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Burke Gruber Isaac Albéniz 2016
Provided to YouTube by NAXOS of America I Heard Music in My Head / Suite Española No. 1, Op. 47, B. 7: Suite espanola No. 1, Op. 47: VI. Aragon (Fantasia) (arr. version for 2 guitars) · Calvin E. Burke The Song of the Torero ℗ 2016 Atlantic Crossing Records Released on: 2016-01-08 Artist: Calvin E. Burke Ensemble: Gruber & Maklar Composer: Isaac Albéniz Auto-generated by YouTube.
Classical Music Discord: (http•••) OFFICIAL VIDEO: (http•••) Original BiliBili Upload: 【【米歇尔·凡·德·亚】近处 (Michel van der Aa - Up-Close) (2011)】 (http•••) Michel van der Aa ( b. 1970 ) Michel van der Aa (Dutch pronunciation: [ˌmixəl vɑn dər ˈaː]; born 10 March 1970) is a Dutch composer of contemporary classical music. Up-Close, for Cello, String Ensemble and Film ( 2010 ) In Michel van der Aa’s Grawemeyer Award winning cello concerto Up-close, the traditional interaction of soloist and ensemble is reflected by a mysterious, mirror reality seen on film. When the piece begins, a solo cellist and string ensemble sit on the right of the stage; on the left stands a large video screen. On the screen we see an elderly lady sitting among an arrangement of chairs and music stands that parallels the real-life version on the other side of the stage. It soon becomes clear that this is only one of a variety of interactions across a hall of mirrors created by the soloist, ensemble and film. Are the elderly woman and the cellist playing out the same role? The film is seen in excerpts ‘inserted’ into the music, so is the music driving the film, or the film the music? The music never ‘narrates’ the film, but somehow the two layers seem to extend one another around a common subject. Furthermore, the live instruments are augmented with an electronic soundtrack, which at some times seems closely related to their music and at others appears to derive from the ‘concrete’ sounds of the action on screen. Are these plural realities or versions of a single experience. Much is left unexplained and the course of the piece, including a striking coup de théâtre towards the end, provides no easy answers. One theme that does emerge, however, concerns loneliness. As in other Van der Aa pieces – such as the video opera One or the ensemble piece Mask – elements of an uncanny, inscrutable ceremony are never far away, and in Up-close these become part of the difficult ritual of human to human contact. (Read More: (http•••) Instrumentation for Cello, String Ensemble and Film Performer Sol Gabetta (cello) Amsterdam Sinfonietta Candida Thompson (artistic director) Vakil Eelman (actress) The music published in my channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform me immediately before you submit a claim to Youtube, and it will be my care to immediately remove the video accordingly. Your collaboration will be appreciated.
Richard Strauss Lungu 1864 1949
Richard Strauss "Im Abendrot" "Vier Letzte Lieder" +••.••(...)) Arragment- Alexandr Mekaev Soprano, Ayse Şenogul -Conductor, Vladimir Lungu Izmir State Opera Orchestra and İzmir State Symphony Orchestra: SMYRNA ENSEMBLE Hurkan Ayvazoglu - Flute Azad Alizade- Oboe Ozlem Pınar - Clarinet Kerim Unsal - Bassoon Cuneyt Deniz - horn Rusen Muzaffer -1. Violin Alp Ayvazoglu-2.Violin Selen Nacaroğlu- Viola Ece Bal- Cello Bora Camoglu - Bass Sibel Efendiev- Arpa
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