Alice Tully Hall Podcasts
concert hall at the Lincoln Center for the Performing Arts
- Manhattan
- United States of America
Last update
2024-05-13
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This summer on the Mind Over Finger Podcast, I promise you a fantastic time with wonderful guests! Every month I'm having a live Q&A with amazing musicians in my Facebook group, the Mind Over Finger Tribe and, as to be expected, much wisdom is being shared! We start with pianist Konstantin Soukhovetski, we continue in May with violinist Callum Smart, in June you'll hear from trumpet player Christopher Still from Honesty Pill, July will bring violinist Esther Abrami, and we’ll spend time with guitarist Brandon Jack Acker in August. I hope you can join us live for the upcoming sessions. All of the details are in the Mind Over Finger Tribe at facebook.com/groups/mindoverfingertribe. If you're enjoying today's content, take a screenshot as you're listening, share on social and tag me and my guest so we can thank you for tuning in! Frustrated with your playing? Unsatisfied with you career? Ready for a change? Whatever your challenge, you don't have to go at it alone, and I can help. Visit www. https://www.mindoverfinger.com/workwithme to learn more and book your call and let’s discuss how to get you from where you are to where you want to be. THE MUSIC MASTERY EXPERIENCE will be back in June 2021. This is my LIFE CHANGING, highly personalized group coaching program where I show you how to implement mindful & effective practice techniques, how to make them habits, and how to get RESULTS. Save your spot at http://www.mindoverfinger.com/mme and get access to some really cool bonuses. MORE ABOUT KONSTANTIN SOUKHOVETSKI: Website: https://www.konstantinthepianist.com/ YouTube channel: https://www.youtube.com/user/konstantinstar Facebook: https://www.facebook.com/TheRockStarPianist/ Instagram: https://www.instagram.com/konstantinstar/ Twitter: https://www.facebook.com/TheRockStarPianist/ Following the premiere of his transcription of R. Strauss’ Four Last Songs at L'Esprit du Piano Festival in Bordeaux, France Konstantin Soukhovetski has cemented his place as one of premiere pianist/composers of his generation. His transcriptions have been heard around the world from South African to Hong Kong; in United States' NYC's Lyric Chamber Music Society, New Orlean’s MASNO, Sacramento’s Crocker Museum and Pianofest in The Hamptons, where Konstantin is Artist-In-Residence since 2011. Konstantin has won 2019 Innovation Award from Music Academy Of The West. Konstantin Soukhovetski continues the Golden Age traditions of piano performance instilled in him by his mentor- the great American pianist Jerome Lowenthal. Pending post-COVID schedule will take Konstantin Soukhovetski to Lincoln Center’s Alice Tully Hall with Rachmaninoff Concerto #4 with Pegasus Orchestra, and UC Davis’s Mondavi Arts Center with Brahms Concerto #2 with Auburn Symphony. Konstantin will premiere a new ballet by Russian-American award-winning composer Polina Nazaykinskaya commissioned by MorDance in November of 2021. Konstantin is currently working on his first opera libretto for “Tear Down This Wall” in collaboration with Polina Nazaykinskaya commissioned for the 75th Anniversary Season of Mississippi Opera in 2023. In 2018 Konstantin gave world premiere of Ms. Nazaykinskaya ballet “Nostalgia” with Rioult Dance at the Joyce Theater in New York City. Acting credits include: as a narrator with Miami Symphony's Musimelange performance Stravinsky’s Soldier’s Tale, Forbidden Juilliard as multiple characters at The Juilliard School and Club Makkor in NYC and Victor or Children in Power as Young Victor at Moscow State Satire Theatre, Moscow, Russia. Feature film: Dishonorable Vendetta directed by Andre Josef. Short features: Decent Men, Ossetia and Hansel and Gretel, Carbon Based and Pictures. Konstantin is a producer and host of “The Real Pianists of The Hamptons" filmed at Pianofest in The Hamptons. Highlights of career: Johannesburg Philharmonic and Eastern Cape Philharmonic Orchestra on multiple South African tours after winning Silver at UNISA International Piano competition in Pretoria, South Africa; Miami Symphony Orchestra, Richmond, Austin, Auburn, Westmoreland, Virginia and Asheville Symphony Orchestras. He appeared at London's Wigmore Hall, New York’s Weill Recital and Zankel Halls at Carnegie Hall, Phillips Collection in Washington, DC, Auditorium Du Louvre in Paris, France and Zentrum Paul Klee in Bern, Switzerland to name a few. Following his debut at Alice Tully Hall, in New York’s Lincoln Center asThe Juilliard