Salome Kruschelnytska Videos
ukrainische klassische Sängerin (Sopran)
- Sopran
- Oper
- Österreich-Ungarn, Königreich Italien, Sowjetunion
- Opernsänger, Musikpädagoge
Letzte Aktualisierung
2024-05-21
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Rosina Storchio Solomiya Krushelnytska Suzuki Giuseppina Giaconia Giovanni Zenatello Gaetano Pini Corsi Pini Corsi Emilio Venturini Venturini Manfredi
Cio-Cio San (Madama Butterfly) spinto soprano Rosina Storchio Solomiya Krushelnytska Suzuki, her maid mezzo-soprano Giuseppina Giaconia Giovanna Lucacevska B. F. Pinkerton, Lieutenant in the United States Navy tenor Giovanni Zenatello Giovanni Zenatello Sharpless, United States consul at Nagasaki baritone Giuseppe De Luca Virgilio Bellatti Goro, a matchmaker tenor Gaetano Pini-Corsi Gaetano Pini-Corsi Prince Yamadori tenor[9] Emilio Venturini The Bonze, Cio-Cio San's uncle bass Paolo Wulmann[10] Yakuside, Cio-Cio San's uncle bass Antonio Volpini[10] The Imperial Commissioner bass Viale The Official Registrar bass Gennari Cio-Cio San's mother mezzo-soprano Tina Alasia The aunt soprano Ghissoni The cousin soprano Palmira Maggi Kate Pinkerton mezzo-soprano Manfredi Dolore ('Sorrow'), Cio-Cio San's child silent
Marcelina Beucher Beucher Verdi Francesco Maria Piave Krushelnytska Opera Ballet Theatre 2019
La traviata/G. Verdi an opera in four acts Libretto Francesco Maria Piave after Alexandre Dumas’s play “La Dame aux Camelias” Violetta Valéry, a courtesan - Marcelina BEUCHER (Poland) Alfredo Germont - Mykhajlo MALAFIJ Giorgio Germont, Alfredo's father - Orest SYDIR Flora Bervoix, Violetta's friend - Yana VOJTUYK Annina, Violetta's maid - Veronica KOLOMISCHEVA Gastone de Letorières, Alfredo's friend- Andrij SAVKA Barone Douphol, Violetta's lover- Andrij BENUK Marchese d'Obigny- Volodymyr CHIBISOV Dottore Grenvil- Yurij TRYCECKIJ Symphony orchestra, choir, ballet, mimance of Lviv National Academic Opera and Ballet Theatre named after Solomya Krushelnytska CONDUCTOR - Mykhajlo DUTCHAK / Lviv National Opera, 17 October 2019
Bonini Francesco Maria Bonini Beniamino Carelli Carelli Mercadante Foggia Vargas Giuseppe Verdi Amilcare Ponchielli Jules Massenet Lina Cavalieri Cavalieri Francesco Cilea Solomiya Krushelnytska Umberto Giordano Ruggero Leoncavallo Leopoldo Mugnone Lorenzo Filiasi João Arroyo Arroyo Eschenbach Christoph Willibald Gluck Hans Sachs Costanzi Maschera Amazon Theatre Cairo Opera House Odessa Opera Ballet Theater Teatro Colón Teatro Massimo Scala Teatro Lirico Teatro San Carlo Teatro Nacional São Carlos Teatro Regio Teatro Regio Parma Teatro Real Madrid Teatro Costanzi Teatro Comunale Bologna Arena Verona Arena Verona Festival Fenice 1865 1896 1897 1898 1899 1900 1901 1902 1903 1905 1906 1907 1908 1909 1911 1912 1913 1918 1919 1922 1923 1927 1930
Francesco Bonini - Andrea Chenier - Son sessant'anni - Fonotipia 39740 enregistré le 30 juin 1906 Francesco Maria Bonini (1865 – 11 January 1930) was an Italian baritone who had a major international opera career from 1896 through 1927. He was one of the first wave of musicians to be recorded, having made a number of recordings with Fonotipia Records in Milan in 1905–1906. Born in Naples, Bonini studied singing with Beniamino Carelli at the Conservatory of San Pietro a Majella in his native city. He made his stage debut in 1896 at the Teatro Mercadante in Foggia as Don Carlo di Vargas in Giuseppe Verdi's La forza del destino. In 1897–1898 he made appearances at the Amazon Theatre in Brazil, the Valletta Royal Opera House in Malta and at the Cairo Opera House in Egypt. In 1899 Bonini returned to Italy to appear in operas in Brescia and Cremona. He sang at the Odessa Opera and Ballet Theater in 1900 and 1902 and in 1901 he was committed to the Teatro Colón in Buenos Aires. In 1903 he made his debuts at the Teatro Massimo in Palermo and at La Scala in Milan, the latter in the role of Arnoldo in Amilcare Ponchielli's I Lituani . On 17 October 1903 he portrayed the role of Athanaël in the Italian premiere of Jules Massenet's Thaïs at the Teatro Lirico Internazionale in Milan opposite Lina Cavalieri in the title role. On 19 December 1903, Bonini made his debut at the Teatro di San Carlo in Naples as Michonnet in that house's first staging of Francesco Cilea's Adriana Lecouvreur with Solomiya Krushelnytska in the title role. He remained committed to that theatre through 1905, portraying such roles as Walitzin/Commissario in Umberto Giordano's Siberia and Johannes Rathenow in the Italian premiere of Ruggero Leoncavallo's Der Roland von Berlin. He also made appearances in the world premiere of Leopoldo Mugnone's Vita Brettona and the Naples premiere of Lorenzo Filiasi's Manuel Menendez. From 1905–1907, Bonini was engaged at the Teatro Nacional de São Carlos in Lisbon. While there