Johann Caspar Heck Podcasts
composer
- Germany
Last update
2024-05-14
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Sometimes as musicians - Heck, as PEOPLE, we hesitate to start new things. We shy away from what we are meant to do in the world because we aren't sure how it will go or what will happen or what other people will think. What if you were allowed to treat something new as an EXPERIMENT? I want to let you know that I have a new program starting this October. The Happiest Musician Accelerator is a three month group program for musicians who want to have an impact in the world. It’s to encourage musicians to step outside the narrowest version of their career, to expand the box, and to create for themselves the life they want to live from a place of alignment and love.. It’s to give them the practical tools to start new income streams or launch programs. And it’s to give them the confidence to try! CHeck it out at the link above, and reach out to me if you have any questions. I’d love to chat with you! Make sure you SUBSCRIBE to Crushing Classical, and maybe even leave a nice review! You can join my email list HERE, so you never miss an episode! I'm your host, Jennet Ingle. I love you all. Stay safe out there!
New Classical Tracks with Julie Amacher
Tessa Lark — The Stradgrass Sessions (First Hand Records) controls src="https://play.publicradio.org/unreplaced_ua/o/minnesota/classical/programs/new_classical_tracks/2023/03/29/new_classical_tracks_2023_03_29_new-classical-tracks-Tessa_Lark_20230329_128.mp3"> New Classical Tracks - Tessa Lark by “Smell is supposedly one of the strongest sensory responses to bring memories back. But for me, the sound of bluegrass may as well be the smell of bluegrass because it launches me back to a pure time and place every time I listen to it,” violinist Tessa Lark said about recording her latest album, The Stradgrass Sessions. In this recording, she blends the sounds of bluegrass with classical music elements. She does that with the help of some of her idols, Michael Cleveland and Edgar Meyer. What the Heck is stradgrass?“I was using the old Stradivari violin for four years, which is the violin that Joseph Gingold owned and used until the end of his life. Now the International Violin Competition of Indianapolis owns it. It lets one of the prizewinners use it in the four years between competitions. That was me from 2014 through 2018.“My fiancee, Michael Thurber, when we first met and played together, played bass and accompanied me on a bluegrass number with my father, who plays banjo. In the middle of rehearsal, he said, ‘bluegrass on a Stradivarius is stradgrass.’”What did Michael Cleveland think when he played on the Stradivarius?“I just ran into him at a conference in New York, and he was there doing a showcase. I told him I was his biggest fan and had a Stradivarius with me. I asked, ‘Would you like to try it out?’ He said, ‘Of course.’ He said it growled. He got into the tone, playing many double stops and long notes. It sounded excellent in his hands.“The tune we played together is ‘Lazy Katie,’ and I was in nearby Louisville after we met at that convention in New York City. He lives just outside that in Indiana, and he invited me over to his place. We just jammed for a few hours at his house.” What was it like to make music with Edgar Meyer?“Talk about a dream come true. He has influenced the way I live in music in every way. It is a little bit of a shock when I step back for a second and think that this lifetime hero of mine is a colleague.” Watch nowTo hear the rest of my conversation, click on the extended interview above, or download the extended podcast on iTunes or wherever you get your podcasts.ResourcesTessa Lark — The Stradgrass Sessions (FHR Store)Tessa Lark (official site)
2022 marks the first year that the music of Arnold Schoenberg has entered the public domain. What the Heck does that mean? Is it a good thing? So many things for you to decide.The examples used within this episode are AWESOME, and conducted by Schoenberg himself! Because we are THAT FAR ALONG in history and all just getting older. You can find the complete recording here:https://archive.org/details/SCHONBERGPierrotLunaire-NEWTRANSFERThe recording is used under the creative commons license. More information here:https://creativecommons.org/licenses/by-nc-sa/3.0/Any other musical examples you hear that are designed to help explain a concept were simply recorded while Casey dinked around in her studio. Support the show (http://www.patreon.com/caseybozell)
2022 marks the first year that the music of Arnold Schoenberg has entered the public domain. What the Heck does that mean? Is it a good thing? So many things for you to decide.The examples used within this episode are AWESOME, and conducted by Schoenberg himself! Because we are THAT FAR ALONG in history and all just getting older. You can find the complete recording here:https://archive.org/details/SCHONBERGPierrotLunaire-NEWTRANSFERThe recording is used under the creative commons license. More information here:https://creativecommons.org/licenses/by-nc-sa/3.0/Any other musical examples you hear that are designed to help explain a concept were simply recorded while Casey dinked around in her studio.Support the showSupport the show here!Patreon: www.patreon.com/keepclassicalweirdShop: keep-classical-weird.myshopify.comFacebook: @keepclassicalweirdpodcastInstagram: @keepclassicalweirdEmail: [email protected]
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