Gustaw Roguski Videos
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Ada Sari Mieczysław Karłowicz Stanisław Barcewicz Zygmunt Noskowski Piotr Maszyński Gustaw Roguski Heinrich Urban Richard Strauss Karol Szymanowski Tosti 1865 1876 1883 1884 1886 1888 1889 1893 1894 1895 1896 1901 1903 1904 1906 1909 1912 1921 1934 1940 1986 2010
For the days of mourning in my country, Poland, April 2010, a three minutes „meeting" of three great Polish artists of the past: Ada Sari - soprano singer Mieczysław Karłowicz - composer Kazimierz Przerwa-Tetmajer - poet Ada Sari +••.••(...)) - more about her is included to the info of my video: (http•••) Mieczysław Karłowicz +••.••(...)) Brought up in a music-loving environment from early childhood. In 1889-95 he was a student of Stanisław Barcewicz. At the same time he learned harmony from Zygmunt Noskowski and Piotr Maszyński, and later took up counterpoint and musical forms with Gustaw Roguski. It was at that time that he started to compose. His first surviving work, a piano composition "Chant de mai", dates from 1893-4. In 1893-4 Karłowicz also attended lectures at the Department of Nature, Warsaw University. In 1895 he left for Berlin with the intention of studying violin. It was then that he decided to become a composer and enrolled as a student with Heinrich Urban, simultaneously attending lectures in the history of music, history of philosophy, psychology and physics at the University of Berlin. Indeed, most of Karłowicz's twenty-two solo songs were composed between the end of 1895 and the end of 1896. In the late 1890s Karłowicz got involved in the "Revival Symphony" project, which he completed on his own after he had graduated and returned to Warsaw in 1901. In 1903 he sat on the Board of the Warsaw Music Society, where he organised and ran a symphony orchestra. At that time Karłowicz devoted himself exclusively to one musical form, that of the symphonic poem. From 1904 to 1909 he composed six symphonic poems Opus 9-14. In 1906 he settled down in Zakopane, the resort in the Tatra Mountains with which he had felt a special affinity for years. He joined the Tatra Society, published accounts of hiking trips, and became a passionate mountaineer, skier and photographer. What would Karłowicz's output have looked like had he not been killed by an avalanche at the age of thirty three? It would obviously have been richer, although his symphonic achievement remains unsurpassed, anyway and elevated him to a top position in the neo-Romantic movement of the early twentieth century. Karłowicz was looking for a new artistic direction and he regarded Richard Strauss as the avant-garde prophet. It was in Strauss's work that he saw "the prophetic glimpse into the future". Nowadays we no longer get upset with the "modernistic chaos" or chide Karłowicz for "eclecticism". His symphony music remains a truly "precious musical gem shining like a rainbow" and gives a great deal of aesthetic pleasure. Kazimierz Przerwa-Tetmajer +••.••(...)) Born in the Nowy Targ district. In 1883 he moved to Kraków along with his family. He attended St. Annes Grammar School, then in 1884 he commenced his studies at the Faculty of Philosophy at the Jagiellonian University. In 1888 he started to co-operate with weekly newspapers. After he had published his second series of "Poezja" (Poetry) (1894) he took an active part in the literary life of Kraków, where he was the embodiment of a Young Poland poet. In 1895 he was in Heidelberg, where he worked as a personal secretary of Adam Krasiński. He travelled abroad, he visited Italy, Switzerland, France and Germany. In 1912, the twenty-fifth anniversary of the start of his literary career was celebrated in Warsaw. At this time the first symptoms of mental illness appeared. During the First World War he was a supporter of Piłsudskis Legions. After the war he lived in Kraków and Zakopane, until finally he settled down in the capital. In 1921 he became the chairman of The Society of Polish Writers and Journalists, then in 1934 he became an honorary member of the Polish Academy of Literature. The loss of sight and his deepening mental illness forced him to withdraw from social life and deprived him of the possibility to create. He existed thanks to social generosity. In the first months of the Second World War he was evicted from the Europejski Hotel, where he had been granted board and lodging. He died on 18th January 1940 in the Hospital of the Infant Jesus. In the second and third series of Poezja he introduced problems pertinent to the modernism period; the philosophies of Arthur Schopenhauer and Friedrich Nietzsche as well as his fascination with Indian philosophy found their reflection in this poetry. He was the author of bold erotic poems and also of poems dedicated to the beauty of the Tatras. Mieczyslaw Karłowicz and Karol Szymanowski, among others, composed music to his poetry. Musical introduction to the recording of the main song: Tosti's "Addio". Record, sound and visuals belong to JP's, author of the video, collection. The sound of this recording is accompanied, unfortunately, by a "sandy hiss", typical and characteristic for HMV records of that period; not removed.