School 's 2006 William Petschek Debut Recital Award winner The New York Times headlined: “Romanticism so intense it warms up Philip Glass.” Mr. Soukhovetski has worked with distinguished conductors: Daniel Meyer, Gérard Korsten, Eduardo Marturet, James DePreist, Jahja Ling, François-Xavier Roth, Doron Salomon, Conrad von Alphen, Michael Goodwin, Stephen Ramsey, Omri Hadari, Andrew Grams and Emil Tabakov. Mr. Soukhovetski is a board member of Southampton Cultural Center, NY where is an Managing Director of The Rising Stars Piano Series and has served on the juries of numerous competitions including Hong Kong Music Schools Festival. Mr. Soukhovetski is an Adjunct Faculty and an alumnus of The Juilliard School where he has earned his BM, MM, and AD degrees with Jerome Lowenthal. Born in Moscow to a family of artists he studied at the Moscow Central Special Music School, under the auspices of the Moscow State Conservatory, with Anatoly Ryabov. Awards: Second Prize, 2011 Iowa International Piano Competition Third Prize, 2011 Bosendorfer International Piano Competition Second Prize and Audience Prize, 2010 Ima Hogg International Competition First Prize and Audience Prize, 2007 New Orleans International Piano Competition William Petschek Debut Recital Award Paul & Daisy Soros Fellowship for New Americans Second Prize, 2004 UNISA International Piano Competition in Pretoria, South Africa Third Prize, 2003 Cleveland International Piano Competition The Juilliard School’s Arthur Rubinstein Award The Juilliard School’s 2003 Gina Bachauer Competition First Prize, 2002 Hilton Head International Piano Competition Second Prize, 2002 Walter W. Naumburg International Piano Competition Grand Prize and First Prize at 1997 World Piano International Competition Join the Mind Over Finger Tribe for access to my weekly live videos and to exchange with a community of like-minded musicians Visit www.mindoverfinger.com and sign up for my newsletter to get your free guide to an exceptionally productive practice using the metronome. This guide is the perfect entry point to help you bring more mindfulness and efficiency into your practice and it’s filled with tips and tricks on how to use that wonderful tool to take your practicing and your playing to new heights. THANK YOU: A HUGE thank you to my fantastic producer, Bella Kelly, who works really hard to make this podcast as pleasant to listen to as possible for you. Most sincere thank you to composer Jim Stephenson who graciously provided the show’s musical theme. Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Thank you to Susan Blackwell for the introduction. You can find out more about Susan, her fantastic podcast The Spark File, and her work helping creatives of all backgrounds expand their impact by visiting https://www.susanblackwell.com/home. MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/
I’m really honored to have violinist Violaine Melançon on the show this week to discuss her views on the skills young musicians need to develop to become well-rounded artists. As you’ll get to hear, Violaine is an artist of great depth and a dedicated pedagogue with wonderful wisdom and empathy. I’m certain that you will resonate with her message and walk away inspired and motivated In our conversation, Violaine expands on: The importance of choosing a teacher that will be a good fit The wonderful teaching philosophies of Isadore Tinkleman, which created “searching musicians” and fostered thinking and creativity in his students The importance of learning to listen and trust your ear Becoming a “Searching Musician” The importance of being versatile How and how long we should practice What summer festivals can bring to a young musician’s development How much we learn when we teach The importance of having a good balance between routine, consistency, and variety Listening to yourself as if you were your own best student (which will help you listen better and assess what is objectively) Her main “engines:” curiosity, creativity in problem-solving, and yoga Her wise advice to students Her beautiful actionable tip: find a way to be inspired every day Don’t forget to visit the Mind Over Finger Resources’ page to check out amazing books recommended by my podcast guests, as well as my favorite websites, cds, the podcasts I like to listen to, and the practice and podcasting tools I use every day! Find it here: www.mindoverfinger.com/resources! And join the Mind Over Finger Book Club in the Tribe! We meet HERE, and we’ll begin 2020 with The Inner Game of Golf by Tim Gallwey! Don’t forget to sign up for my newsletter to get your free guide to