Dino Rulli Videos
Komponist
- Königreich Italien
Letzte Aktualisierung
2024-05-21
Aktualisieren
Parisi Adriano Guarnieri Guarnieri Sanguineti Luca Francesconi Basevi Amicis Nicoli Rulli Mele 1998
Acrostico di E.Sanguineti (letto dall'Autore) Adriano Guarnieri ...DAL NULLA ...AL NULLA (Clarinetto Basso e voce di poeta) Riccardo Dapelo FILI-GRANI (Clarinetto Basso e nastro magnetico) Luca Francesconi TRACCE (Clarinetto Basso) Michelangelo Lupone FASI (Clarinetto Basso e filtro a pedale) Andrea Basevi Gambarana ARCHI (Clarinetto Basso e nastro magnetico) Maria Cristina De Amicis CODICE (Clarinetto Basso e nastro magnetico) Federico Ermirio ARIE (Clarinetto Basso e voce di poeta) Andrea Nicoli TRACCE 4-13 (Clarinetto Basso e nastro magnetico) Filigrane fotocompositive, Risme ristampatorie refusive, Asteriscano accenti alfabetieri, Note normanne, necrologi neri; Codici con cilindri corsiveschi, Elvetici elzeviri edizionati, Scannerizzano stampi satineschi, Chiose con capoversi commentati, Occhi occhiellati, opuscoli offseteschi; Puntatori prototipi pirografi Inchiostrano impilati impressionanti, Rotativano rulli rotolanti, Epigrammano edicole e erotografi; Logogrifi linotipi litografi Letteringano lastre librettanti, A anastatici archetipi achirografi; Edoardo Sanguineti Frugheremo tra simulacri e scarti dell'era digitale per nutrirci di fisicità Francesco Pirella Sulla frontiera di una rivoluzione antropologica, la imprevedibile e incontrollabile transizione dall'uomo analogico all'uomo digitale, l'uomo-matrice di Francesco Pirella pone con forza il dilemma della separazione trameccanico e biologico, tra digitale e fisico, proponendone una ricombinazione, una fusione armonica. E lo stesso dilemma si ripropone in questo progetto musicale confrontando otto diversi modi di intendere un'espressione musicale: brani esclusivamente "analogici" (puramente strumentali) e brani che utilizzano anche l'elaborazione elettronica, attraverso il trait d'union dell'acrostico di Edoardo Sanguineti "TIPARCHETIPI" (sul nome di Francesco Pirella). I sedici versi, letti dall'Autore, sono stati distribuiti ad otto compositori (alcuni già avviati nell'esplorazione del mondo digitale, altri legati alla fisicità del suono) come prae-textum per la realizzazione di un brano per clarinetto basso con o senza nastro magnetico. La scelta dello strumento è dovuta principalmente al suo esecutore, Rocco Parisi, che si muove da tempo con grandissima perizia e passione nel mondo sommerso della nuova musica (o delle nuove musiche). A lui, come a Francesco Pirella, che ha seguito questa operazione, un ringraziamento da parte di tutti i compositori. (Riccardo Dapelo) Alcuni di questi brani sono stati presentati durante mostre e tipo-azioni di Francesco Pirella: "Installazione del simulacro dell'uomo tipografico", Acquasanta (Mele),1996; "L'universo e la matrice", Città della Scienza, Napoli, 1998; "Tipografia in corpi mutanti", Galleria Nazionale di Palazzo Spinola, Genova, 1998.
