David Petersen Podcasts
Dutch composer
- violin
- Dutch Republic
- composer, violinist
Last update
2024-05-14
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British clarinettist Julian Bliss has an extremely wide breadth of listening tastes, from heavy metal to core classical via jazz and funk. In this episode, he tells us about his passion for Rachmaninov and Oscar Petersen and why he thinks wind band music should be taken more seriously in the UK. He also reflects on the last year of lockdown and what it meant for his practice and approach to performance. Recordings featured: Stranger on the Shore (Acker Bilk) Tchaikovsky: Piano Concerto No. 1 (Martha Argerich, Berlin Philharmonic/Claudio Abbado) Rachmaninov: Piano Concerto No. 2 (Alexandre Tharaud, Royal Liverpool Philharmonic Orchestra/Alexander Vedernikov) The Masquerade is Over (Nancy Wilson and Cannonball Adderley) Eric Whitacre: Equus Puccini: Madama Butterfly (Maria Callas, Orchestra del Teatro alla Scala di Milano/Herbert von Karajan) Strauss: Eine Alpensinfonie (London Symphony Orchestra/Bernard Haitink) Glass: Etude No. 2 (Vikingur Olafsson) Invaders Must Die (The Prodigy) See acast.com/privacy for privacy and opt-out information.
British clarinettist Julian Bliss has an extremely wide breadth of listening tastes, from heavy metal to core classical via jazz and funk. In this episode, he tells us about his passion for Rachmaninov and Oscar Petersen and why he thinks wind band music should be taken more seriously in the UK. He also reflects on the last year of lockdown and what it meant for his practice and approach to performance.Recordings featured:Stranger on the Shore (Acker Bilk)Tchaikovsky: Piano Concerto No. 1 (Martha Argerich, Berlin Philharmonic/Claudio Abbado)Rachmaninov: Piano Concerto No. 2 (Alexandre Tharaud, Royal Liverpool Philharmonic Orchestra/Alexander Vedernikov)The Masquerade is Over (Nancy Wilson and Cannonball Adderley)Eric Whitacre: EquusPuccini: Madama Butterfly (Maria Callas, Orchestra del Teatro alla Scala di Milano/Herbert von Karajan)Strauss: Eine Alpensinfonie (London Symphony Orchestra/Bernard Haitink)Glass: Etude No. 2 (Vikingur Olafsson)Invaders Must Die (The Prodigy) Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices
British clarinettist Julian Bliss has an extremely wide breadth of listening tastes, from heavy metal to core classical via jazz and funk. In this episode, he tells us about his passion for Rachmaninov and Oscar Petersen and why he thinks wind band music should be taken more seriously in the UK. He also reflects on the last year of lockdown and what it meant for his practice and approach to performance.Recordings featured:Stranger on the Shore (Acker Bilk)Tchaikovsky: Piano Concerto No. 1 (Martha Argerich, Berlin Philharmonic/Claudio Abbado)Rachmaninov: Piano Concerto No. 2 (Alexandre Tharaud, Royal Liverpool Philharmonic Orchestra/Alexander Vedernikov)The Masquerade is Over (Nancy Wilson and Cannonball Adderley)Eric Whitacre: EquusPuccini: Madama Butterfly (Maria Callas, Orchestra del Teatro alla Scala di Milano/Herbert von Karajan)Strauss: Eine Alpensinfonie (London Symphony Orchestra/Bernard Haitink)Glass: Etude No. 2 (Vikingur Olafsson)Invaders Must Die (The Prodigy) Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices
The Journey by American Pianists Association
Episode 13: What Comes Next for Emmett Cohen After winning the 2019 American Pianists Awards, Emmet Cohen’s career is taking off! Listen to Emmet’s debut as winner at Dizzy’s Club at Jazz at Lincoln Center in New York, and hear from Mack Avenue Records President Denny Stillwell and past Awards winners Drew Petersen and Aaron Diehl on what lies ahead for Emmet.
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- timeline: Composers (Europe). Performers (Europe).
- Indexes (by alphabetical order): P...