a super productive practice using the metronome! This guide is the perfect entry point to help you bring more mindfulness and efficiency into your practice and it’s filled with tips and tricks on how to use that wonderful tool to take your practicing and your playing to new heights! TURN THE METRONOME ON AND START PRACTICING BETTER AND LEARNING FASTER RIGHT NOW! GET YOUR FREE METRONOME GUIDE TODAY AT www.mindoverfinger.com!!!! MORE ABOUT VIOLAINE MELANÇON: Website: https://www.violaineMelançon.com/ An artist deeply dedicated to the range of violin and chamber music repertoire, violinist Violaine Melançon is Associate Professor of Violin at the Schulich School of Music at McGill University, and serves on the violin and chamber music faculties of the Peabody Conservatory. She was for thirty years the founding violinist of the Peabody Trio which was ensemble-in-residence at the Peabody Conservatory from 1987 to 2016. After winning the prestigious Naumburg Chamber Music Award in 1989, the Peabody Trio established itself as an important presence in the chamber music world as vivid interpreters of the classics of the repertoire, advocates for new music, and dedicated teachers and mentors to a generation of young musicians. As a member of the Peabody Trio, Ms. Melançon gave a New York debut in 1990 at Alice Tully Hall and has performed in the most important chamber music series in North America, including New York, Washington, DC, Chicago, Denver, Vancouver, Montreal, Seattle, San Francisco, Los Angeles, San Diego, Indianapolis, Dallas, Honolulu, Memphis, Minneapolis, New Orleans, Portland, St. Louis, Boston and Philadelphia. With them, Ms. Melançon toured internationally, frequently performing in England, making repeat appearances at London’s Wigmore Hall, and in Japan and Israel. She has a special affection for the music of today and is a serious interpreter of works of Gyorgy Kurtag, Mauricio Kagel and Zhou Long. The Israeli composer Shulamit Ran wrote a violin concerto for her and she has premiered several works by other leading composers. Among the artists with whom she enjoys collaborating are pianists Leon Fleisher, Gilbert Kalish and Peter Frankl, soprano Phyllis Bryn-Julson, and violist Roger Tapping. During the spring of 2012, she presented the complete works for solo violin by J.S. Bach. She performs recitals annually, exploring unusual gems of the solo and violin-piano duo repertoire. Ms. Melançon is from Québec, Canada. After receiving First Prize in violin at the Conservatoire de Musique, she continued her studies with Ivan Galamian at the Curtis Institute of Music, with Isadore Tinkleman at the San Francisco Conservatory and with Arthur Grumiaux in Belgium. While at Curtis, she was a member of the Nisaika Quartet, prize winner of the 8th International String Quartet competition in Evian, France. Ms. Melançon is also the recipient of many awards for solo performance including the 1984 Prix d’Europe. In 1983, she formed the Knopp-Melançon Duo, an artistic collaboration which would eventually expand to become the Peabody Trio. In 1987, as a result of having been appointed USIA Artistic Ambassadors, the duo toured abroad extensively and made their Washington, DC debut at the Kennedy Center. Since then, her activities as a chamber musician, soloist with orchestras, and teacher have taken her to major music centers in the United States, Canada, Europe, the Middle East, and Japan. She has participated in many summer festivals as violinist, teacher and guest artists, including those of Tanglewood, Ravinia, Skaneateles, Rockport, Orford, and Domaine Forget. She gives yearly masterclasses at the Green Mountain Chamber Music Festival, and teaches regularly at NOI, the National Orchestral Institute and Festival. For many years, she has served on the faculty of Yellow Barn If you enjoyed the show, please leave a review on iTunes! I truly appreciate your support! Visit www.mindoverfinger.com for information about past and future podcasts, and for more resources on mindful practice. Join the Mind Over Finger Tribe here! https://www.facebook.com/groups/mindoverfingertribe/ THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show’s musical theme! Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Also a HUGE thank you to my fantastic producer, Bella Kelly! MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/
2019-12-13 05:00:00
Duration (h:m:s): 56:18
