Leif Roar Videos
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2024-05-14
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Jack Norworth Oscar Hammerstein I Hammerstein I Sang Crane Roar 1910
I edited this audio myself so that the grainy vinyl record sound is reduced. Lyrics: "My Mother always told me that I had a splendid voice In fact, I'd sing in Opera if they gave me my choice I wrote to Oscar Hammerstein that I would be his star He said "Come down and sing for me...and I'll see how good you are And I don't suppose I'll do it again for months and months and months No, I don't suppose I'll do it again for months and months and months I sang "The wise old Owl", and he left the room at once So I don't suppose I'll do it again for months and months and months A lady friend of mine one day, thought it would be a joke to walk into a restaurant and have a little smoke she smoked a little cigarette just like a suffragette then all the papers smoked at her...but they haven't stopped her yet But I don't suppose she'll smoke again for months and months and months No I don't suppose she'll smoke again for months and months and months If she really wants to smoke, she could buy a pack just once Then I don't believe she'd do it again for months and months and months One day, an aviator...took out his aeroplane and flew from New York town to Philadelphia like a crane and when all Philadelphia saw him, they set up a wail For they thought that he must really be...Old Halley comet's tail and they won't know who it really was for months and months and months No they won't get wise to who it was for months and months and months I bought an aeroplane myself and I'm going to fly it once but I may not get out of the hospital for months and months and months Now all you married gentlemen, God bless the hollow skirts I'll show you how to tame your wives if you are real alert In case you come home late at night, and wifey makes a roar Just pick her up and spread her out...upon the parlor floor and I don't think she'll get up again for months and months and months no, I don't think she'll get up again for months and months and months You can go back to your club, and enjoy yourself for once and your wife will stay just where she's put for months and months and months"
When humans listen to themselves and each other deeply, magic flourishes. Sometimes the magic is subtle, and sometimes it is enormous. The story goes like this: we listened to our impulse to bring our music and stories to Europe, and toward the end of the tour, our dear friend Ben Ingoldsby listened to his deeply-steeped Irish intuition that told him to walk down Grafton Street on his way to come meet us. At the same time, the poetic legend Glen Hansard was listening to his heart, which had him busking with his two young neighbor boys on Grafton street. We listened to their songs and to the magic of young kids learning to be musicians. Glen listened to his impulse to have us share a song, as well. And then we all listened to the music and magic between us. Next thing you know, Glen’s listening to his impulse to have us come join him for his show at the glorious Masonic Auditorium, and we’re standing in front of thousands of people in our hometown, lights aglow, hearts open, listening to the roar of the crowd, reminded that magic and humanity are alive and well when we choose to listen for them.
Vivaldi Roar Elbphilharmonie Sydney Symphony Orchestra 1725 2019 2021
The Orquesta Sinfónica Gran Mariscal de Ayacucho perform the Caracas Variation of The [uncertain] Four Seasons in Caracas, Venezuela. AKQA and Jung von Matt, in partnership with composer Hugh Crosthwaite and Monash University's Climate Change Communication Research Hub used climate data to recompose Vivaldi's 'The Four Seasons.' One of the most loved classical pieces of music, Vivaldi's 'Four Seasons' was written three centuries ago and is an endlessly inventive depiction of each season, influenced by the rhythms of the year. To portray a future where the world has failed to act decisively on global warming, The [uncertain] Four Seasons aims to place pressure on world leaders to act decisively at the United Nations Climate Change Conference COP26. The new compositions are a call for global leaders to commit to the Leaders Pledge for Nature ahead of the conference in November 2021. Building upon the NDR Elbphilharmonie Orchestra's 2019 performance in Hamburg, which fused Vivaldi's music with historical weather data, The first variation of The [uncertain] Four Seasons was performed by the Sydney Symphony Orchestra at the 2021 Sydney Festival on January 12th. The [uncertain] Four Seasons is the output of a musical design system that combines music theory with computer modelling to algorithmically generate countless local variations of Vivaldi's original 1725 composition. The algorithm alters the musical score to account for predicted changes in rainfall, biodiversity, sea-level rise, and extreme weather events as laid out in the IPCC's reports. Find out more at (http•••)o 0:00 Introduction 1:16 Opening Solo 2:36 Springtime is upon us. 3:09 The birds celebrate her return with festive song, 4:03 and murmuring streams are softly caressed by the breezes. 6:20 Thunderstorms, those heralds of Spring, roar, casting their dark mantle over heaven, 7:36 Then they die away to silence, and the birds take up their charming songs once more. 8:31 On the flower-strewn meadow, with leafy branches rustling overhead, the goat-herd sleeps, his faithful dog beside him. 10:28 Led by the festive sound of rustic bagpipes, nymphs and shepherds lightly dance beneath the brilliant canopy of spring.
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