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Radio Filharmonisch Orkest Groot Omroepkoor Groot Karina Canellakis Wolfgang Amadeus Mozart Lucy Crowe Steve Davislim Johannes Weisser Tivolivredenburg 2021
Het Radio Filharmonisch Orkest en Groot Omroepkoor o.l.v. Karina Canellakis spelen Mis in c van Mozart tijdens het AVROTROS Vrijdagconcert van 18 juni 2021 vanuit TivoliVredenburg in Utrecht. (http•••) Kijk het concert op NPO Start: (http•••) Het muzikale programma: Wolfgang Amadeus Mozart - Mis in c KV 427 "Grote" De uitvoerenden: Radio Filharmonisch Orkest Groot Omroepkoor Karina Canellakis, dirigent Lucy Crowe, sopraan Rosanne van Sandwijk, mezzosopraan Steve Davislim, tenor Johannes Weisser, bas Opname: AVROTROS Vrijdagconcert van vrijdag 18 juni 2021 in TivoliVredenburg te Utrecht. Meer AVROTROS Klassiek: ♬ Facebook: (http•••) ♬ Twitter: (http•••) ♬ Instagram: (http•••) ————————————— Watch the full concert on NPO Start: (http•••) On the musical program: Wolfgang Amadeus Mozart - Great Mass in C minor, K. 427 The musicians: The Netherlands Radio Philharmonic Orchestra The Netherlands Radio Choir Karina Canellakis, conductor Lucy Crowe, soprano Rosanne van Sandwijk, mezzo-soprano Steve Davislim, tenor Johannes Weisser, bass Recording: AVROTROS Friday Concerto of Friday the 18th of June 2021, in TivoliVredenburg in Utrecht, The Netherlands. More AVROTROS Klassiek: ♬ Facebook: (http•••) ♬ Twitter: (http•••) ♬ Instagram: (http•••) (http•••)
Brahms Groot Karina Canellakis Radio Filharmonisch Orkest Groot Omroepkoor
Radio Filharmonisch Orkest Groot Omroepkoor Karina Canellakis, cond. If you want to support me, here's my Patreon account: (http•••)
Hans Henkemans Bernard Haitink Een Pijper Debussy Beinum Ravel Mozart Groningen Baaren Groot Omroepkoor Concertgebouw Orchestra Salzburg Festival 1079 1142 1913 1932 1933 1938 1940 1945 1950 1954 1955 1958 1965 1967 1968 1969 1977 1981 1995
Hans Henkemans +••.••(...)) Tre aspetti d'amore : per coro misto ed orchestra +••.••(...)) 1. Alba - 00:00 2. Planctus - 08:14 3. Alternus - 13:58 Choir: Groot Omroepkoor Orchestra: Concertgebouw Orchestra Conductor: Bernard Haitink Program note (Dutch): Alba is een gedicht, van onbekende oorsprong, uit de tiende eeuw; het is een allegorisch gestelde aubade (alba = dageraad), "to waken sleeping lovers", zoals de bekende latiniste Helen Waddell zegt. Het refrein is vermoedelijk oud-Provençaals. Het gedicht van Abelard +••.••(...)) is één van zijn 'planctus' (klachten), op oud-testamentische gegevens; het onderhavige behelst de klacht van David bij de dood van Johathan. Het gedicht van Boethius dateert uit het begin van de zesde eeuw; het is afkomstig uit 'De Philosophiae Consolatione' (over de troost van de wijsbegeerte) van deze laat-Platonische wijsgeer. De titel (alternus amor = wederzijdse liefde) ontleende ik aan de voorlaatse regel. - HANS HENKEMANS Hans Henkemans was a Dutch composer and pianist. While still at school he had piano and composition lessons from Sigtenhorst Meyer. Later he studied medicine at Utrecht University, at the same time continuing piano studies with van Renesse and composition with Pijper +••.••(...)). His first recognition as a pianist and composer came during these university years, when he memorized and performed all of Debussy's solo piano music and gave the première of his own Concerto for piano and strings (1932). At the end of World War II his talents were noticed by van Beinum; beginning in December 1945 he played his Passacaglia and Gigue for piano and orchestra over 60 times, at home and on European tours, with the Concertgebouw Orchestra. He went on to become a leading piano soloist of the 1950s and 60s. Though his tastes were catholic, he was known especially for his interpretations of Debussy, Ravel and Mozart, and appeared seven times at the