Bernard Haitink Podcasts
Dutch conductor and violinist (1929-2021)
- violin
- classical music
- Kingdom of the Netherlands
- conductor, music director, violinist, choir director
streaming
Last update
2024-05-14
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In a series of four Decca Icons podcasts, Gramophone's James Jolly explores the artistry of four major recording musicians with Rob Cowan, Jed Distler and Richard Fairman. Focusing on recordings in the Decca catalogue, the series turns the spotlight on Bernard Haitink, Vladimir Ashkenazy, Sir Georg Solti and, this week, Benjamin Britten. Each podcast is accompanied by a special Apple Music playlist. In this final podcast, James talks to the Financial Times and Gramophone critic Richard Fairman about this towering figure in British musical life. Britten recorded for Decca, as composer, pianist and conductor, for most of his adult life and left a peerless catalogue of recordings, including one of the classics of the gramophone, the War Requiem.
In a series of four Decca Icons podcasts, Gramophone's James Jolly explores the artistry of four major recording musicians with Rob Cowan, Jed Distler and Richard Fairman. Focusing on recordings in the Decca catalogue, the series turns the spotlight on Bernard Haitink, Vladimir Ashkenazy, Sir Georg Solti and Benjamin Britten. Each podcast is accompanied by a special Apple Music playlist. In this second podcast, James talks to the New York-based critic, composer, broadcaster and piano enthusiast Jed Distler about the Russian-born pianist and conductor, Vladimir Ashkenazy.
In a series of four Decca Icons podcasts, Gramophone's James Jolly explores the artistry of four major recording musicians with Rob Cowan, Jed Distler and Richard Fairman. Focusing on recordings in the Decca catalogue, the series turns the spotlight on Bernard Haitink, Vladimir Ashkenazy, Sir Georg Solti and Benjamin Britten. Each podcast is accompanied by a special Apple Music playlist. In this first podcast, Rob and James talk about the great Dutch conductor who, during a long career, headed up ensembles and opera house in Amsterdam, London, Glyndebourne, Dresden and Chicago, as well as being a much sought-after guest, and left a vast recorded catalogue.
Jess meets up with Love Ssega to swap some of their favourite music. A founding songwriter and vocalist of Clean Bandit, Love Ssega is hugely in demand for his collaborative work across genres from pop to visual art. He is currently the Philharmonia's artist in residence. Ssega came with some truly epic Elgar played by Sheku Kanneh Mason, a serious ear worm of an opera chorus by Verdi, and introduced Jess to the incredible voice of Alice Smith (she's been listening to her on loop since). Meanwhile Jess played Ssega Vivaldi arranged by Max Richter, some 12th century vocal music by Hildegard von Bingen, and an elegy to the environment by Marvin Gaye. PLAYLIST: MAX RICHTER/VIVALDI: Spring 1 – from the Four Seasons Recomposed [Daniel Hope (violin), Zurich Chamber Orchestra] VERDI: Va pensiero – Chorus of the Hebrew Slaves (from Nabucco) [Chorus and Orchestra of Royal Opera House, London, Bernard Haitink (cond)] MARVIN GAYE: Mercy Mercy Me (The Ecology) ELGAR – Cello Concerto in E minor, op.85 – 1st mvt [Sheku Kanneh Mason (cello), London Symphony Orchestra, Simon Rattle (cond)] PETER GABRIEL: The Book of Love WILLIAM MATHIAS: Zodiac Trio, op.70 – 1st mvt ‘Pisces’ [Dallas Triptych Players] HILDEGARD von BINGEN: Spiritus Sanctus Vivificans [Armonico Consort, Christopher Monks (dir) ALICE SMITH: Wednesday’s Child
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