Today, I’m so excited to bring you violinist Elizabeth Faidley! Elizabeth is a highly sought-after pedagogue, who’s been hailed as an “amazing and inspiring teacher” by the New York Times and is the recipient of a multitude of pedagogy awards. Get ready for a massive dose of inspiration and great applicable tips! Elizabeth talks about: How she felt and answered the call to teach How she cares deeply for her students and how that creates a profound studio culture of dedication and support Why she believes that the initial set up is so important Her approach to being a supportive and caring “24/7 teacher” How she listened carefully to the needs of the string community and created the upcoming Violin Pedagogy Symposium to address those needs The topics and guests of the symposium (CHECK OUT THIS AWESOME EVENT HERE!!! I’M GOING FOR SURE!) Why grit is so so so important! The habit that contributed to her success (you’ll see: it’s really inspiring) The awesome concept of “Musical Triage” More about Elizabeth Faidley and the Violin Pedagogy Symposium below NEW ON THE WEBSITE: A RESOURCES PAGE! You can find my favorite websites, cds, as well as the other podcasts I like to listen to and the amazing books recommended by my podcast guests! Visit www.mindoverfinger.com/resources! Join the Mind Over Finger Tribe Book Club! This January we read, study, and apply The Inner Game of Golf by Timothy Gallwey in our practice! Don’t forget to sign up for my newsletter to get your free guide to a super productive practice using the metronome! This guide is the perfect entry point to help you bring more mindfulness and efficiency into your practice and it’s filled with tips and tricks on how to use that wonderful tool to take your practicing and your playing to new heights! TURN THE METRONOME ON AND START PRACTICING BETTER AND LEARNING FASTER RIGHT NOW! GET YOUR FREE METRONOME GUIDE TODAY AT www.mindoverfinger.com!!!! MORE ABOUT ELIZABETH: Website: https://www.elizabethfaidley.com/ The Violin Pedagogy Symposium: https://www.pedagogysymposium.com/ Her Instagram account: https://www.instagram.com/faidleystudio Her books on Amazon: https://amzn.to/2EdOtb2 The Strings Virtual Summit: https://stringsvirtualsummit.com/order-30774504-1 The Inner Game of Tennis by Tim Gallwey Mindset by Carol Dweck A highly sought-after pedagogue, violinist Elizabeth Faidley has been hailed as an “amazing and inspiring teacher” by the New York Times. She is the recipient of the American String Teachers’ Association 2011 “Studio Teacher of the Year” award for the state of New Jersey. She has also been honored with multiple teaching awards, including ones from the Union City Symphony and the Korean Radio Broadcast Network. In addition to being on the faculty of the Pre-College Division of the Manhattan School of Music, she has a large private studio in the New York City metropolitan area where she teaches violin performance to aspiring players from ages 3 to 23. Her students have won national and international competitions and have performed in such great halls as Carnegie Hall, Alice Tully Hall, Merkin Concert Hall, and the White House. They are routinely accepted, with scholarships, to the world’s premier music conservatories including The Manhattan School of Music, New England Conservatory, the Juilliard School, Peabody Conservatory, Rice University, the Royal College of Music, and The Cleveland Institute. Her students routinely perform with orchestras around the NYC area. The NY Times described Ms. Faidley as “…fiercely yet compassionately committed to her students, to her colleagues, and to the art of music.” Ms. Faidley became adjunct faculty at the Hartt School before the age of 30, reflecting her devotion to the art of violin pedagogy. She has also served on the college conservatory faculties of Montclair State University's Cali School of Music and Hunter College's School of Music. She holds a Master of Music degree in violin performance and pedagogy from the Peabody Conservatory of Music and was inducted into the professional music fraternity, Pi Kappa Lambda, which honors integrity, superior music performance, and academic success. Ms. Faidley routinely brings in major concert artists and teachers to give private masterclasses to her studio . The last four years have included Ray Chen, Stefan Jackiw, Charlie Siem, Dmitri Berlinsky, Ronald Copes, Lisa Batiashvili, Sarah Chang, and Katie Lansdale. She won the prestigious Melissa Tiller Memorial Prize for graduate performance and while still a student at Peabody, joined the faculty of both the preparatory and conservatory divisions after serving as a teaching assistant to Shirley Givens. Besides Givens, her major pedagogical influences include Ivan Galamian, Joseph Gingold, Paul Rolland, and Shinichi Suzuki, and Rebecca Henry. She also studied with such masters