Anatoliy Brandukov Vídeos
violonchelista, profesor de música, compositor
- violonchelo
- Imperio ruso, Unión Soviética
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2024-05-04
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Wassily Sapellnikoff Louis Brassin Sophie Menter Pyotr Ilyich Tchaikovsky Kotek Brandukov Franz Liszt Sergei Rachmaninoff Frédéric Chopin Percy Pitt Willem Mengelberg Thomas Beecham Landon Ronald Nikolai Medtner Basil Cameron Johann André Royal Philharmonic Rpo 1867 1888 1889 1891 1892 1897 1899 1902 1910 1912 1914 1915 1923 1929 1941
Wassily Sapellnikoff (Vasily Lvovich Sapelnikov) (2 November [O.S. 21 October] 1867 – 17 March 1941), was a Russian pianist. Sapellnikoff was born in Odessa. He studied at the Odessa Conservatory under Louis Brassin and Sophie Menter, and became professor of piano at Moscow Conservatory in 1897. He eventually moved to Leipzig and finally settled in Munich. He toured with Pyotr Ilyich Tchaikovsky in Germany, France and England. At his debut in Hamburg in 1888, he played Tchaikovsky's Piano Concerto No. 1 in B-flat minor with the composer conducting. This concert was a great success and a catalyst for his budding career as a concert pianist in Western Europe. Tchaikovsky wrote about him affectionately in his letters to his brother Modest, in terms such as: "Since the time of Kotek I have never loved anyone so warmly as him." Because they spent so much time together on these tours, it is often asserted that he and Tchaikovsky were lovers. However, Alexander Poznansky, in Tchaikovsky: The Quest for the Inner Man, writes: "As in the case of Brandukov, it seems likely that an erotic element was present in Tchaikovsky's friendship with Sapelnikov and that he recognised it as such. Both men were quite young and good-looking. Almost certainly, however, their relations remained chaste." Sapellnikoff first appeared in England in 1889 playing the Tchaikovsky concerto at a Royal Philharmonic concert, under the composer's baton, the first to play this concerto in England. He became a favourite at Philharmonic concerts, and created a furore in 1892 by his performance of Franz Liszt's E-flat Concerto, accepting a second engagement for the same season. In 1902 he delivered the first performance in England of Sergei Rachmaninoff's 2nd Piano Concerto. In December 1912 he gave Frédéric Chopin's E minor Concerto, under Percy Pitt: in January 1914 the Rachmaninoff again, under Willem Mengelberg: in November 1914 the Liszt A major Concerto, under Thomas Beecham, a performance repeated in January 1915; and the Second Suite by Rachmaninoff (for two pianofortes) with Simeon Rumschisky in December 1915. He performed the Rachmaninoff concerto again for the RPO with Landon Ronald in January 1923. Between 1897 and 1899 he was a professor at the Moscow Conservatory, where his students included Nikolai Medtner. In spring 1910 Sapellnikoff recorded 12 pieces for the reproducing piano Welte-Mignon, six from his own works. He also made various gramophone records for the Vocalion label, and recorded the 2nd Piano Concerto of Rachmaninoff for Decca Records in 1929 under Basil Cameron, though this recording was never issued and is thought now to be lost. He died in San Remo, Italy. (Wikipedia) Please take note that the audio AND sheet music ARE NOT mine. Feel free to change the video quality to a minimum of 480p for the best watching experience. Performer: Vasily Sapelnikov ((http•••) Original sheet music: imslp.org/wiki/Valse%2C_Op.1_(Sapelnikov%2C_Vasily) (Johann André, 1891)
Tchaikovsky Brandukov Wilhelm Fitzenhagen Nikolay Rubinstein Rubinstein Bülow 1872 1873 1874 1888 1946
