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Spanish pianist
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2024-04-22
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2022-08-03 08:46:00
Black, el Payaso: Pablo Sorozábal's engaging operetta gets its UK premiere in an enterprising production by Cervantes Theatre at Grimeborn
Pablo Sorozábal: Black, el Payaso; Michael Lafferty, Raphaela Papadakis, Giuseppe Pellingra, Juliet Wallace, David Powton, director Paula Paz, music director Ricardo Gosalbo; Cervantes Theatre at the Grimeborn Festival at Arcola TheatreReviewed 2 August 2022 (★★★★)A fantasy plot, that hid themes of exile and revolution in plain sight, is at the heart of this 1941 Spanish operetta full of lovely melodies and with musical links to Berlin music-theatre and Viennese operetta from the Silver AgePablo Sorozábal, who died in 1988 at the age of 91, was the last representative of the romantic Spanish zarzuela tradition. He is perhaps best known internationally for the romanza 'No puede ser' (from his 1936 zarzuela La tabernera del puerto) which was sung by Placido Domingo at the Three Tenors concert!There was a rare chance to hear Sorozábal's work in London when the Cervantes Theatre presented the UK premiere of Sorozábal's Black, el Payaso (Black, the Clown) at Arcola Theatre's […]
2020-06-15 07:43:27
Review: Schumann – Piano Concerto, Piano Works – Judith Jáuregui
Judith Jáuregui performs works by Robert and Clara Schumann. Together with the Piano Concerto, the album includes two variations movements by Robert and Clara.
2016-05-29 00:16:00
[…] line and agreeable presence. And Véliz was a revelation: she has the sweet insinuating required voice for this coquette, she is musically accurate and plays the comedy well. The other bohemians were both individually and as partners of a group completely believable: Mario De Salvo, in excellent voice, as an assertive Schaunard, and Emiliano Bulacios (Colline) confirming that he is our most promising bass. Add Alberto Jáuregui Lorda as a Benoît well versed in the buffo manner and Víctor Castells as a dignified Alcindoro fooled by Musetta. Carlos Vieu showed again that he is equally at home conducting concerts and opera. With full support from an orchestra that keeps its high standard and from the first-rate two choirs (the adult under Hernán Sánchez Arteaga and the children led by Mónica Dagorret) this was a convincing and […]
2015-11-16 06:32:00
[…] voice in itself lacks power and roundness. I was a bit disappointed by bass-baritone Juan Salvador Trupia y Rodríguez as Escamillo; after singing well his Toreador Song, he was much less convincing in the remaining acts. María Goso as Micaela was strained in the highs, and she doesn´t have the "physique du rôle". Alberto Jáuregui Lorda is by now too veteran in voice and appearance for Zúñiga. Carmen´s friends were nicely done by Ana Sofía Romagnoli and Verónica Canaves. The smugglers were well taken by the seasoned Sebastián Sorarrain and the humoristic Pablo Urban. And Morales was a sprightly Mariano Gladic. Hernán Sánchez Arteaga did a brilliant job […]
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