Richard Batka Videos
österreichischer Musikwissenschaftler, Musikkritiker und Librettist
- Österreich-Ungarn, Österreich
- Schriftsteller, Musikkritiker, Musikwissenschaftler, Hochschullehrer, Musikhistoriker, Publizist, Librettist, Übersetzer
Letzte Aktualisierung
2024-05-05
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Gustav Mahler Václav Neumann Milan Slavický Slavický Bruno Walter Willem Mengelberg Alexander Zemlinsky Oskar Nedbal Otakar Ostrčil Arnold Schoenberg Josef Bohuslav Foerster Specht Schiedermair Adler Richard Batka Nejedlý Brod Ritter Czech Philharmonic Orchestra
Symphony No. 5 in C sharp minor I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt. II. Stürmisch bewegt. Mit größter Vehemenz. 10:52 Karel Bermann (bass in german, songs 1-4) Czech Philharmonic Orchestra, Václav Neumann (conductor) Густав Малер Симфония No 5 в C минор, оркестр чешскoй симфонический, Вацлав Нойманн rec. at the Supraphon Studio at the House of Artists, Prague, from 31 January to 16 February (1-3) and from 10 to 12 October +••.••(...). Milan Slavický (recording director) Stanislav Sýkora (recording engineer) Liner notes: »Gustav Mahler +••.••(...)) was born at Kaliště on the border between Bohemia and Moravia, in a German-Czech milieu. He went to the grammar school (Gymnasium) at Jihlava (and for a short time to a Prague school), and studied music at the Vienna Conservatory. In the years of his youthful Sturm und Drang he was opera conductor at Hall, Ljubljna, Olomouc, Kassel, Prague, Leipzig and Budapest, reaching the summit of his profession at Hamburg and particularly in Vienna, where he was first Kapellmeister and later Artistic Director of the Court Opera from 1897 to 1907; in Vienna he also conducted, like he did at Hamburg, local philharmonic concerts. In the last years of his life he worked in New York as opera and concert conductor. He wrote nine symphonies (the tenth remaines unfinished), Das Lied von der Erde, three song cycles, many other songs, and an early cantata, Das klagende Lied. From the eighteen nineties, sharp polemics raged around Mahler's forcefully uncompromising, charismatic personality not only in Vienna, the site of the Court Opera "battlefield", but everywhere his music was heard. Mahler himself conducted the first performances of eight of his symphonies, of the first in Budapest in 1889, the second in Berlin in 1895, the third at Krefeld in 1896, the fourth in Munich in 1901, the fifth in Cologne in 1904, the sixth at Essen in 1906, the seventh in Prague in 1908 and the eighth in Munich in 1910, and he also conducted performances of his own works in other cities and towns; only Das Lied von der Erde, the Ninth Symphony and the fragment of the Tenth Symphony were first performed after the composer's death. Early partisans of Mahler's music were mostly young people, conductors Bruno Walter, Willem Mengelberg, Alexander Zemlinsky, Oskar Nedbal, Otakar Ostrčil, Artur Bodanzky, composers Arnold Schoenberg, Josef Bohuslav Foerster, musicologists Paul Stefan, Richard Specht, Ernst Otto Nodnagel, Ludwig Schiedermair, Guido and Felix Adler, Richard Batka, Zdeněk Nejedlý, writers Max Brod, William Ritter, and others. (. . .)« Vladimír Lébl
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