Tchaikovsky: Six Pieces, Op. 19 (1872) IV. Nocturne. Andante sentimentale (C-sharp minor) The Six Pieces (Six Morceaux) for solo piano, Op. 19 (TH 133 ; ČW 112 to 117), were completed by Tchaikovsky in the autumn of 1873 in Moscow. A complete performance lasts around 30 minutes. Composition: The set was commissioned by the publisher Pyotr Jurgenson, but their exact dates of origin are uncertain. The completed manuscript is dated 27 October/8 November 1873, but rough sketches for the Nocturne (No. 4) and Capriccioso (No. 5) appear in the same copybook as sketches for the opera Vakula the Smith (1874), the String Quartet No. 2 (1874), and the Six Pieces on a Single Theme, Op. 21 (autumn 1873), suggesting that some of the Op. 19 pieces could have been written during the summer of 1873 at Kamenka. Arrangements: In 1888 Tchaikovsky made an arrangement for cello with small orchestra of the Nocturne (No. 4) for Anatoly Brandukov, from a transcription for Wilhelm Fitzenhagen. Performances: Rêverie du soir (No. 1) was performed for the first time by Nikolay Rubinstein in the presence of the author at a concert in Moscow on 22 February/6 March 1874. Thème original et variations (No. 6) is known to have been performed by Hans von Bülow in Moscow in April 1874, and again at the St. James's Hall in London on 7/19 November the same year, representing the earliest-known performance of any of Tchaikovsky's works outside Russia. Publication: Published by Pyotr Jurgenson in January 1874 as separate numbers, and in May 1874 as a single volume. The set was included in volume 51Б of Tchaikovsky's Complete Collected Works (1946), edited by Ivan Shishov. Autographs: Tchaikovsky's manuscript score of the complete set is now preserved in the Russian National Museum of Music in Moscow (ф. 88, No. 111). Dedications: Each piece is dedicated to a different person: Rêverie du soir (No. 1) is dedicated to Nikolay Kondratyev Scherzo humoristique (No. 2) is dedicated to Vera Timanova Feuillet d'album (No. 3) is dedicated to Anna Avramova Nocturne (No. 4) is dedicated to Monika Terminskaya Capriccioso (No. 5) is dedicated to Eduard Langer Thème original et variations (No. 6) is dedicated to Herman Laroche Related Works: In his diary entry for 11/23 July 1873, Tchaikovsky noted down themes for a projected Symphony in B-flat major, which he went on to use in the Capriccioso (No. 5).
Tchaikovsky Moro Brandukov Wilhelm Fitzenhagen Nikolay Rubinstein Rubinstein Bülow 1872 1873 1874 1888 1946
Tchaikovsky: Six Pieces, Op. 19 (1872) VI. Thème original et variations. Andante con moro (F major) The Six Pieces (Six Morceaux) for solo piano, Op. 19 (TH 133 ; ČW 112 to 117), were completed by Tchaikovsky in the autumn of 1873 in Moscow. A complete performance lasts around 30 minutes. Composition: The set was commissioned by the publisher Pyotr Jurgenson, but their exact dates of origin are uncertain. The completed manuscript is dated 27 October/8 November 1873, but rough sketches for the Nocturne (No. 4) and Capriccioso (No. 5) appear in the same copybook as sketches for the opera Vakula the Smith (1874), the String Quartet No. 2 (1874), and the Six Pieces on a Single Theme, Op. 21 (autumn 1873), suggesting that some of the Op. 19 pieces could have been written during the summer of 1873 at Kamenka. Arrangements: In 1888 Tchaikovsky made an arrangement for cello with small orchestra of the Nocturne (No. 4) for Anatoly Brandukov, from a transcription for Wilhelm Fitzenhagen. Performances: Rêverie du soir (No. 1) was performed for the first time by Nikolay Rubinstein in the presence of the author at a concert in Moscow on 22 February/6 March 1874. Thème original et variations (No. 6) is known to have been performed by Hans von Bülow in Moscow in April 1874, and again at the St. James's Hall in London on 7/19 November the same year, representing the earliest-known performance of any of Tchaikovsky's works outside Russia. Publication: Published by Pyotr Jurgenson in January 1874 as separate numbers, and in May 1874 as a single volume. The set was included in volume 51Б of Tchaikovsky's Complete Collected Works (1946), edited by Ivan Shishov. Autographs: Tchaikovsky's manuscript score of the complete set is now preserved in the Russian National Museum of Music in Moscow (ф. 88, No. 111). Dedications: Each piece is dedicated to a different person: Rêverie du soir (No. 1) is dedicated to Nikolay Kondratyev Scherzo humoristique (No. 2) is dedicated to Vera Timanova Feuillet d'album (No. 3) is dedicated to Anna Avramova Nocturne (No. 4) is dedicated to Monika Terminskaya Capriccioso (No. 5) is dedicated to Eduard Langer Thème original et variations (No. 6) is dedicated to Herman Laroche Related Works: In his diary entry for 11/23 July 1873, Tchaikovsky noted down themes for a projected Symphony in B-flat major, which he went on to use in the Capriccioso (No. 5).