he appeared in the world of premiere of João Arroyo's Amor de Perdição. He sang at the Teatro Regio di Parma in 1907–1908, portraying such roles as Carlo Gérard in Andrea Chénier, David in L'amico Fritz, Kurwenal in Tristan und Isolde, and Rinaldo in Amica among others. From 1909–1911 he appeared mostly at the Teatro Regio in Turin in such roles as Kurwenal, Wolfram von Eschenbach in Tannhäuser, and the title roles in Boris Godunov, Falstaff, Hérodiade, and Rigoletto. In 1911–1912 Bonini returned to La Scala where he was seen as Hidraot in Christoph Willibald Gluck's Armide, King Raimondo in Isabeau, and Hans Sachs in Die Meistersinger von Nürnberg. He returned to the Teatro Regio in Turin in 1913 where he assailed the role of Friedrich of Telramund in Lohengrin for the first time. That same year he made a few appearances at the Teatro Real in Madrid. Bonini spent the latter part of his career working as a freelance artist, mainly in Italy. In 1918 he made his first appearance at the Teatro Costanzi in Rome as Falstaff. That same year he had a major success at the Teatro Comunale di Bologna as Germont in La traviata with Ester Mazzoleni as Violetta. He returned to Bologna numerous times through 1922 in such roles as Comte de Nevers in Les Huguenots, Rigoletto, and Wolfram. In 1919 he portrayed Amenofi in Amilcare Ponchielli's Il figliuol prodigo at the Arena di Verona Festival. In 1922 he sang Germont at La Fenice and in 1923 he sang Nevers and Germont at the Teatro Municipale Piacenza. He also made several appearances at the Teatro Regio di Parma in the 1920s. Bonini retired from the stage in 1927, after which he lived in Milan where he taught singing. Other roles which he performed during his career included Alfonso in La favorita, Amonasro in Aida, Barnaba in La Gioconda, Nélusko in L'Africaine, Renato in Un ballo in maschera, Scarpia in Tosca, and Valentin in Faust. He died in Milan at the age of 65. Source : wikipedia
Salomea Krushelnytska Alfredo Catalani Lvov Wysocki Crespi Donizetti Verdi Vittorio Gnecchi Richard Strauss Cilea Pizzetti Mariinsky Theatre Teatro Grande Brescia Scala Teatro Comunale Bologna Teatro Colón 1872 1893 1896 1897 1898 1902 1904 1905 1906 1907 1913 1915 1920 1927 1939 1945 1952
THIS IS THE SUCCESSOR CHANNEL TO "liederoperagreats" WHICH WAS RECENTLY TERMINATED. Salomea Kruszelnicka--soprano No recording information / "Salomea Krushelnytska (Kruszelnicka/ Krusceniski) (Soprano) ( Ukraine, village of Biliavyntsi 1872 - Ukraine, Lviv 1952) She belonged to an old, respectable Ukrainian family. Her father was a Russian-orthodox priest. First she sang in choirs. She studied in Lvov under Waleri Wysocki and since 1893 in Milan under Crespi. In 1893 she made her debut in the opera house of Lvov as Leonora in Donizetti’s ‘’La Favorita’’ and sang afterwards in Cracow and Odessa. In 1896 she sang in the opera house of Tiflis (Tblissi) as Leonora in Verdi’s ‘’La Forza del Destino’’. In 1897 she made guest appearance in Chile, in 1898 she excited in Parma as Elsa in the ‘’Lohengrin’’ and as a Mimi in ‘’La Bohème’’ sensation. From 1898 to 1902 she was the famed prima donna of the Warsaw Opera (beginning role: Aida). She appeared in the Mariinsky Theatre in St. Petersburg and in Paris (1902). She went to Italy again. In 1904 in the Teatro Grande of Brescia she performed with great success in ‘’Madama Butterfly’’ (after her scandalous failure with the premiere in the La Scala), then in Bologna (1905) and Turin (1906). In 1905 she appeared in the Teatro Comunale of Bologna in the premiere of the opera ‘’Cassandra’’ of Vittorio Gnecchi. In 1907 she created in the La Scala the role of Salome in the première of the opera of the same name (Richard Strauss). In the La Scala she appeared also in the premiere of the opera ‘’Gloria’’ written by Cilea +••.••(...)). From 1906 to 1913 she guested regularly in the Teatro Colón of Buenso Aires. In Buenos Aires she created the role of Diemuth in the première of the opera ‘’Feuersnot’’ of R. Strauss (1913 into Italian language). In 1913 she married the Italian lawyer and politician lived since that time in Viareggio. On 20. 3. 1915 she sang in the La Scala in the premiere of the opera ‘’Fedra’’ of I. Pizzetti. In 1920 she sang for the last time on the stage. She undertook in 1927 a North America tour with which she sang above all before Ukrainian emigrant. Then she worked as a pedagogue in Milan. In 1939 she visited her family in Lwów (Lvov) and couldn't return Italy because of the outbreak of the second world war. Then she taught in Lwów Conservatory, where in 1945 she gave a concert."; Forgotten Opera Singers
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- Zeitleiste: Lyrische Sänger (Europa). Interpreten (Europa).
- Indizes (in alphabetischer Reihenfolge): K...