as Daniel Heifetz, Yuri Masurkevich, Christian Teal, and Qing Li. Ms. Faidley has served on the faculty of the Summit Music Festival, New York’s premier summer chamber music institute. She has been invited to teach and give master classes in Italy, Germany, Spain, Russia, Norway, and Africa, and has provided private lessons in pedagogy to major violin performers and teachers throughout the United States. In the summers, Ms. Faidley has specialized camps for her students. Ms. Faidley is a frequent presenter and master class clinician, and she has recently spoken at two national conferences for the American String Teachers’ Association. The first lecture focused on balance in violin technique and pedagogy. The second presented a series of unique technical etudes for every stage of violin playing. Ms. Faidley has been invited to be the keynote speaker, along with Nobel Laureates at the 2018 World Education Day in Jinan, China. Ms. Faidley currently employs fourteen violin and musicianship faculty members as part of her school, The Elizabeth Faidley Studio. All students of any faculty member have access to recitals, masterclasses, private camps, and other performance opportunities. Ms. Faidley works directly with each teacher in weekly consultations to ensure a balanced musical education for each student. Ms. Faidley also shares her passion for teaching through her writing. She has completed work on the second edition of a book for children titled “Pre-Twinkling to the Stars: Your Joyful Journey Begins” which focuses on a strong technical foundation for beginning violinists. Her second book, a beginning theory workbook for beginning and intermediate violinists, is also available. She has also published several essays in the American Suzuki Journal and is currently writing a third book on the art of pedagogy entitled, “What Happened to the Nurture?” The book reflects her teaching philosophy, which seeks to empower the entire, unique person as the foundation of the musician. She generously makes time to mentor her students through auditions, competitions, and performances and stays in touch with them between and beyond studio lessons. Ms. Faidley’s violin, a generous gift from several patrons, was crafted by Lorenzo Ventapane in 1835 and is pictured in Four Centuries of Violin Making by Cozio Publishing. If you enjoyed the show, please leave a review on iTunes! I truly appreciate your support! Visit www.mindoverfinger.com for information about past and future podcasts, and for more resources on mindful practice. Join the Mind Over Finger Tribe here! https://www.facebook.com/groups/mindoverfingertribe/ THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show’s musical theme! Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Also a HUGE thank you to my fantastic producer, Bella Kelly! MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/
Sarah Whitney: Thriving Through Injury Today on the show, I’m really happy to bring you violinist Sarah Whitney to cover a VERY important topic: dealing with injuries as a musician! In this episode, Sarah talks to us about how you can not only prevent and treat injury, but also thrive in the aftermath – how to handle recovery, the ways she warms up to prevent injury, and how important the mental aspect of recovery is. She also talks about how she helps musicians achieve their career goals and why life and career coaching can be a real game changer. And don't forget to share your injury story with us, and let us know what resonated with you in the episode! ALL ABOUT SARAH: Website: https://www.sarahwhitney.com Facebook : https://www.facebook.com/theproductivemusician/ Instagram: https://www.instagram.com/sarahwhitneyistall/ Sybaryte5: https://www.sybarite5.org/ https://www.facebook.com/SybariteFive/ https://www.instagram.com/sybarite5/ Trifecta String Trio https://www.trifectatrio.com/about https://www.instagram.com/trifectastringtrio/ The violinist Sarah Whitney is celebrated as a performer, teacher, entrepreneur, career coach, and musical maverick. Praised by The Washington Post for her “marvelous violin acrobatics,” Sarah has appeared on stages worldwide as a soloist and collaborative artist throughout North America, South America, Europe, Asia, and Africa. Comfortable in a wide range of settings and musical styles, she is fiercely dedicated to bringing fresh new ideas to classical music and empowering musicians to find their own voice. Sarah is a founding member of the acclaimed string quintet SYBARITE5, which won the Concert Artists Guild Victor Elmaleh Competition in 2011 and continues to perform extensively around North