Matthaeus Pipelare Videos
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2024-06-01
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Pipelare Ley 1450 1515 1929 2013
The performance: (http•••) This is an introduction to the recording of the Missa L’Homme Armé by Mattheus Pipelare (c.1450-c.1515), performed in the edition prepared by Dr. Ronald Cross +••.••(...)) by the Festival Chorus of Collectio Musicorum, conducted by Dr. Jeff S. Dailey. The recording of the mass is also available on Youtube.
An animated score of "Recorders AAAT or BBBgB", from Fors Seulement, by Pipelare. Q: How did you make this animation? A: With a program I wrote in Python. I also used FFMPEG, SoX, TiMidity, FluidSynth, Python Image Library, and midicsv. All excellent, free, open-source software. Q: Could you make a video of this other song? A: Sure! Well, maybe. For copyright reasons, it has to be public domain music. Just comment below, or send me a message and I'll see what I can do. Q: I really appreciate your work; how can I support you? A: Thanks! It would be very kind if you'd subscribe, like, or share my videos so more people will find them. Q: Have you made a video of [artist]? A: Search "animidify [artist]" and you should be able to see what I've done so far.
Matthaeus Pipelare Matthaeus 1450 1498 1500 1515
Matthaeus Pipelare (c. 1450 – c. 1515) was a Flemish composer, choir director, and possibly wind instrument player of the Renaissance. He was from Louvain, and spent part of his early life in Antwerp. Unlike many of his contemporaries, many of whom traveled to Italy, Spain or elsewhere, he seems never to have left the Low Countries. In spring 1498 he became the choir director at the Illustrious Confraternity of Our Lady at 's-Hertogenbosch, a position he held until 1500. From his name it is presumed that either he or perhaps his father was a wind player, for example a town piper. Pipelare's style was wide-ranging; he wrote in almost all of the vocal forms current in his day: masses, motets, secular songs in all the local languages. No instrumental music has survived. In mood his music ranged from light secular songs to sombre motets related to those of Pierre de La Rue, an almost exact contemporary. He wrote 11 complete masses which have survived to modern times (although many of the manuscripts were destroyed in the Second World War), as well as 10 motets, and 8 chansons; the chansons are both in French and Dutch. One of the masses is a four-voice cantus firmus setting of L'homme armé, a style which was already old-fashioned by the time he was writing; the tune moves from voice to voice, but is usually in the tenor. His Missa Fors seulement is based on his own chanson, which he used as the cantus firmus. Memorare Mater Christi is a seven-part motet on the sorrows of the Virgin Mary; each of the seven voices represents a different dolor. The third of the seven voices even quotes the contemporary Spanish villancico "Nunca fué pena mayor" (never was there a greater pain) by Juan de Urrede. Sequential writing and syncopated rhythms are characteristic of his music.
Mattheus Pipelare: Missa de feria Kyrie Gloria Credo Sanctus Collectio Musicorum Festival Chorus James Wetzel, organist A performance of the mass from the edition by Dr. Ronald Cross. About this work, Dr. Cross wrote: Pipelare was a master of large complex structures, but that he did not need complicated organization to bring out his finest writing is nowhere more obvious than in his Missa de feria, which though simple in style contains some of his most memorable music. The Missa de feria is a simple setting for daily use based on plainsong Masses XV and XVIII. It is common for Ferial Masses to be based on these plainsong melodies. Filmed Live at Christ and Saint Stephen's Church New York City October 20, 2017 Filmed in Full HD. Click on the gear icon and select the 1080p HD setting.
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- Zeitleiste: Komponisten (Europa).
- Indizes (in alphabetischer Reihenfolge): P...