Joseph Joachim Podcasts
Hungarian violinist, composer, and teacher
- violin
- classical music
- Hungary
- composer, conductor, concertmaster, musicologist, music teacher, university teacher, violinist, violist
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2024-05-13
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Sticky Notes: The Classical Music Podcast
In 1857, Brahms wrote to his friend Joseph Joachim about his first Piano Concerto, saying, “ “I have no judgment about this piece anymore, nor any control over it.” Brahms first began sketching his first piano concerto in 1853, but it would be five full years before Brahms finished the piece, and another year until its first performance. During that time, the piece became a Sonata, then a symphony, then a sonata for two pianos, and then finally a concerto for Piano and orchestra, or as the joke goes, a concerto for piano VERSUS orchestra. The piece, and Brahms’ struggles with it, are completely understandable considering Brahms’ youth, and the extraordinarily tumultuous circumstances of his private life during the years of 1853-1858. During this time period, he was anointed by no less than the kingmaker of classical music at the time, Robert Schumann, as the Chosen One that represented the future of music. He became friendly with both Robert and Clara Schumann, began achieving huge successes, then witnessed the slow mental breakdown of Robert, culminating in a suicide attempt and institutionalization, all while falling deeper and deeper in love with Clara Schumann, and she with him. The turbulence and emotional weight of all of this is reflected in one of Brahms’ most impassioned works, the first piano concerto. We’ll talk about the historical background for the piece, Brahms’ working out process, and of course, the structure and insides of this massive, daunting piece.
2024-03-11 08:00:00
Duration (h:m:s): 20:44
Nathalie Joachim is a Grammy-nominated flutist, vocalist and composer. She is the co-founder of the acclaimed flute-meets-electronica duo Flutronix, as well as the composer of the evening-length work “Fanm d’Ayiti,” which explores her heritage and, more broadly, women’s voices in Haiti. Her recently-released album “Ki moun ou ye” (“Which person are you?”) continues the musically-grounded investigation into identity. In this episode, Joachim recalls a formative experience with the music of Brahms, connecting her attraction to his music with the rhythmically inventive music of her family’s native Haiti.The performance of Brahms Symphony No. 3 used in this episode features the New York Philharmonic under the baton of Alan Gilbert. Recording provided courtesy of the New York Philharmonic.
Grammy-nominated Haitian-American composer, singer and flutist Nathalie Joachim’s work centers an authentic commitment to storytelling and human connectivity while advocating for social change and cultural awareness. Her latest album Ki moun ou ye, is out now on Nonesuch and New Amsterdam Records. The original songs on this album ponder its title’s question: “Who are you?” Host Seth Boustead talks with Joachim about the new album and her musical journey.
Joachim Raff - Romeo and Juliet OvertureSlovak State Philharmonic Orchestra, KosiceUrs Schneider, conductorMore info about today's track: Marco Polo 8.223630Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon
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