Beethoven Yamashita Franz Joseph Haydn Rulli Franz Schubert Mueller Lays Shakespeare Stark Weidinger Symphony Northwest Arkansas 1732 1770 1796 1797 1800 1804 1807 1809 1822 1827 1828 2009 2022 2023
PROGRAM: Coriolan Overture, Op. 62 - Ludwig van Beethoven (1770–1827) Yoshio Yamashita, conductor Trumpet Concerto - Franz Joseph Haydn (1732–1809) Allegro Andante Allegro Dr. Richard Rulli, trumpet INTERMISSION Symphony No. 8 in B minor ("Unfinished") - Franz Schubert (1797–1828) Allegro moderato Andante con moto PROGRAM NOTES YOSHIO YAMASHITA is a junior composition and percussion major at the University of Arkansas, studying percussion with Professors Chal Ragsdale and Fernando Valencia and composition with Dr. Robert Mueller. He will premiere a number of new works for small and medium sized ensembles in a recital this April. Yamashita plans to complete his degree in the spring of 2023 and attend a graduate program with a focus on orchestral conducting; he currently studies conducting with Professor Jeff Summers at the UA. DR. RICHARD RULLI holds degrees from the University of Wisconsin-Madison (DMA), Ithaca College (MM), and the University of Northern Colorado (BM/BME). At the University of Arkansas, he teaches trumpet and performs as a founding member of the Arkansas Brassworks, the UA faculty brass quintet in residence. In addition, he serves as Principal Trumpet of the Symphony of Northwest Arkansas and has also been a featured performer and clinician both nationally and internationally. Dr. Rulli is a 2009 University of Arkansas Faculty Gold Medal recipient for his support of students as a faculty mentor in performance and advising. CORIOLAN (Overture) According to legend, Gaius Marcius Coriolanus was a 5th century BCE Roman general, who having been banished from Rome, lays siege to the city at the head of an army of the Volsci. Both Shakespeare and the 19th century playwright Heinrich Joseph von Collin wrote plays commemorating the scene. In Shakespeare’s play, “Coriolanus,” the main character is murdered before the battle, but in von Collin’s play (written in 1804), Coriolanus is visited by his mother, who pleads with him not to attack the city, whereupon he commits suicide in desperation. Beethoven composed his overture in 1807 especially for a performance of von Collin’s tragedy. The stark opening of the overture immediately presents us with the hero’s dilemma: attack and destroy the city or surrender and die. The C minor main theme is said to represent the army’s warlike resolve and the E-flat major second theme represents the entreaties of his beloved mother. In the end, he gives in to tenderness and takes his own life rather than turn his back on the army he assembled. TRUMPET CONCERTO Before the development of valves in the modern trumpet, various attempts were made to add chromatic notes to the instrument, enabling it to play almost any melody. One of these efforts was a keyed trumpet developed by Anton Weidinger in the late 18th century. Though a little unstable, it was capable of producing all the chromatic notes throughout the range of the instrument. Haydn composed a concerto for Weidinger and his trumpet in 1796, though it took Weidinger four years to develop his technique to the point that he could play it, premiering it in 1800. Haydn’s dry wit and heightened sense of humor come to the fore throughout the opening movement of the concerto as the soloist slides and glides all over the full range of the instrument, with leaps and skips and passages that would make a violinist cower in fear, and then plays simpler fanfare-like passages as if Haydn is reminding us, “after all, it’s a trumpet!” The tender slow movement portrays Haydn’s lyrical mastery, and fully liberates the trumpet from its limited past. SYMPHONY No. 8 (“Unfinished”) Franz Schubert completed the two movements of what came to be known as his Symphony No. 8 in 1822, six years before his young life came to an early end; which begs the question, “why did he not finish it?” Theories abound, but the simple truth is that the two movements are such perfect and rare gems in and of themselves, that they require no additional efforts. Like two sides of the same coin, they examine different aspects of the same three-note motive: 1-2-3 or Do-Re-Mi (Do-Re-Me, in minor). The opening movement alternates between sombre melancholy and playful tenderness, with occasional deeply-felt passages laced with painful tragedy, especially in the development section. The andante second movement promises peaceful respite, but cannot completely escape from sorrow and anguish; Schubert’s loneliness and sadness are nearly constantly on display, even in the happier moments. One gets the impression that only in lonely walks through nature can he find solace - he even wrote to a friend, “I feel myself to be the most unhappy, the most wretched man in the whole world.” In this late pandemic era, as we assess all that has been lost, and grieve for the dearly departed, Schubert reminds us that we are not alone.
