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2024-05-16
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Kajian kitab Dhou' al-Misbah dengan judul "Problemtika saat Pranikah" ini cocok untuk bekal para milenial sebelum menikah nanti, atau bahkan siapapun sebagai bekal dalam menuju jenjang pernikahan. Pembicara: KH Achmad Roziqi, Lc., M.H.I. (Anggota Dewan Fatwa MUI Jatim dan Mudir Ma'had Aly Hasyim Asy'ari Tebuireng) Kunjungi media sosial kami di Website : (http•••) Instagram : (http•••) Facebook : (http•••) Twitter : (http•••) Tiktok : (http•••)
He was the first artist in the world to conceive, then deliver trance as a live performance medium. Pioneering the technology and skills, then mastering its techniques and stagecraft, he introduced the world to Giuseppe Ottaviani LIVE! Signalling a major development in the scene, it's a form that's subsequently been adopted by many a leading light. This, together with the release of his sophomore studio album 'Magenta' (which has now spawned a impressive litany of club smash singles), jointly elevated him to the scene's upper ranks. His next step on was one as intrinsic as it was anticipatable... Back in the early spring, in Italy, Giuseppe packed up his studio kit. When it was next assembled, it was halfway around the world in Argentina, on stage at Mandarine, Buenos Aires'. There, on April 12th, in front of thousands of clubbers and music lovers at the arena, Ottaviani turned Live into a science. (Lights down / mics up "Hola, Buenos Aires, como esta!? Esta es Magenta Live!!") With its next frisson thrill never more than a bass note, synth spike or crowd roar away, you can now experience that tour-de-force debut show for yourself. The concert album features purpose-built Live versions of its tracks, designed by Giuseppe to flow as an integrally sequenced, non-stop, fully enriched clubbing experience. Prepare to colour your mind with a different type of 'Magenta' as Ottaviani seamlessly, stunningly delivers his opus as a live, in-concert experience for the first time. Including all the tracks you've come to love, it features team-ups with fellow tranceologists Ferry Corsten and Aly & Fila, and is supported by a stellar line of vocalists (Eric Lumiere, Audrey Gallagher, Linnea Schössow, Lo-Fi Sugar and Vitamin B among them). A double disc release, with 'Passion', 'Liverpool' and 'In This Together', its also the platform for three brand pieces of 'Magenta' magic, additionally comprising all the Live mixes as standalone tracks. With its tense steely riffs and galvanized by gallons of side-chain compression, 'Passion' brings a stadium trance atmosphere to Magenta. Tech takes charge on 'Liverpool', which is fuelled by controlled distortion bursts, big crowd igniting shouts and ever bit as inflammatory pitch bends. Having already lent 'Magenta' a transcendental heartland with recent single 'Heal This Empty Heart', Melbourne-based singer-songwriter Alana Aldea returns to bring a more uplifting, unifying spirit to 'In This Together'. On the new Live version of 'Love Will Bring It All Around', Giuseppe eases the Original's progressive nature and radiates a more vociferous trance ethic, locking Lumiere's vocal around thunderous drums and bass lines. 'Stars' has Giuseppe's supplying another one of his trademark high-octane production engines, one that Swedish starlet Linnea Schössow counterbalances with a sky gazing, spellbinding vocal arc. Deeper into the night Stephen Pickup's tones on 'Illusion' fleetingly splices a rock-ish gene in, whilst backed by Giuseppe's miasma-like harmonics, Faith's entrancing turn on 'Nothing Wrong' burns up Mandarine. In solo mode Giuseppe broadens 'Magenta Live's musical remit. On 'Cold Flame' he pumps the distortion pedal hard, working in electro-lining sounds and FX. 'Feel The Music' meanwhile riffs off the modulating acidic churn of 'Hardtrance Acperience', climactically boiling its 303 to mercury-pop levels. Uniting the high-octane studio personas of Aly & Fila and Giuseppe Ottaviani, 'Brilliant People' uses beatific, ever-shifting female harmonics to dizzying, daring effect. Ferry Corsten & Giuseppe meanwhile collectively use symphonic string, artfully interplayed with melodic redolence and air-slicing synths to fashion the infectious anthem 'Magenta'. Not simply EDM, but surround-sound, big room-filling 3DM, summer 2014's colour will again be 'Magenta'! #MAGENTALIVE / FOLLOW THE JOURNEY ON TWITTER / INSTAGRAM Leading up to the album release on June 23rd fans can keep up to date on the latest news and developments for the album project using the hashtag #MAGENTALIVE Alongside album news Giuseppe will be giving away competition prizes and organising some exclusive social media activity, fans are encouraged to let us know your thoughts and feedback using the same hashtag! You can already pre-order Magenta Live on iTunes and your physical copy on Fine Night!
