Nadeschda Nikolajewna Rimskaja-Korsakowa Videos
russische Pianistin, Musikwissenschaftlerin und Komponistin
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2024-06-01
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Tchaikovsky Modest Tchaikovsky Rimsky Korsakov Borne Raab Aleksandra Krutikova Nadezhda Rimskaya Korsakova 1821 1860 1872 1873 1874 1897
Tchaikovsky: Six Romances Op. 16 (1873) I. Cradle Song (Колыбельная песня) Andantino (A-flat minor) Tchaikovsky's Six Romances (Шесть романсов), Op. 16 (TH 95 ; ČW 218-223), were written in Moscow in December 1872 and January 1873. Instrumentation: Scored for high voice (Nos. 1, 2, 4, 5, 6), or low voice (No. 3), with piano accompaniment. Movements: I. Cradle Song (Колыбельная песня) Andantino (A-flat minor) Sleep, my child, sleep, sleep! sleep, sleep! Sweet dream attract yourself: I took you as a babysitter Wind, sun and eagle. The eagle flew home; The sun disappeared under the water: Wind, after three nights, Rushing to his mother. The mother asks the wind: Where did you want to disappear? Ali star fought? Ali drove the waves all the time? I did not drive the waves of the sea, The stars did not touch the gold ones; I protected the child Rocked the cradle! Sleep, my child, sleep, sleep! sleep, sleep! Sweet dream attract yourself: I took you as a babysitter Wind, sun and eagle. Apollon Maykov (1821–1897), from his poem of the same name in the cycle Modern Greek Songs (Новогречиские песни) (1860). Composition: The romances were composed by Tchaikovsky in Moscow, apparently soon after finishing work on his Second Symphony. On 2/14 November 1872 he wrote that: "... the symphony, which I'm finishing off, has engrossed me so deeply that I'm not able to do anything else". By 15/27 November the symphony was ready and copied out. In letters to his father of 22 November/4 December and 9/21 December. Tchaikovsky reported that he was going to relax after completing his symphony. and not write anything further. But on 10/22 December he told Modest Tchaikovsky: "Now I am forced to rest by the absence of any inspiration or inclination to compose; I did try to write some romances, but somehow they all came out badly, and I couldn't find words that I liked. If you aren't particularly busy, could you send me a list of suitable verses? I've filled a whole ream of paper with verses, but they are all so terrible that not one of them is suitable to set to music". It seems that in December, not having found an appropriate text, Tchaikovsky wrote the words himself for the romance So What? (No. 5). Modest Tchaikovsky understood that the Op. 16 romances were written in December 1872. This information is contained in a letter from Tchaikovsky to Vasily Bessel concerning the publication of the pieces: "During his stay in Saint Petersburg [in December 1872] Tchaikovsky often met with... members of the so-called "mighty-handful"... One evening at Rimsky-Korsakov's, Pyotr Ilyich played his new symphony on the piano, precipitating an enthusiastic response from all those present... Tchaikovsky then presented Bessel with his latest Six Romances, Op. 16, for publication. which had only just been composed". The author's opinion that the romance So What? (No. 5) was the best of the Op. 16 set is borne out in a letter to Vasily Bessel of 21 February/5 March 1873: "I recommended ... one of my new romances to Madame Raab, namely So What?". Performances: The romances O, Sing that Song (No. 4) and So What? (No. 5) were performed, seemingly for the first time, in December 1874 – the first by Aleksandra Krutikova, and the second by Mariya Kamenskaya. Publication: The Six Romances were published for the first time by Vasily Bessel in March 1873, along with the composer's piano arrangements of Nos. 1, 4 and 5. In letters of 4/16 March and 7/19 March 1873. Tchaikovsky wrote to Bessel: "I have only just received my romances and hurried to drop you this note to urge you to sequestrate them, i.e. to withdraw all copies of these romances, since they contain some appalling printing errors. I hurriedly checked through them and saw several musical mistakes, and one literary error, sufficient in itself to spoil the whole work. Indeed in the best romance (in my opinion), No. 5, on page 4 in place of the word korish (кориш) [you find fault] the word kutish (кутиш) [you get drunk] has been printed instead, which made me shudder. I implore you at once to gather together all copies and thoroughly examine the proofs, which if you want, I will do myself... The point is that I really expected No. 5 to be a success, but the word kutish has ruined any chance of that". Autographs: Tchaikovsky's manuscript scores of all six romances are now preserved in the Russian National Museum of Music in Moscow (ф. 88, No. 131). The same archive also holds the autograph of Tchaikovsky's arrangement of No. 5 for solo piano (ф. 88, No. 132). Dedication: Each of the Op. 16 romances is dedicated to a different person: I. Cradle Song is dedicated to Nadezhda Rimskaya-Korsakova.
