Makito Shibuya Videos
Komponist, Cellist
- Violoncello
- klassische Musik
- Japan
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2024-05-21
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Kanata Symphony Larsson Shibuya Oguri Shoji Okamoto Nakamura Emura Kanno Koyama Ueno Muth 2018
En Dance Studio / ◆WEB:(http•••) ◆FB:(http•••) ◆TW:(http•••) ◆Inst:(http•••) / ◆Video Date:2018/03/02 ◆CHOREOGRAPHY BY :KANATA ◆MUSIC :Symphony / Clean Bandit feat. Zara Larsson ◆FLIM:Atsushi ◆EDIT:Tamaki / ◆Related Video:KANATA / ◆About En Dance: <Dancers> ▽HIPHOP PURI / oguri(s**t kingz) / shoji(s**t kingz) / NOPPO(s**t kingz) / kazuki(s**t kingz) Shingo Okamoto / Ami / Akanen / Show-hey RYO(Beat Buddy Boi) / YASS(零,overflow) Hige / Ryota(GKKJ Crew) / UNO / Yuko Nakamura k-sk(BIGooL) / Yoshio(S.A.S) / ,AKIHIRO(S.A.S), YOSHIKI(KING OF SWAG,D-BLAST) / 50 / Atsushi(零,KING OF SWAG) / KELO(零,KING OF SWAG) Honoka Moriyama/A-SUKE(DANDY 5) KAJ1(SWING TOP STARS☆) / TOO / CanDoo(New School Order) Miki Emura / Asaki / Keita McGee / $ayaka(MAV●Z) / momoca / 周平(すきにっか) AZUR-D-BOYZ / JUN(AZUR-D-BOYZ) / YO-SUKE(AZUR-D-BOYZ) Taabow(SAGGAFLIKKA/ZiGSO) / Money(SAGGAFLIKKA) TAK-YARD(SAGGA FLIKKA) / Kyo(ZiGSO) / SHiN(ZiGSO,RADIO FISH) Kensuke / SUN-CHANG(GANMI/X'RATED CREW) / Yuta Nakamura(GANMI/X'RATED CREW) Keita McGee / KoRo(LOW to BONG,BiGooL) / Junko Yano Marimo Kanno / KANATA / Momo Koyama / Marino / ayapo GAMI / MiQael / HIROAKI(UNIVERSE) / Amami Sota Kawashima(GANMI) / KENZO MASUDA(GANMI/X'RATED CREW) / kooouya(GANMI) / shun(GANMI) Chihiro Ueno / Toyotaka(Beat Buddy Boi) / gash!(Beat Buddy Boi) / Daiki manami / NATSUKA / CHIKA / TOSHIO yayoi ajima / Reika / EKKA / MIKU(CHAOS) / KYO-KA(I-muth) KAHO(inferno,APE★MEN) / STEZO / MASATO($RAM HEADS) ▽HOUSE PInO(ALMA) / KOJI(ALMA) / KAZANE(LUCIFER) shu_hei(TOKYO FOOTWORKZ) / SHIN(TOKYO FOOTWORKZ) ▽JAZZ HIPHOP Seishiro / Tsuuu / sumire / suzuyaka yuichimen(I'm Queen) / IG(NEXT) / Elina Mizuno(白雨) GENTA(HOE JOE MA) / 石渡大輔 / MARIKA / HAL ▽Punking MEDUSA(ebony) ▽Contemporary Fusion Miu Ide / Elina Ayako ▽Contemporary 石神ちあき / 宮内大樹 ▽Contemporary JAZZ 櫛田祥光 ▽JAZZ Chii / 矢野祐子 / 廻 修平 / 松田尚子 / 今枝珠美 / 西川卓 / 松GORI / MIKI suzuyaka / SHOJIN / 井出恵理子 / 松田鼓童 / 麻衣子 Kosuke / タニグチエリカ ▽Ballet 三好 / Eye / 小花夕佳 / Atsu ▽LOCK HANA(KONAMI&HANA,ヘビーバギー) / Yu-mah ▽SOUL&LOCK A-SUKE(DANDY 5) / ATUSHI(ASSIST) ▽POPPING Fishboy(GONZO,black D.O.G.S) / BOO ▽WAACK IBUKI(Bad Queen) /calin ▽FreeStyle くるみ(KikiRara) ▽Tap Dance 安達雄基 ▽HEELS Kanance
Michiru Oshima Miyagawa Shibuya Kiriko 1954 1966 1996 2000
Godzilla X Megaguirus: The G Extermination Strategy (2000) by. Michiru Oshima 1. Nichiei News (M1) - 00:00 2. 1954 Godzilla Attacks Tokyo - Reconstruction - 00:11 3. 1966 Godzilla Attacks Tokai - Goverment's Decision (M2) - 1:12 4. 1996 Godzilla Attacks Osaka (M3T2 - Second Half) - 2:33 5. Superior Officer Miyagawa's Demise (M3T2 - Second Half) - 5:41 6. Main Title (M4) - 6:28 7. Scout (M5) - 7:01 8. Special G Task Force (M6) - 7:45 9. Unfortunate Disaster (M7) - 9:03 10. G Confirmatin I (M8) - 9:25 11. Test Preparation (M9) - 10:16 12. Black Hole Gun Engaged (M10) - 11:30 13. The Late Night Abnormality (M12) - 12:02 14. Dumping the Egg (M13) - 13:29 15. Identification Tag (M14) - 14:31 16. Cell Division (M15) - 14:59 17. Meganulon (M16) - 15:21 18. Miriko and Jun (M18) - 17:20 19. G Confirmation II (M19) - 18:21 20. The Griffon Mobilizes (M20) - 18:43 21. Godzilla Surfaces (M21 - First Half) - 20:37 22. Transmitter Installed (M21 - Second Half) - 23:03 23. Dimension Tide (M22) - 24:07 24. Submerged Shibuya (M23) - 24:30 25. The Underwater Search in Shibuya - Godzilla in the Trench (M24) - 24:57 26. Leading (M25) - 26:25 27. Flight of the Meganula (M26) - 28:29 28. Starting the Dimension Tide (M27) - 29:41 29. Godzilla X Meganula (M28) - 30:18 30. The Dimension Tide Fires (M29) - 32:39 31. Immortal Godzilla (M30) - 33:31 32. Larval Growth (M31) - 35:07 33. Megaguirus is Born (M32) - 36:13 34. Ultra-High Frequency (M33) - 38:15 35. The Ultimate Combat Form (M34) - 39:18 36. Godzilla to Tokyo (M35) - 39:58 37. Godzilla Lands in Odaiba - 40:34 38. Godzilla X Megauirus I (M36) - 41:45 39. The Effect of Ultra-High Frequency (M39) - 42:51 40. Godzilla X Megaguirus II (M40) - 43:42 41. Godzilla X Megaguirus III (M41) - 45:43 42. Godzilla X Megaguirus IV (M42) - 47:13 43. Program Restored - Conclusion (M43) - 48:22 44. The Falling Dimension Tide (M44) - 51:28 45. Kiriko's Decision - Lock On (M45) - 52:26 46. Dimension Tide X Godzilla (M46) - 55:57 47. A Moment of Victory (M47) - 56:42 48. End Credits (M48) - 57:54 49. Nichieie News (M1) - 1:01:21 50. Nichieie News (M1 - Oshima Version) - 1:01:33 51. 1996 Godzilla Attacks Osaka (M31T1 - First Half) - 1:01:44 52. Superior Officer Miyagawa's Demise (M3T1 - Second Half) - 1:04:52 53. Space-Time Distortion (M11) - 1:05:40 54. Witness Meganula! (M17) - 1:06:03 55. Appearance! I (M38A) - 1:06:10 56. Appearance! II (M38B) - 1:06:17 57. Ending Materal (M48A) -1:06:24 58. Ending Material (M48B) - 1:06:31 all rights are reserved for their rightful owners.
Murasaki Kan Mikami Ryuichi Sakamoto Williamson Debussy Ueno Takahashi Matsumoto Nishimura Shibuya 1979 2005 2010
From Ayuo's CD "AOI" (TZADIK 7260) released in November 2005. Composed by Ayuo using a text by the medieval Japanese playwright Zeami. based on an episode in "Genji Monogatari" (Romance of Genji"), written by Lady Murasaki Shikibu, who finished writing it in 1004 AD. In this episode, Lady Rokujo becomes an angry living spirit that flies out of her body to haunt Lady Aoi, even though she herself is unaware of it. Ayuo's Electronic Guitar bgeins the piece. Ring Modulators, Pitch Shifters, Distortions and other electronic effects are applied to an open - tuning guitar. The acoustic instruments are the Sangen ( a 3-string plucked string instrument), a Biwa (a 4-string plucked string instrument with a ringing sound like the sitar) and a shakuhachi (bamboo flute). 2 female singers sing in a traditional Japanese style. The players are: Ayuo : Electronic Guitar Takada Kazuko: Sagen, Vocals Nagasu Tomoca: Biwa, Shakuhachi, Vocals Here are some of the reviews for the CD: Aoi Ayuo (Tzadik) Another exciting release from the other side of the world. Aoi mixes psychedelic sounds with the Japanese tradition of Noh theatre music. It's a combination that works really well and results in something that's tuneful, organic and possesses a foreboding sense of dignity and depth. A truly accomplished album of ingenious music. AYUO AOI AOI is a very interesting new record from one of Japan's most enigmatic composers, Ayuo. He was born in Japan in the early-'60s but spent a formative decade in New York City (English is actually his first language, not Japanese) where he lived with his mother and an Iranian-American stepfather who exposed him to a great deal of Persian music as a child. He returned to live in Japan as a teenager and joined an early incarnation of Keiji Haino's Fushitsusha in 1979. Since then, he has released nearly a dozen albums and performed or collaborated with a staggeringly diverse group of individuals, including Kan Mikami, Ryuichi Sakamoto, Peter Hammill, Danny Thompson, the Fairport Convention, and Steeleye Span. Though an eclectic artist, he