In this fiddle lesson I demonstrate three versions of the tune "Bonaparte's Retreat" . Firstly the slow Aly Bain version, from the Transatlantic Sessions. Secondly the faster, Benny Thomasson version, using GDAD or "dead man's tuning". Finally the William Stepp version, which was incorporated into Aaron Copeland's "Rodeo". I discuss the origins of Bonaparte's Retreat, and suggest some fiddle ornamentation. Below are details of further fiddle resources from Chris Haigh 1. Patreon 2. Books 3. Subscription video courses 4. Website 5. Email to request pdf’s. 1. PATREON This is a platform where anyone can help support creative artists and get closer access to their work. You can join me on Patreon at three levels, for £4, £10 or £40 per month. At the lowest level you get access to all my pdf’s and tune collections, plus many exclusive tuition videos not available to the public. At level 2 you can join also me once a month for a group Zoom chat, and can request a backing rack once a month. Level 3 gives you all the above plus a free lesson once a month, and access to all my backing tracks. You can find me on Patreon at (http•••) 2. BOOKS I have seven fiddle tuition books published by Schott, all widely available from the publisher, from Amazon, and many other outlets. All come with audio tracks illustrating the tunes and exercises. Exploring Jazz Violin Beginning Jazz Violin Discovering Rock Violin Exploring Folk Fiddle Exploring Klezmer Fiddle Hungarian Fiddle Tunes French Fiddle Tunes Exploring Country and Bluegrass Fiddle (due out October 2021) You can order from (http•••) 3. VIDEO SUBSCRIPTION COURSES I have three video subscription courses - MUSIC GURUS- Exploring Jazz Violin. Based on my Schott book Parts 1 and 2 are each £26 for 26 lessons, covering the first and second halves of the book Part 1; (http•••) Part 2 (http•••) -MUSIC GURUS- Discovering Rock Violin. . Based on my Schott book £35 for 46 lessons (http•••) ACADEMY OF FOLK Includes a folk fiddle primer course, with introductions to basic techniques and concepts plus an Irish Fiddle Course and Scottish fiddle course. A monthly sub of $9.99 gives access to all lessons (http•••) 4. WEBSITE My website is probably the most extensive and detailed summary of fiddle styles on the web, as evidenced by the range of top hits on Google for many fiddle styles. www.fiddlingaround.co.uk / TO REQUEST PDF’S, or ask any questions, CONTACT ME AT •••@•••
Brooks Rodriguez Berger Berman Cherry Narro Radwan 2001 2011 2014 2016 2017
Monday, October 23 Elebash Recital Hall 7:00pm Award Ceremony “Only a few times in a generation does a completely original theatrical voice burst onto the scene and revolutionize the form and structure of theatre-making worldwide; Roosen is such an iconoclast,” – Melody Brooks, League of Professional Theatre Women Adelheid Roosen’s work is best described as multidimensional social sculpture. Utilizing primarily theatrical methods, she creates performances and installations in places of great social vulnerability. Roosen’s work combines theatrical practice with a deep connection to community. Her ‘adoption technique’, in which players and writers are ‘adopted’ by members of refugee and immigrant communities for a two-week period, enable in-depth communication, and an intimate connection to collective life stories. Roosen prioritizes discovering and identifying ‘the other’ at all levels—culturally, geographically, socially, intellectually. She then uses this technique to develop theatrical performance pieces that promote empathy and understanding. Roosen’s play, The Veiled Monologues (2001), which investigated the daily life of Islamic women living in the Netherlands, has been staged internationally, and was performed before the Dutch parliament, in a nationally televised event, during the height of one of the debates on constitutional rights regarding religious minorities in the Netherlands. Her work was described as “a magnificent demonstration of the power of theater to change the terms of public debate” by Thomas Sellar, editor of Theater Magazine (Yale). In 2016, Roosen was asked to join the prestigious Academy for the Arts/The Netherlands. For the past 30 years, Roosen has taught at the Amsterdam School for Drama & Contemporary Music Theatre. Previous Award Recipients: Odile Gakire Katese (Rwanda, 2011) Patricia Ariza (Colombia, 2014) The League of Profession Theatre Women’s Gilder/Coigney International Theatre Award was established in 2011 in honor of Rosamond Gilder and Martha Coigney, two legendary theatre women whose work on the international stage proved that theatre knows no boundaries. Presented every three years, this award acknowledges the exceptional work of women in theatre. The 2017 League of Professional Theatre Women’s Gilder/Goigney International Theatre Awardee Adelheid Roosen was chosen from a group of six finalists: Lina Attel (Jordan), Jalila Baccar (Tunisia), Mihaela Drăgan (Romania), Natalia Kaliada (Belarus), and Jesusa Rodriguez (Mexico). The other 14 nominees are: Abir Aly (Egypt), Sarah Berger (England), Patricia Benecke (Germany), Sabina Berman (Mexico), Kate Cherry (Australia), Drenia Frederick (St. Lucia), Elena Gremina (Russia), Brigitte Helbling (Switzerland), Carmina Narro (Mexico), Julia Pascal (England), Marwa Radwan Mohamed (Egypt), Nan Van Houte (The Netherlands), Ilire Vinca (Kosovo), and Linda Wise (France).