Salzburg Festival. The four concertos which Henkemans wrote in the decade after 1945 displayed not only a soloist's familiarity with instruments but an ability to write music exhibiting both show and substance. The prizewinning Violin Concerto (1950) ensured him a prominent place among Dutch composers. For a time he taught composition and orchestration at the Amsterdam Musieklyceum and Groningen Conservatory, and was also a psychiatric consultant for an Amsterdam hospital. When in 1969 health forced his retirement from concert life (in 1940 he had lost one lung to tuberculosis), he continued composing and set up a psychiatric practice for musical and other artists. In 1981 he was named Doctor in de Medische Wetenschappen ('Doctor of Medicine'). A recurring feature in his instrumental music (Passacaglia and Gigue, Barcarola fantastica, Flute Concerto, Partita for orchestra) is a hybrid use of inherited forms and dance-types, often quite complex. While his earliest compositions, influenced by Pijper, display germ cells, octatonicism and polymetre, only the polymetre persists in his mature work. He developed a varied harmonic palette, based on the late work of Debussy, leading to a sometimes strikingly atonal musical language of his own. (His identity with Debussy is also demonstrated in idiomatic orchestrations of the latter's Préludes for piano.) The Viola Concerto (1954) and Harp Concerto (1955) are distinctive additions to the repertory. The former allots contrasting material to the soloist and orchestra, while in the latter, amid beautiful orchestral colouration reminiscent of Debussy's Ibéria, the harp alternates between bravura display and an accompanying role. The strongly contrapuntal Piano Sonata (1958) is one of the major Dutch keyboard compositions of the 1950s. There is an unmistakable pathos or 'morbid beauty' (van Baaren) in these works, unique for Dutch music of this time, which affirms Henkemans's conviction that a musical composition must reflect its creator's emotional life. With his definitive turn to psychiatry at the end of the 1960s came a heightened interest in vocal music. The cantata Bericht aan de levenden (1965) made him nationally renowned. Based on H.M. van Randwijk's verses from the walls of the war memorial at Bloemendaal, honouring the resistance fighters of World War II, it was played repeatedly during the national memorial day celebrations on 4 May. Texts from the distant past (e.g. in Villonnerie, Tre aspetti d'amore, Canzoni amorose) also inspired stunning settings in a symphonic context. In these years, reflecting his experiences as a psychiatrist, he wrote forcefully against most forms of experimental music, thus enraging the Dutch musical avant garde; yet certain of his own compositions, such as the Tre aspetti d'amore, were among the most advanced Dutch works of their day. His only opera, Winter Cruise (1977), was performed a dozen times by the Nederlandse Opera, but its musical virtues were undermined by a rather uneventful plot.
Sergei Rachmaninov Jongen Een Groot Omroepkoor Concertgebouw Amsterdam 2014
Kijk voor meer concerten op: (http•••) Sergei Rachmaninov - Liturgie van St. Johannes Chrysostomus Groot Omroepkoor o.l.v. Sigvards Klava 2 november 2014 www.hetzondagochtendconcert.nl Het Concertgebouw Amsterdam Als kleine jongen werd Sergej Rachmaninov al betoverd door kerkmuziek. Na afloop van de (Russisch orthodoxe) mis schoof hij snel achter de piano. Daar probeerde hij de koormelodieën die hij had gehoord na te spelen. Later vonden deze thema’s hun weg naar zijn symfonische muziek en pianowerken. Maar ook schreef hij, in navolging van zijn voorbeeld Tsjaikovski, zélf nieuwe kerkmuziek. Rachmaninovs Vespers zou een van zijn meest geliefde composities worden. (http•••) - (http•••)
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