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Okamoto Paul Hindemith Radoslaw Szulc Szulc Kimiko Nakazawa Gérard Poulet Kazuki Sawa Hanns Eisler Antje Weithaas Johann Sebastian Bach Henryk Wieniawski Symphonieorchester Bayerischen Rundfunks Mdr Sinfonieorchester Belgian National Orchestra Yomiuri Nippon Symphony Orchestra Bachfest Leipzig 1895 1939 1963 1994 2014 2015 2016 2017 2019 2021
Seiji Okamoto, Japan Paul Hindemith +••.••(...)) Konzert für Violine und Orchester (1939) Mäßig bewegte Halbe Langsam Lebhaft Sie wird begleitet vom Symphonieorchester des Bayerischen Rundfunks unter der Leitung von Radoslaw Szulc. / Weitere Informationen zum Internationalen Musikwettbewerb der ARD finden Sie hier: (http•••) Hier gibt es das diesjährige Programmheft zum Runterladen: (http•••) / Der in Berlin lebende japanische Violinist Seiji Okamoto wurde 1994 geboren und begann im Alter von drei Jahren mit dem Geigenspiel. Zunächst studierte er an der Tokyo University of the Arts bei Kimiko Nakazawa, Gérard Poulet und Kazuki Sawa. Anschließend absolvierte er ein Masterstudium an der Hochschule für Musik Hanns Eisler Berlin bei Antje Weithaas. Seit 2019 perfektioniert er sein Können an der Kronberg Academy als Professional Studies Student ebenfalls bei Antje Weithaas. Der Geiger wurde zu Auftritten bei renommierten Musikfestivals wie dem Bachfest Leipzig (2015), La Folle Journée au Japon +••.••(...)), dem Musica Mundi Festival (2017) und dem Kronberg Academy Festival (2019) eingeladen. Als Solist konzertierte er mit namhaften Orchestern wie dem MDR-Sinfonieorchester, dem Saint-Petersburg State Academic Symphony Orchestra, dem Belgian National Orchestra, dem Orchestre Royal de Chambre de Wallonie und dem Yomiuri Nippon Symphony Orchestra. Als erster asiatischer Gewinner in der Kategorie Violine des Internationalen Johann-Sebastian-Bach-Wettbewerbs in Leipzig errang Seiji Okamoto 2014 den 1. Preis und den Publikumspreis. Im Jahr 2016 wurde er mit dem 2. Preis bei der 15. International Henryk Wieniawski Violin Competition in Polen und mit dem 6. Preis bei der 6. Sendai International Music Competition in Japan ausgezeichnet. Zudem wurde er 2019 Preisträger der Queen Elisabeth Competition in Brüssel. Beim 70. Internationalen Musikwettbewerb der ARD München 2021 gewann er den 1. Preis und den Sonderpreis für die beste Interpretation der Auftragskomposition.
Bachfest Leipzig Michael Schönheit Ton Koopman Ullrich Böhme Bach 2022
Warm up for the Bachfest and watch the high quality organ film from the Bachfest ️️(http•••) 30% Discount code: Bachfest30 Artists featured in the film: Sebastian Heindl, Michael Schönheit, Ton Koopman, Ullrich Böhme If you have the opportunity to travel to Leipzig, make sure to enter our sweepstakes and win 2 tickets for an organ concert at the Bachfest Leipzig (June 9-19, 2022)! (http•••) #IOOF #organfestival #bachfest #leipzig #organfilm #organist #bach #sweepstake
Johann Sebastian Bach Loos Frieder Bernius Weller Johann Kuhnau Böhme Bachfest Leipzig Gewandhaus Hofkapelle Stuttgart 1445 1531 1622 1702 1903 1925 1950 2013
A homage to Johann Sebastian Bach, the composer of the Christian message: the music documentary Vita Christi—Bach, the Fifth Evangelist was produced for the 2013 Bach Festival Leipzig. With the theme, "Vita Christi", that year's edition of the festival retold the life of Jesus Christ in oratorios, masses and cantatas by Johann Sebastian Bach and composers close to him. Peter Schlögl's music documentary highlights the festival program, shows rehearsals and concert excerpts and hears from musicians and Bach experts. Years later, the timeless quality of this documentary is still evident. Not only does it provide insight into the authentic places where Johann Sebastian Bach worked, it also convincingly conveys the motives of the important Baroque composer. Bach was a Christian composer, who placed himself and his work entirely at the service of God. His compositions retell the life of Jesus Christ as if they were one of the four Gospels of the New Testament. This is why Bach is referred to as the “Fifth Evangelist.” At a glance: (00:00) Introduction: