Yoshiaki Kimura Videos
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Nagata Yoshiaki Kimura Morishita Igarashi Harada Mania Lopes 2022
Hey guys, we are back with part 4 of our apex compilation series! The Dark Depths Event is right around the corner and the season's ending is at the door! Watch the team start Apex 2022 off right! The music used in this video are as follows: Big Blue (Mario Kart 8 Deluxe Version) - Kenta Nagata 名前入力隠しBGM「ゼルダ」- Nintendo (Link's Awakening - Switch Version) Super Star (Paper Mario: The Origami King Version) - Yoshito Sekigawa, Shoh Murakami, Yoshiaki Kimura, Hiroki Morishita, Fumihiro Isobe Battle with King Olly - Yoshito Sekigawa, Shoh Murakami, Yoshiaki Kimura, Hiroki Morishita, Fumihiro Isobe (Paper Mario: The Origami King) Jena (Rebellion & Salvation) - Satoshi Igarashi, Naofumi Harada, Hitomi Kurokawa,Masahiro Aoki, Satoshi Setsune (Astral Chain) Stage Clear (Sonic Mania) - Tee Lopes Feel Good - MBB (Outro) I do not own the rights to the music above. Please support the official releases of these beautiful tunes. Be sure to like, comment, and subscribe if you want to see more from me, OneHpTom and I will see you guys later!
Princeton Symphony Orchestra Saad Haddad Rossen Milanov Milanov Barlow Sylva 2019
"Clarinet Concerto," (2019) composed by Saad Haddad. Performed by Kinan Azmeh (clarinet) and the Princeton Symphony Orchestra, conducted by Rossen Milanov. Co-commissioned by the Princeton Symphony Orchestra and the Barlow Endowment for Music Composition at Brigham Young University. SCORE/PARTS: (http•••) This Clarinet Concerto is the latest chapter of my output that fuses my love for all things orchestral, technological, and ancestral. I composed this work from January to October 2019 on both coasts of the U.S., though it more aptly relates to a region and tradition that is mostly unfamiliar to America and the rest of the West: that of the Middle East and its rich tradition of classical Arab music. Kinan Azmeh, a Syrian-born, New York-based clarinetist and composer, and I met five years ago through our association with Juilliard professor Mari Kimura, a violinist known for ushering in a new wave of conservatory-trained classical musicians to the wonders of interactive music technology. Like myself, Kinan is enraptured by the spectrum of emotion that lies between Western and Middle Eastern musics, and is always searching for ways to use our modern technological tools to highlight those facets. The clarinet itself is an instrument I have a personal fondness for, having played it in marching band throughout my high school years. There is a physicality (i.e. ‘marching’) that I will always associate with the instrument, and this is certainly the case with this Clarinet Concerto. Kinan’s role in the orchestra is governed by where and when he moves on stage. He is unseen, yearning for attention, unwittingly thrusted into public view, given a platform to express his thoughts, overshadowed and forgotten, and finally, elegiacal from all the pain he holds inside. While the work draws on tenets from very specific traditions of music, it is my hope that this music conveys a more universal spirit of cooperation and cordiality with our fellow human beings, as we live out our finite time here in the most just, and loving way that we can. The coda, entitled “For Jido,” was written in the memory of my late grandfather, Jido Adib, who passed in August 2019 at the age of 76. He moved his family of seven, including my grandmother Salimeh, uncles George, Elie, and Salim, aunt Sylva, and my mother Lucy, halfway across the world to escape war-torn Lebanon during the midst of its civil war. Clarinet Concerto is dedicated to Kinan Azmeh.
Chevalier Saint Georges James Wilson Diehl Bard Lawson Barrett Sills 2022
Joseph de Bologne, Violin Concerto in D Major, Op. 3, No. 1 featuring Christina Day Martinson, violin An Uncommon Chevalier Sunday, March 27, 2022 at 2:30 pm Zilkha Hall, The Hobby Center for the Performing Arts DIGITAL PROGRAM BOOKLET: (http•••) This program transports us to a lively Parisian concert hall in the mid 1780s, just before the Revolution changed everything. An accomplished composer, violinist, conductor, fencer, and dancer, Joseph de Bologne became the toast of Paris in the early 1770s. The son of a plantation owner and an African slave, the younger mixed-race Bologne acquired the title Chevalier de Saint-Georges thanks to Louis XV, in whose personal guard he briefly served, and eventually became a favorite of Marie Antoinette. The program features a tuneful violin concerto from Saint-Georges, a comparable work from a contemporary, and a symphony commissioned by the Chevalier. This event is part of the French Cultures Festival coordinated by the Cultural Service of the French Embassy in Houston. Featuring: Christina Day Martinson, violin º Elizabeth Blumenstock, violin Matthew Dirst, conductor º Ars Lyrica debut Orchestral Personnel: Horn I – James Wilson Horn II – Patrick Hughes Traverso I – Colin St-Martin Traverso II – Alaina Diehl Oboe I – Kathryn Montoya Oboe II – Stephen Bard Bassoon I – Nate Helgeson Bassoon II – Keith Collins Violin I – Elizabeth Blumenstock (soloist & concertmaster), Maria Lin, Hae-a Lee, Andrés Gonzalez, Anabel Detrick Violin II – Christina Day Martinson (soloist & principal), Alan Austin, Matt Detrick, Kana Kimura Viola – James Dunham, Erika Lawson Cello – Barrett Sills, Erika Johnson Double bass – Deborah Dunham Note: For this program, Ars Lyrica's wind players are using replicas of Classical-era instruments pitched at A=430, instead of our usual Baroque-style wind instruments pitched at A=415. Strings for this program are tuned to A=430 as well, with players using "transitional" (Classical era) bows. Video and audio by BEND Productions, LLC (http•••)
Mizuno Miyama Mori Kanai Kishi Kataoka Uchida Inoue Hirano Ito Shikata Nakamura 1973
Part I: Drive, Drive, Drive! Soloists: Terumasa Hino - Trumpet Kenji Mori - Alto Saxophone Hideto Kanai - Bass Orchestra: Trumpets: Kazumi Takeda Shin Kazuhara Yoshikazu Kishi Shuji Atsuta Trombones: Teruhiko Kataoka Masamichi Uetaka Takashi Hayakawa Takahide Uchida Alto Saxophones: Kazumi Oguro Isao Kimura Tenor Saxophones: Mamoru Mori Seiji Inoue Baritone Saxophone: Shigeri Hirano Bass: Masaaki Ito Drums: Isao Yomoda Part II: a. Blues b. Autonomy c. Drive d. Chaos Soloists: Shuko Mizuno - Organ Masayuki Takayanagi - Guitar Hideto Kanai - Bass Joe Mizuki - Percussion Orchestra: Trumpets: Kazumi Takeda Shin Kazuhara Yoshikazu Kishi Shuji Hadori Kenichi Sano Trombones: Teruhiko Kataoka Masamichi Uetaka Takashi Hayakawa Takahide Uchida Takeshi Aoki Seiichi Tokura Alto Saxophones: Kazumi Oguro Isao Kimura Tenor Saxophones: Mamoru Mori Seiji Inoue Baritone Saxophone: Shigeri Hirano Clarinets: Hiromi Sano Masaaki Sano Takashi Shikata Seiichi Nakamura Bass: Masaaki Ito Drums: Isao Yomoda Recorded August 23, 1973 (Part I) & September 2, 1973 (Part II) at Aoi Studio, Tokyo.
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- Zeitleiste: Lyrische Sänger.
- Indizes (in alphabetischer Reihenfolge): K...