Rimsky Korsakov Rimskaya Korsakova
Rimsky-Korsakov - Scheherazade, suite for the orchestra op. 35, transcription for piano 4 hands by N.A. Rimskaya-Korsakova performed by Olga Malisova and Michael Schreider
Alexander Glazunov Massimiliano Damerini Damerini Rimskaya Korsakova Nikolai Rimsky Korsakov 1865 1901 1936 1991
Alexander Glazunov +••.••(...)) - Piano Sonata No. 1 in B-flat minor, Op. 74 (1901) I. Allegro moderato [0:00] II. Andante [9:50] III. Finale. Allegro scherzando [18:05] Massimiliano Damerini, piano (1991) Alexander Glazunov's Piano Sonata No. 1 is in three movements and typically lasts around 25 minutes. The sonata was completed in 1901 and dedicated to the pianist Nadezha Rimskaya-Korsakova, the wife of Nikolai Rimsky-Korsakov, Glazunov's teacher and mentor. It opens with a turbulent first movement, full of rich chromatic harmony and virtuosic piano figurations. The second movement is in F-sharp major and features a beautiful theme that is reiterated in many variations throughout the movement. The Finale, in B-flat major, is an exciting and glimmering perpetuum mobile that provides a satisfying conclusion to the sonata. Original audio: (http•••)
Mendelssohn Bacewicz Laura Netzel Lili Boulanger Boulanger Clara Schumann Alma Mahler Mahler Francesca Caccini Caccini Schumann Isabella Colbran Anna Bon Venezia Amy Beach Rebecca Clarke Clarke Rimskaya Korsakova Valborg Aulin Aulin Elsa Respighi Respighi Chaminade Larsen
¡Hola esta vez les traigo una investigación sobre las compositoras de música clásica tanto como del medievo barroco y actual! Investigación de las Compositoras de Música Clásica - La gran parte de las obras de Mendelssohn fueron de su hermana Clara Mendelssohn A las mujeres desde tiempos remotos , no las han dejado ser reconocidas en ningún ámbito, pero eso no quiere decir que no influyeron en la historia si no que la vida ha sido más dificil para nosotras, en épocas antiguas, las druidesas decidían cuando se debía de cosechar , y los oráculos como los de delfos predecian batallas, y veían el futuro, tenian admirables cualidades espirituales y premoniciones , El mismísimo Sócrates consulto al oráculo de delfos para predecir su futuro. Elabore este video con tal de que se conozcan y se aprecien las obras de las compositoras que hicieron historia en la música de la Edad Media ,de la Música Clásica,y contemporanea y así se reconozca la música de aquella época, ya que muchas personas lo saben y lo ignoran o no lo saben y lo refutan este material es para ustedes (temas que jamás se hablan en la escuela), también tengo pensado hacer un ensayo sobre este tema e investigar a fondo el tema, ya que considero muy importante. (La idea surgió cuando muchos de los músicos que conozco decían que no existían las compositoras mujeres) , y que no hubo ninguna en la historia, con esto refuto a este chico que con mi ensayo y mi video pudo quedarse callado. por pobreza de conocimiento. a quien le pese mi video lo siento, pero si no abren su corazón a la verdad, pueden parecer arcaicos en su pensamiento, y seguir con esas actitudes machistas que estan pasadas de época... Compositoras de música clásica: María grever Hidegard Grazyna Bacewicz oberek María Felicia Laura Netzel Lili Boulanger Clra Wieck Alma Mahler Francesca Caccini Vittoria Archiliei Clara Schumann Fanny Mendelsson Isabella Colbran Briggite Ratz Letycia Armijo Galina ustvoskaya Anna Bon di Venezia Ruth Crawfor de Seeger Amy Beach Rebecca Clarke Diemer Emma Lou Parker Alice Tower Joan Boyn Anne Nadazhda Rimskaya Korsakova Valborg Aulin Elsa Respighi Cecile Chaminade Ran Shulamit Warren Elionor Renick Taelleferre Germaine Paradis María tereza Larsen Libby Walker Gwyneth... y Compositoras de la Edad Media: Azalais de Porcairagues María de Ventadom Tibors astelloza Gormonda de Monpeslier La Contessa de Día Alamanda Di Catelnau etc... *(La música que se escucha es de Clara Shumann)* Concierto Majestoso y Concierto para piano. *AQUI LES DEJO LOS LINKS DE LAS OBRAS Y DISCOS DE ESAS MUJERES QUE TAMBIÉN HICIERON HISTORIA EN LA MÚSICA CULTA, (PARA EL CONTACTO QUE ME LO PIDIO) CD de música de algunas de las compositoras : (http•••) (http•••) (http•••) videos de música para escucharlas: (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) ¡trataré de buscar partituras! ENCONTRÉ PARTITURAS.--- SIGUEME EN: ;) mi twitter: (http•••) mis paginas: (http•••) (http•••) (http•••)
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