Władysław Żeleński Franciszek Mirecki Alexander Dreyschock Napoléon Henri Reber Damcke Zygmunt Stojowski Roman Statkowski Henryk Opieński Felicjan Szopski Wallek Walewski Gustaw Roguski Witkowski Teatr Wielki 1837 1857 1859 1862 1866 1868 1871 1877 1878 1881 1882 1887 1897 1921
WŁADYSŁAW ŻELEŃSKI (http•••) / Composer, pianist, pedagogue and conductor; born on 6 July 1837 in Grodkowice near Kraków, died on 23 January 1921 in Kraków. Żeleński's musical education began in Kraków with piano lessons, first underKazimierz Wojciechowski and then Jan Germasz, along with composition courses with Franciszek Mirecki. He enrolled at the Department of Philosophy of the Jagiellonian University in 1857 and from 1859 studied (for a short while) piano under Alexander Dreyschock and later organ and composition under Josef Krejãi in Prague. He received a PhD in Philosophy from Prague's Charles University in 1862. He then studied composition under Napoléon Henri Reber at the Paris National Music Conservatoire in 1866 and was a private student in composition under Bertold Damcke in 1868-70. After he had returned to his home country, he settled in Kraków and performed the first concert of his own compositions here in January 1871. He then moved to Warsaw and became professor of harmony and counterpoint at the Institute of Music. In 1878 he was appointed art director of the Warsaw Music Society. There, with the help of Władyslaw Wiślicki, he set up and conducted an amateur mixed choir for two years. Accompanied by the orchestra of Teatr Wielki, the choir gave several concerts under him. In 1881 Żeleński moved to Kraków to conduct symphony concerts of the City Orchestra in 1882-85 and of the amateur Music Society orchestra in later years. He was instrumental in establishing the Conservatory of the Kraków Music Society in 1887 and managed it until his death, running a course on organ and theory of music. His most notable students included Zygmunt Stojowski, Roman Statkowski, Henryk Opieński, Felicjan Szopski and Boleslaw Wallek-Walewski. Żeleński is the author of several textbooks: "Nauka harmonii i pierwszych zasad kompozycji / The Theory of Harmony and First Principles of Composition" [with Gustaw Roguski] (1877) and "Nauka elementarna zasad muzyki / The Theory and Elementary Principles of Music" (1897). He was the father of Tadeusz Boy-Żeleński, writer and translator of French literature. Gra Polski Kwartet Fortepianowy: Ewa Marczyk i Marek Marczyk - skrzypce i altówka, Kazimierz Koślacz - wiolonczela i Jerzy Witkowski - fortepian.