Rulli Fernández Garay Félix Aguirre Crook Ortega Ramos 1977
El Toque de Rulli (1977) 17. Norma (Sergio Fernández Garay) 18. Río Manso (Félix Alberto "Cholo" Aguirre) 19. Limbo rock (Kal Mann, Billy Strange) 20. Fugitiva ("Runaway," Charles Westover aka Del Shannon, Maxfield Crook) 21. Camelia (Ramón "Palito" Ortega, Dino Ramos) 22. Qué suerte (Ramón "Palito" Ortega, Chico Novarro) 23. Decí por qué no querés (traditional, Ramón "Palito" Ortega) 24. Contigo en la playa ("Con té sulla spiaggia," Domenico Colarossi aka Nico Fidenco) 25. Volare ("Nel blu dipinto di blue," Domenico Modugno, Franco Migliacci) * Intended as an homage to the 70s party orchestras and the Nueva Ola (bubblegum pop in the UK, yeyé in France and Spain).
Boyer Mendoza Rulli Domínguez Guzman Álvarez Olivares Medina Lauro Rivero Ramos Valverde Hernández Barreto Peralta Guillén Narváez Uribe Robledo Gamboa Sirvent Iván Rivera
Lo que la vida me robo - Montserrat intenta escaparse de la hacienda Juventino intenta violar a Montserrat / Alejandro le dice a Montserrat que Jose Luis esta muerto Escena de capitulo ! Telenovela / Televisa Angelique Boyer - Monserrat Mendoza Giacinti Sebastian Rulli - Alejandro Almonte Domínguez Luis Roberto Guzman - Jose Luis Álvarez / Antonio Olivares Daniela Castro - Graciela Giacinti Vda. de Mendoza Sergio Sendel - Pedro Medina Grettell Valdez - María Zamudio Ana Bertha Espín - Rosario Domínguez Eric del Castillo - Padre Anselmo Quiñones Rogelio Guerra - Lauro Mendoza Sanromán Gabriela Rivero - Carlota Mendoza Sanromán Alexis Ayala - Ezequiel Basurto Margarita Magaña - Esmeralda Ramos de Solares Carlos de la Mota - Refugio Solares Osvaldo Benavides - Dimitrio Mendoza Giacinti Verónica Jaspeado - Josefina "Finita, Josefa" Valverde Alejandro Ávila - Víctor Hernández Alejandra García - Nadia Argüelles de Medina Juan Carlos Barreto - Macario Peralta Ferdinando Valencia - Adolfo "Adolfito" Argüelles "El Alacrán" Alejandra Procuna - Dominga García de Peralta Lisset - Fabiola Guillén Almonte / Fabiola Almonte Giacinti Francisco Gattorno - Lic. Sandro Narváez Alberto Estrella - Juventino Zamudio Luis Uribe - Ignacio Robledo Marco Uriel - Efraín Loreto Isabella Camil - Amelia Bertrand de Arechiga Luis Xavier - Joaquín Arechiga Ilithya Manzanilla - Angélica Arechiga Bertrand Natalia Juárez - Virginia Arechiga Bertrand Luis Gatica - Bruno Gamboa Patricia Conde - Prudencia Robledo Jessica Mas - Tte. Mónica Rentería Alex Sirvent - Erik Oscar Daniel Duarte - Lauro "Laurito" Almonte Mendoza Ana Paula Martínez - Victoria Hernández Argüelles Juan Romanca - Gaspar Zamundio Iván Caraza - Tomás Valverde Osvaldo de León - Sebastián de Icaza Ricardo Kleinbaum - Samuel Barajas Alfredo Adame - Benjamín Almonte Talia Rivera - Celia Mauricio de Montellano - Marino Lizzeta Romo - Violeta Otto Sirgo - Regino Ricardo Vera - Licenciado Rafael Amador - Teniente Avellaneda Ignacio Casano - Benjamin Almonte (Joven) Montserrat / Montserat / Monse / Montse / Pelea / Viola / Violacion / Triste / Muerte / Escapar
oder
- Zeitleiste: Komponisten (Europa).
- Indizes (in alphabetischer Reihenfolge): R...