 08 Mozart- Violin Sonata In A, K 526 - 1. Molto Allegro.wav [Disc 4] - 09 Mozart- Violin Sonata In A, K 526 - 2. Andante.wav [Disc 4] - 10 Mozart- Violin Sonata In A, K 526 - 3. Presto.wav (http•••) Anne-Sophie Mutter (born 29 June 1963) is a German violinist. She was supported early in her career by Herbert von Karajan, and has had several works composed especially for her, by Sebastian Currier, Henri Dutilleux, Sofia Gubaidulina, Witold Lutosławski, Norbert Moret, Krzysztof Penderecki, Andre Previn, Wolfgang Rihm,[1] John Williams and others. Career Mutter's playing began to receive attention and she stopped attending school to devote herself full-time to music. Conductor Herbert von Karajan arranged for her to play with the Berlin Philharmonic. Only 13 years old at the time, she made her public debut on stage in 1976 at the Lucerne Festival, where she played Mozart's Violin Concerto No. 4 in D major. In 1977, she performed at the Salzburg Festival and with the English Chamber Orchestra conducted by Daniel Barenboim. At 15, Mutter made her first recording of the Mozart Third and Fifth violin concerti with Karajan and the Berlin Philharmonic.[2] In 1980, Mutter made her American debut with the New York Philharmonic under Zubin Mehta. In 1985, at the age of 22, she was made an honorary fellow of the Royal Academy of Music (London) and head of its faculty of international violin studies and in 1986 an honorary member.[3] In 1988, she made a grand tour of Canada and the United States, playing for the first time at Carnegie Hall. In 1998 she played and recorded for CD and DVD the complete set of Beethoven's Violin Sonatas, accompanied by Lambert Orkis; these were broadcast on television in many countries. 안네 소피 무터 (Anne Sophie Mutter) 바이올리니스트 출생 - 1963년 6월 29일, 독일 수상 - 2011년 그래미어워드 최우수 실내악연주가상 경력 - 1987 루돌프 에베를레 파운데이션 (http•••) Lambert Orkis (born 1946, Philadelphia) is an American classical pianist.[1] His career has been based on many differing roles: ranging from being the collaborative pianist for Anne-Sophie Mutter for works of piano and violin chamber music since 1988 (mainly containing sonatas for violin and piano by Beethoven, Mozart, Brahms, and Schubert). In 2000, the duo was honored by a Grammy Award for their interpretation of the Beethoven violin sonatas[2][circular reference]. For eleven years, Orkis had also collaborated with the famous cellist (and conductor) Mstislav Rostropovich on chamber music recitals. From this collaboration, Rostropovich created a permanent position for Orkis, appointing him as first piano instrumentalist member of the National Symphony Orchestra during his tenure as a chief conductor in Washington, D.C. A third specialty of Lambert Orkis are his performances on period instruments but is also a specialist in contemporary music, having collaborated with the cellists Lynn Harrell, Anner Bylsma and Daniel Muller-Schott, as well as with the violinists Julian Rachlin and Jaap Schroeder. Contemporary composers such as George Crumb, Richard Wernick and James Primrosch have written piano compositions especially for him. Lambert Orkis is Professor of piano of the Boyer College of Music and Dance at Temple University in Philadelphia. #안네 소피 무터 #Anne Sophie Mutter #Lambert Orkis
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- cronología: Intérpretes (Europa).
- Índices (por orden alfabético): B...