America. Sarah has also performed with SYBARITE5 at Carnegie Hall, Lincoln Center, Alice Tully Hall, the Library of Congress, the Aspen, Caramoor, Chautauqua, Grand Teton, and Ravinia Festivals, and on the CBS Early Show. Their latest album entitled Outliers reached No. 1 on the Billboard Charts, and they recently premiered Dan Visconti’s Beatbox: Concerto for String Quintet & Orchestra with the South Carolina Philharmonic, Midland Symphony Orchestra, and Duluth-Superior Orchestra. Recognized as a pioneer in changing the perception of classical music and committing to building new audiences, in 2015, Sarah founded Beyond the Notes, an innovative concert series dedicated to breaking down the barriers between performers and the audience. The series is rooted in the Boston-area but has expanded in recent years to present performances throughout North America. She is also currently the Music Director for Lincoln Center Stage — an innovative partnership between Lincoln Center and the Holland-American Cruise Lines. This initiative organizes highly-coveted residencies for top young chamber musicians on board cruise ships elevating the performance level to that heard in leading concert halls. Sarah’s writing is featured regularly in for Strings Magazine and 21CM.org. Her widely-read blog The Productive Musician focuses on health and wellness, productivity, and strategies for developing and maintaining an effective mindset. She has served on the New York State Presenters Network Panel in discussions about progressive programming and innovation. Defying categorization and welcoming diverse collaborations, Sarah has collaborated with the Alvin Ailey and Jose Limon dance companies and has been featured on-stage with Adele, Ellie Goulding, the Transiberian Orchestra, Jeff Beck, Anne Murray, Andrew Wyatt, Tommy Lee, and with Father John Misty. Active as a recording artist, Sarah has performed on albums with Darlene Love, Josh Ritter, Stephen Kellogg, Mark Geary and Etienne Charles and can be heard on William Bolcom's Grammy-winning album ‘The Songs of Innocence and Experience’. She has also collaborated with DJ Doug E. Fresh and opened for Jennifer Hudson and Diana Ross. She recently recorded together with the legendary clarinetist Richard Stoltzman. Sarah also performs regularly in the Seeing Double Duo with violinist Julia Salerno, and the Trifecta Trio together with violist Angela Pickett and cellist Laura Metcalf. Sarah is co-founder of the Jingle Punks Hipster Orchestra that has been featured on Mashable, Perez Hilton, Revolt TV, as well as with the rapper NAS in Johannesburg, South Africa. Guiding students with an especially collaborative teaching approach, Sarah works nationally with students of all levels. She has given guest master classes and entrepreneurial workshops at the Curtis Institute, New England Conservatory, DePauw University, University of Oklahoma, University of Arizona, Grinnell College, Ohio University, University of North Florida, the Walnut Hill School, the Boston University Tanglewood Institute, among others, and has been guest artist-in-residence at Eastern Washington University. She has served on faculty at Music in Chappaqua, The Music School of New York City and the Walla Walla Suzuki Institute. She previously served as co-director of the Sato Center Outreach Group at the Sato Center for Suzuki Studies in Cleveland, and received Suzuki teacher training from the renowned pedagogue Kimberly Meier-Sims. Currently based in New York City, Sarah holds degrees from the University of Michigan School of Music, Theatre, and Dance and the Cleveland Institute of Music. Additional studies include at the Aspen Music Festival and School, the Music Academy of the West, and the Meadowmount School of Music. Her teachers included Paul Kantor, William Preucil, Kathleen Winkler, Aaron Berofsky, Cyrus Forough, Stephen Shipps and Irina Muresanu. Sarah performs on violin made by J.B. Vuillaume in 1850. If you enjoyed the show, please leave a review on iTunes! I truly appreciate your support! Visit www.mindoverfinger.com for information about past and future podcasts, and for more resources on mindful practice. Join the Mind Over Finger Tribe here! https://www.facebook.com/groups/mindoverfingertribe/ THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show’s musical theme! Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Also a HUGE thank you to my fantastic producer, Bella Kelly! MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/
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- map: Concert halls - North America
- Indexes (by alphabetical order): A...