Tchaikovsky Brandukov Wilhelm Fitzenhagen 1856 1887 1888 1889 1930
Tchaikovsky: Pezzo capriccioso in B minor, Opus 62 The Pezzo capriccioso in B minor, Opus 62 (TH 62 ; ČW 61), was Tchaikovsky's second composition for cello and orchestra, written in August 1887. Instrumentation: Pezzo capriccioso is scored for solo cello and an orchestra consisting of 2 flutes, 2 oboes, 2 clarinets (in A), 2 bassoons + 4 horns (in F) + 2 timpani + violins I, violins II, violas, cellos, and double basses. Duration: The piece is in one movement: Andante con moto (B minor, 208 bars), lasting approximately 7 minutes in performance. Composition: The composition of the piece was begun at Aachen after 8/20 August 1887. On 12/25 August, Tchaikovsky noted in his diary: "Worked on a cello piece". On 14/26 August he noted: "Finished the cello piece in rough". In a letter to Anatoly Brandukov of 13/25 August, Tchaikovsky reported: "I have written a small cello piece, and would like you to look through it, and put the final touches to the cello part". By 15/27 August he had begun to make the cello-piano arrangement of the piece, and on 19/31 August he began the instrumentation. Staying at Aachen with the seriously-ill Nikolay Kondratyev (whom Tchaikovsky had come especially to see) took a considerable toll on the composer's morale. Having awaited the arrival of Kondratyev's nephew, Tchaikovsky left for Russia on 25 August/6 September. From Berlin he wrote to Brandukov: "I did not manage to finish the piece at Aachen. I shall put it aside until I can confer with you in Saint Petersburg, or when we meet in Moscow". He added: "The piece seems to have turned out rather poorly". On 28 August/9 September, Tchaikovsky arrived in Saint Petersburg, and on 30 August/11 September he sent Pyotr Jurgenson the finished piece, in piano arrangement and full score, asking that the arrangement be given to Wilhelm Fitzenhagen, so that he "might look over the cello part and suggest any markings specific to the soloist. I've written the full score anyway, and I don't mind whether or not you print it or the parts; but I would be very glad if you print the piano arrangement. This piece is the single fruit of my musical spirit from the whole summer". Arrangements: As noted above, Tchaikovsky also arranged the work for cello and piano, between 15/27 August 1887 and 30 August/12 September. Performances: The first performance of the Pezzo capriccioso took place on 16/28 February 1888 at the home of Marie de Benardaky, during Tchaikovsky's visit to Paris; the cello part was played by Anatoly Brandukov, and the piano part by the author. The first performance with orchestral accompaniment was given by Anatoly Brandukov in Moscow at a special concert of the Russian Musical Society on 25 November/7 December 1889, conducted by Tchaikovsky. Publication: The Pezzo capriccioso was published by Pyotr Jurgenson in 1888: the orchestral parts in January, and the arrangement for cello with piano in March. Publication of the full score was delayed because Tchaikovsky had taken the manuscript abroad with him, and only returned it to Jurgenson on 24 April/6 May 1888. The full score was printed in July the same year. Autographs: Tchaikovsky's manuscript full score (ф. 88, No. 98) and arrangement for cello and piano (ф. 88, No. 99) are both now preserved in the Russian National Museum of Music in Moscow. In the full score most of the cello part is written in Anatoly Brandukov's hand. Dedication: To Anatoly Brandukov (1856–1930).
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- cronología: Compositores (Europa). Intérpretes (Europa).
- Índices (por orden alfabético): B...