Chmielewski Zwierzchowski Roguski Sikora Alexandrowicz Chojecki
Kampania na rzecz transplantologii. Spot powstał dzięki niesamowitym ludziom w czynie społecznym, nie ma słów które wyrażą naszą wdzięczność. Zobacz, przemyśl, porozmawiaj z rodziną. To może dotyczyć każdego z nas, naprawdę... Totalnym przypadkiem na naszej drodze stanęły utalentowane i wrażliwe osoby, które chciały pomóc. A potem tych osób zrobiło się jeszcze więcej. I tak powstała niniejsza kampania "OTCHŁAŃ". Z potrzeby serca kilkadziesiąt cudownych osób poświęciło swój czas i energię dla chorych dzieci, podpiętych do sztucznych komór, zamkniętych w szpitalach, czekających i trzymających się życia resztkami nadziei. Dla ich rodzin, zmęczonych i niepewnych, które latami żyją z nimi w szpitalach, czekając na cud. Wiemy, że oni nie mają sił krzyczeć, więc my robimy to za nich. My i dziesiątki osób, i firm: Aquafilm, Delapost, Dynamo, Heliograf, Panavision, Rental, Vest-Pol, które angażując swój czas i środki, ludzi i serce wzięły udział w powstaniu niniejszej kampanii. Obsada: Aleksandra Osak (dziewczynka), Marta Ścisłowicz (Mama), Arkadiusz Gołębiowski (Tata) Reżyser: Tomek Chrapusta Scenariusz: Kas Zawadowicz, Tomasz Chrapusta Autor zdjęć: Michał Dąbal Reżyser Castingu: Kasia Gryciuk-Krzywda 1st AD: Łukasz Chmielewski Zdjęcia podwodne: Aqua Film w składzie: Artur Zwierzchowski, Aleksander Pałasiński, Michał Pruski, Marcin Bogucki, Paweł Roguski, Konrad Lubczyński, Artur Dąbrowski, Karol Wójcik Scenografia: Katarzyna Sikora, Grzegorz Piątkowski Charakteryzacja: Agnieszka Józefina Sasim Kostiumy: Kas Kryst Ruch: Agnieszka Konopka Mistrz Oświetlenia: Paweł Chiczewski Oświetlacze: Piotr Szukalski, Patryk Tync, Marcin Szychowski, Mateusz Patoka Grip: Rawa, Marcin, Andrzej – podziękowania dla Edwina Focus Puller: Paweł Żelasko Asystent Kamery: Przemek Twardecki, Tomasz Ruszkowski Wideo: Julian Bladowski Dyżur: Mirosław Pelc, Łukasz Nieciecki Produkcja Dynamo film, w składzie: Producent: Maciej Maciantowicz, Natalia Strzałkowska, Kierownik Produkcji: Julia Kubica, Asystent Produkcji: Aleksandra Słocińska, Asystent Obsady: Julia Gierszon Postprodukcja Delapost: Post Producer: Katarzyna Seredyńska, Supervisor VFX: Maciej Szymczuk, Post production manager: Katarzyna Mitka, Compositing Artist: Maciej Szymczuk, Tytus Alexandrowicz, Dominik Brzeszcz, Tomasz Zuchniewicz, Animacja i modeling 3D: Karol Sosnowski, Dominik Płoński, Artur Chojecki, Modeling 3D: Wiktor Bartman, Tracking 3D: Dominik Brzeszcz, Rotoscoping: Bartek Woltański, Mykola Shurin, Tytus Alexandrowicz, Tomasz Zuchniewicz Kolor korekcja: Piotr Nowicki Dźwięk: Ucho Studio, Realizator: Kamil Sołdacki, Koordynacja: Julita Michalak Lektor: Marcel Borowiec Montaż na planie: Tomasz Mączka, Witek Basiewicz, Montaż Spotu: Tomasz Mączka Kompozytor: Wojciech Frycz Zdjęcia Making of: Agnieszka Koko Montaż Making of: Witek Basiewicz Fotograf: Mateusz Bral Storyboard: Barbara Mateja Shooting board: Barbara Mateja, Ksenia Kononenko Animatik: Piotr Denys Transport: Adam Lauk, Wojciech Chojnacki Konsultacja medyczna: Doktor Cezary Niszczota, Szymon Borys Specjalne podziękowania dla: Igor Połaniewicz, Panavision, Heliograf, Vest-Pol, Robert Domański, Tomek Gwiazdowicz, Jadwiga Dziuma, Piotr Mrowiec, Piotr Karczewski, Anna Banaszkiwicz, Monika Mystkowska, Bernadeta Osak
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