The legacy of Johann Sebastian Bach (00:59) The Bachfest Leipzig 2013 "Vita Christi" retold the life of Jesus Christ in music, in oratorios, masses and cantatas (00:59) Music excerpt: J.S. Bach: Chorus "Wachet auf, ruft uns die Stimme" (from the Cantata "Wachet auf, ruft uns die Stimme", BWV 140) | St. Thomas Choir & Gewandhaus Orchestra Leipzig, Georg Christoph Biller (conductor) (02:32) Statements from festival visitors (02:53) Biography: Bach comes to Leipzig (03:30) Stefan Altner, Managing Director of the St. Thomas Choir Leipzig: Bach is the origin of most of today's music (03:56) Pianist & composer Ketil Bjørnstad improvises on Bach's music and reflects on its existential content (06:51) Biography: Bach's work in Leipzig (07:38) Christoph Wolff, Director of the Bach Archive Leipzig: How Bach directed the St. Thomas Choir (08:19) History of the St. Thomas Choir (08:50) Georg Christoph Biller, Musical Director of the St. Thomas Choir: It is the St Thomas's Choir’s responsibility to regularly perform works by Johann Sebastian Bach (09:17) Rehearsal: J.S. Bach: "Cum Sancto Spiritu" (from the Mass in B minor, BWV 232) | St. Thomas Choir, Georg Christoph Biller (conductor) (10:28) Georg Christoph Biller, Musical Director of the St. Thomas Choir: The Mass in B minor is an expression of Bach's skill and thinking (10:49) Christoph Wolff, Director of the Bach Archive Leipzig: The Kyrie and Gloria set an incomparable final accent in the Mass in B minor (11:47) Christoph Wolff, Director of the Bach Archive Leipzig: The Credo of the Mass in B minor is a short summary of the life of Christ and the story of salvation (12:05) The theological significance of Bach and the spirituality of his music (12:47) Stefan Altner, Managing Director of the St. Thomas Choir: Bach's music not only appeals to the intellect but also touches people emotionally (13:05) Bach as a Lutheran composer (13:22) Christoph Wolff, Director of the Bach Archive Leipzig: During Bach's lifetime, Protestant church music was of immense importance (14:02) Bach's deep religiousness (14:21) Helmut Loos, Musicologist: Bach made music at the service of God (14:45) Bach's work at the St. Nicholas Church in Leipzig (15:31) Rehearsal: J.S. Bach: Sinfonia (from the Cantata "Christ lag in Todesbanden", BWV 4) | Chamber Choir & Hofkapelle Stuttgart, Frieder Bernius (conductor) (16:22) Frieder Bernius, conductor Chamber Choir Stuttgart: Bach's music convincingly conveys the Christian message (17:02) Rehearsal: J. S. Bach: Aria "Jesus Christus, Gottes Sohn" (from the Cantata "Christ lag in Todesbanden", BWV 4) | Andreas Weller (tenor), Hofkapelle Stuttgart, Frieder Bernius (conductor) (19:03) Bach is the” fifth evangelist,” because his works retell the Christian story of salvation (19:25) Helmut Loos, Musicologist: Bach's music is proclamation—and deliberately elaborate proclamation at that (19:50) Rehearsal: J.S. Bach: Chorus "Es war ein wunderlicher Krieg" (from the Cantata "Christ lag in Todesbanden", BWV 4) | Chamber Choir Stuttgart, Frieder Bernius (conductor) (22:01) The Leipzig Chamber Choir Josquin des Préz presents a program with music from Bach's circle, including by Johann Kuhnau, who was musical director of the St. Thomas Choir before Johann Sebastian Bach (22:40) Christoph Wolff, Director of the Bach Archive Leipzig: Bach was influenced by Kuhnau (22:58) Music excerpt: Johann Kuhnau: Motet "Tristis est anima mea" (Sad is my soul) | Chamber Choir Josquin des Préz, Ludwig Böhme (conductor) (23:53) Ludwig Böhme, conductor Chamber Choir Josquin des Préz: The Bach Festival is like home to him, and Bach is simply the greatest composer (25:15) Bach was a sensuous man, a humble medieval craftsman who worked to honor God Deutsche Welle 2013 Watch more music documentaries: (http•••) #johannsebastianbach #musicdocumentary
Johann Sebastian Bach Evgeni Koroliov Johann Gottlieb Goldberg György Ligeti Bachfest Leipzig Collegium Musicum 1451 1659 1685 1741 1750 1855 1949 1978 2008