seems to have a few predominate interests that don't seem to be too hard to reconcile, and this latest disc displays many of them. Ayuo is a wonderfully sensitive performer of pastoral psych-folk that touches on both Japanese and Anglo-Scots traditions--he's even covered Robin Williamson songs in the past. He is adept at recasting ancient Noh plays in modern settings without abandoning their strict forms, while simultaneously making them contemporarily relevant. He writes hugely epic world music synthesis that seem to have a lot in common with the direction the Boredoms have been heading in the last couple of years (i.e., an emphasis on the drone and a diverse array of multi-layered instruments like sitar-guitars and soft synths). For more information on Ayuo, see: www.ayuo.net Concerts in Tokyo for 2010: November 27, 2010 - 7:30 PM Debussy Part 2 performed by Ayuo and Seashell Ayuo (Bouzouki, Vocals, Movements), Yoko Ueno (Vocals, Keyboards), Aki Takahashi (Piano), Yoshie(Dance, Vocals), Junzo Tateiwa (Percussion) , with Seashell String Quartet Fumiko Kai (Violin), Yuki Ohshika (Violin), Akiko Miyano (Viola), Takui Matsumoto (Cello) December 19, 2010 - 7:30 PM Keiji Haino/ Ayuo and Eurasian Journey Keiji Haino (Vocals, Guitar) with Ayuo (Bouzouki, Vocals, Movements), Yoshie(Dance, Vocals), Junzo Tateiwa (Drums, Percussion) , Takuya Nishimura (Bass), Sayano Tojima (Violin) Ayuo and Eurasian Journey will play songs from their CD "Songs of a Eurasian Journey" , "The Lamia" and others. Ayuo and Keiji Haino will play arrangements of medieval music. All at Koendouri Classics in Shibuya, Tokyo (Tel:03-3464-2701)
Hiroshi Aoshima Hikaru Hayashi Shibuya 1971 1972 1973
青島 広志 作曲 ヴァイオリン・ソナタ ホ調 Composed by Hiroshi Aoshima Sonata in E for Violin And Piano (楽譜のご注文はこちらから) (http•••) 編成 Violin and Piano シリーズ名 Kazenone Violin Solo Series ◇ヴァイオリン・ソナタ ホ調(1972) 1972年には始めての作風の変化が起きた。それは古典派から国民楽派へと言えば言えるが、この場合その国籍は日本で、具体的には旋法や四度和声の使用ということになる。この系譜に連なるのが前年の「ピアノのためのソナチネ」、同年の「万葉集による四つの小品」、翌年の「フルート・ソナタ ニ調」「ヴァイオリンとピアノのためのII章」などで、その後、興味をフランス近代に向けられてしまう。 林光先生の初めてのレッスンに第1楽章を見せ、励ましの言葉をいただき、次に第2楽章には「少し時代的に後退した」と言われ、同時に「いいフィナーレが書けるでしょう」との言葉どおりになったと思う。しかし先生とのこの蜜月時代は長く続かなかった。当方の頑なな心がそうあることを遠ざけたのだった。 初演は、小学校の同級生である吉持祐子と作曲者により、1973年4月6日、渋谷りとるぷれいはうすで行われた。東京藝術大学入学式の夕方のことだった。 (青島広志) ◇Violin Sonata in E (1972) The year 1972 saw a change in my compositional style for the first time. One could say it was a change from a classical style to a more nationalistic style – in my case, the nation was Japan and it involved the use of modes and harmony in fourths. Works in the same vein include Sonatina for Piano (1971), Four Pieces Based on Manyoshu (1972), Flute Sonata in D and Two Movements for Violin and Piano (both 1973). Thereafter, my interest shifted towards modern French music. It was at my first lesson with Hikaru Hayashi that I showed the first movement of the Violin Sonata, and I recall he was very encouraging about it. When I took him the second movement, he commented that the style had regressed a little but I should be able to write a good finale. I think it turned out as he said. However, this honeymoon period with my teacher didn’t last long due to my own stubbornness. The work was premiered on the evening of 6 April, 1973 at the Little Playhouse in Shibuya by Yuko Yoshimochi, a classmate from elementary school, and the composer. Incidentally, it was the day of my enrollment ceremony at the Tokyo University of the Arts. Hiroshi Aoshima
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- Zeitleiste: Komponisten (Asien). Interpreten (Asien).
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