Philippe de Vitry Podcasts
French composer, music theorist and poet
2
- ars nova
- France
- composer, music theorist, musicologist, writer, poet, philosopher, mathematician, Catholic priest, military personnel, Catholic bishop
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2024-05-14
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Your host Tim matches fabulous music to various ‘celebrations’ of the infamous of this date. Check out the characters and events of history, literature, film, given below. What music would you choose? Playlist: 01 November 2020 Black Death (1340s) Philippe de Vitry: Motet: Petre Clemens. Sequentia Ensemble. Dracula (1897) Delius: Koanga: La Calinda. London Symphony Orchestra/ Barry Wordsworth. Salem Witch Trials (1692) – Purcell: If Music be the Food of Love. Andreas Scholl, counter-tenor. Academia Bizantina. – Purcell: Music for a while. Alfred Deller, counter-tenor. Deller Consort. Bedlam asylum (1770) Boccherini: Cello Concerto no.6 in D major, G479: III. Allegro. Anner Bylsma, vlc. Concerto Amsterdam. Frankenstein (1818) Schubert: 3 Marches Militaires op. 51, D733: no.1. Daniel Barenboim & Radu Lupu, pno. Segue Bach: Toccata in D minor (opening). E Power Biggs, organ. Jack the Ripper (1888) – Grieg: Peer Gynt suite no.1 op.46: In the Hall of the Mountain King. Concertgebouw Orchestra/ Jean Fournet. – Debussy: Arabesque no.1: Jean-Efflam Bavouzet, pno. Sweeney Todd (1846) Chopin: Cello sonata in G minor, op.65: III. Largo. Pierre Fournier, vlc. Jean Fonda, pno. Psycho film (1960) Bernard Hermann: Psycho Theme. Unnamed ensemble. Support this podcast.Donate to JOY -and/or- Become a member The post All Hallows Eve = Halloween appeared first on Queen of the Night.
Medieval Music This week we hear anonymous works and works by Saint Hermann von Reichenau, Saint Hildegard von Bingen, Léonin, Pérotin, Adam de la Halle, Philippe de Vitry, Trebor, Solage, Francesco Landini, Guillaume de Machaut, John Dunstaple, Leonel Power, and Niccolò da Perugia. 167 Minutes – Week of August 10, 2020
2014-09-29 23:00:00
Duration (h:m:s): 38:44
Take a tour through music history – from chant to present day – through the lens of the motet. What’s a “motet”, you ask? Is it real, you ask? We are not entirely sure. Composer Mark Buller, whose music has been performed worldwide, and who has been commissioned by organizations like Houston Grand Opera, will be your tour guide. Get on board the great Classroom coaster. We have cupholders and a great soundsystem. Audio production by Todd “Tween” Hulslander with insightful insight from Dacia Clay. Music in this episode: Adam de la Halle: “Mout me fu grief li departir/Robins m’aime/Portare”, Tonus Peregrinus/Anthony Pitts Philippe de Vitry: “Garrit gallus flendo dolorose/In nova fert animus/Neuma” Sequentia Palestrina, “Osculetur me osculo oris sui” from Canticum Canticorum, The Hilliard Ensemble Thomas Tallis, “If ye love me”, The Sixteen/Harry Christophers JS Bach: Lobet den Herrn, alle Heiden, Monteverdi Choir/John Eliot Gardiner W.A. Mozart, Ave verum corpus, The Sixteen/Harry Christophers Richard Strauss: Deutsche Motette, Choir of Gonville & Caius College, Cambridge, Choir of King’s College/David Trendell Morten Lauridsen: O Magnum Mysterium, 1994, Vasari Singers/Jeremy Backhouse Mark Buller: “O nata lux” from Five Motets, Chamber Choir/John Hudson; Mark Buller, piano For more about Mark Buller, go to www.markbuller.com.
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