The Goldberg Variations for a desert island: Evgeni Koroliov plays the Goldberg Variations by Johann Sebastian Bach at the Bachfest Leipzig 2008. Johann Sebastian Bach +••.••(...)) gave the following inscription to the cycle for harpsichord that today is known as the Goldberg Variations: “Keyboard exercise, consisting of an ARIA with diverse variations.” The first edition of this harpsichord exercise was published in the fall of 1741 and formed the 4th part of a collection of compositions for harpsichord that Bach had compiled for the secular concerts of the Collegium Musicum. In the Bach catalog of works, the harpsichord variations are listed under the number 988 (BWV 988). The common name Goldberg Variations (Goldberg Variationen) originated only in the 19th century and derives from an anecdote that contemporary scholars have proved to be historically inaccurate. According to the anecdote, the harpsichord pieces were commissioned by Hermann Carl von Keyserlingk. Keyserlingk was a Russian diplomat and had met Johann Sebastian Bach personally in Dresden in 1741. Because Keyserlingk suffered from insomnia, he is said to have requested from Bach piano pieces that his harpsichordist Johann Gottlieb Goldberg could play for him during sleepless nights. As a result, the harpsichord variations are said to be named after Keyserlingk's private musician Johann Gottlieb Goldberg. Although this is not true, the name Goldberg Variations has become the standard. The Goldberg Variations are a masterpiece of baroque compositional art. They consist of an aria with a bass theme that varies 30 times in quite distinct ways. Every third variation is a canon, and of the altogether 10 canons, the last is a quodlibet in which Bach has interwoven two folk songs. The 16th variation is an overture and marks the beginning of the 2nd part. The final da capo aria completes the cycle. The Goldberg Variations were composed for double manual harpsichord, whereby 15 variations only require single manual, 11 variations require double manual, and 4 variations require either single or double manual. It is therefore a particular challenge to play Bach's Goldberg Variations on the piano. Evgeni Koroliov, born in Moscow in 1949, is considered one of the greatest Bach interpreters of our time. Koroliov has lived in Hamburg since 1978 and has performed on all the world's great stages. His piano repertoire spans all musical epochs, but it is with his Bach interpretations in particular that Evgeni Koroliov has been able to impress the music world time and again. The composer György Ligeti once professed that he would take Koroliov's rendition of Bach's “The Art of Fugue” to a desert island. This adage could easily be applied to Koroliov's Goldberg Variations—one could surely set off to a desert island with them. (00:00) Aria (04:58) Variatio 1. a 1 Clav. (07:02) Variatio 2. a 1 Clav. (08:41) Variatio 3. Canone all' Unisono a 1 Clav. (10:49) Variatio 4. a 1 Clav. (11:57) Variatio 5. a 1 o 2 Clav. (13:12) Variatio 6. Canone alla Seconda a 1 Clav. (14:51) Variatio 7. a 1 o 2 Clav. Al tempo di Giga (16:59) Variatio 8. a 2 Clav. (18:55) Variatio 9. Canone alla Terza a 1 Clav. (20:47) Variatio 10. Fughetta a 1 Clav. (22:35) Variatio 11. a 2 Clav. (24:42) Variatio 12. Canone alla Quarta in moto contrario a 1 Clav. (26:59) Variatio 13. a 2 Clav. (32:25) Variatio 14. a 2 Clav. (34:30) Variatio 15. Canone alla Quinta in moto contrario a 1 Clav. (39:49) Variatio 16. Ouverture a 1 Clav. (42:53) Variatio 17. a 2 Clav. (44:40) Variatio 18. Canone alla Sesta a 1 Clav. (46:32) Variatio 19. a 1 Clav. (48:54) Variatio 20. a 2 Clav. (50:44) Variatio 21. Canone alla Settima a 1 Clav. (54:01) Variatio 22. a 1 Clav. (55:48) Variatio 23. a 2 Clav. (57:48) Variatio 24. Canone all' Ottava a 1 Clav. (1:00:24) Variatio 25. a 2 Clav. (1:10:42) Variatio 26. a 2 Clav. (1:13:21) Variatio 27. Canone alla Nona a 2 Clav. (1:15:09) Variatio 28. a 2 Clav. (1:17:15) Variatio 29. a 1 o 2 Clav. (1:19:44) Variatio 30. Quodlibet a 1 Clav. (1:21:30) Aria da Capo EuroArts Music International and NHK Watch more concerts in your personal concert hall: (http•••) and in our Bach playlist: (http•••) Subscribe to DW Classical Music: (http•••) #JohannSebastianBach #GoldbergVariations #EvgeniKoroliov