Edmund Neupert Videos
norwegischer Pianist, Komponist und Musikpädagoge
- Klavier
- Norwegen
- Komponist, Pianist, akademischer Musiker, Musikwissenschaftler
Letzte Aktualisierung
2024-06-15
Aktualisieren
Ludvig Schytte Niels Gade Edmund Neupert Franz Liszt 1631 1848 1884 1886 1898 1903 1907 1909
0:00 (The lighter). There came a soldier marching along the Road. one two, one two!. He had his torso on his back and a saber on his side. 1:26 (The little Klaus and the big Klaus). Hussa! Where little Claus slammed with his whip over all 5 horses, they were how basically his on that day. Hussa, all my horses! 3:19 (The flowers of little Ida). "My poor flowers are withered!", said little Ida. "They were so nice yesterday evening, now all flowers are hanging, completely withered! Why?" 5:11 (The naughty boy). There was an old poet, like, a good and old poet. Some evening he sat in his home, there was a terrible storm outside; the rain was falling heavily, but the poet sat there, warm and nice at his oven, where the fire was burning and the apples sizzled. 7:10 (The ugly young little duck). It was beautiful on the land. Summer, corn was yellow, hay was stacked up in the barn down there, and the stork was walking with his long red legs and babbled egyptian, because he learnt this language from his mother. 8:18 (The leprechaun and the huckster). There was a real student, living in the attic,and he owned nothing. But there was also once upon a time a real huckster, who lived on the ground and he owned the whole house. 9:20 (little mermaid). Far away in the sea, the water is so blue, as the leaves of the most beautiful cornflower, and so clear, as the purest glass, but very deep. The people of the sea live there. 11:59 (Lilac mother). The little boy looked at the tea pot, the lid lifted more and more, and the lilac flowers appeared, fresh, and white. 14:24 (The old street lamp). It was the last evening where she sat on the pale and lighted the street. She felt like an old dancer, who dances the last evening and knows that she will sit on the floor chamber on the next day, forgotten. / 16:31 (The Jumper). The flea, the grasshopper and the springbock wanted to see who can jump highest. They invited everyone who wanted to come and see their glory. Schytte +••.••(...)) was a Danish composer, pianist, and teacher. Born in Aarhus, Denmark, Schytte studied with Niels Gade and Edmund Neupert. In 1884, he travelled to Germany to study with Franz Liszt. Schytte lived and taught in Vienna between 1886 and 1907 and spent the last two years of his life teaching in Berlin. His shorter works are still used today as educational studies for piano students. Originally trained as a pharmacist, Schytte composed a Piano Concerto in C-sharp minor, Op. 28, and a Sonata in B-flat, among numerous other piano works. He also wrote two operas: Hero (25 September 1898 in Copenhagen) and Der Mameluk (22 December 1903 in Vienna). / - A method to find scores: (http•••) - My donation link to keep the channel growing: (http•••) Thanks for listening :-)
Edvard Hagerup Grieg Leif Ove Andsnes Jean Sibelius Bedřich Smetana Robert Schumann Clara Schumann Edmund Neupert Holger Simon Paulli Niels Gade Anton Rubinstein Rubinstein Rikard Nordraak James Huneker Franz Liszt Johan Svendsen Wilhelm Backhaus Junichi Hirokami Norrköping Symphony Orchestra 1843 1858 1868 1869 1870 1872 1874 1900 1907 1909
Edvard Hagerup Grieg (15 June 1843 – 4 September 1907) was a Norwegian composer and pianist. He is widely considered one of the leading Romantic era composers, and his music is part of the standard classical repertoire worldwide. His use and development of Norwegian folk music in his own compositions brought the music of Norway to international consciousness, as well as helping to develop a national identity, much as Jean Sibelius and Bedřich Smetana did in Finland and Bohemia, respectively. Please support my channel: (http•••) Piano Concerto in A minor, Op. 16 (1868) 1. Allegro molto moderato (0:00) 2. Adagio (12:51) 3. Allegro moderato molto e marcato (19:00) Leif Ove Andsnes, piano and Bergen Philharmonic conducted by Ole Christian Ruud Watch live performance here: (http•••) The work is among Grieg's earliest important works, written by the 24-year-old composer in 1868 in Søllerød, Denmark, during one of his visits there to benefit from the climate. The concerto is often compared to the Piano Concerto of Robert Schumann: it is in the same key; the opening descending flourish on the piano is similar; the overall style is considered to be closer to Schumann than any other single composer. Incidentally, both composers wrote only one concerto for piano. Grieg had heard Schumann's concerto played by Clara Schumann in Leipzig in 1858, and was greatly influenced by Schumann's style generally, having been taught the piano by Schumann's friend Ernst Ferdinand Wenzel. Grieg's concerto provides evidence of his interest in Norwegian folk music; the opening flourish is based on the motif of a falling minor second followed by a falling major third, which is typical of the folk music of Grieg's native country. This specific motif occurs in other works by Grieg, including the String Quartet No. 1. In the last movement of the concerto, similarities to the halling (a Norwegian folk dance) and imitations of the Hardanger fiddle (the Norwegian folk fiddle) have been detected. The work was premiered by Edmund Neupert on April 3, 1869, in Copenhagen, with Holger Simon Paulli conducting. Some sources say that Grieg himself, an excellent pianist, was the intended soloist, but he was unable to attend the premiere owing to commitments with an orchestra in Christiania (now Oslo). Among those who did attend the premiere were the Danish composer Niels Gade and the Russian pianist Anton Rubinstein, who provided his piano for the occasion. Neupert was also the dedicatee of the second edition of the concerto (Rikard Nordraak was the original dedicatee), and James Huneker said that he composed the first movement cadenza. The Norwegian premiere in Christiania followed on August 7, 1869, and the piece was later heard in Germany in 1872 and England in 1874. At Grieg's visit to Franz Liszt in Rome in 1870, Liszt played the notes a prima vista (by sight) before an audience of musicians and gave very good comments on Grieg's work which would later influence him. The work was first published in Leipzig in 1872, but only after Johan Svendsen intervened on Grieg's behalf. The concerto is the first piano concerto ever recorded—by pianist Wilhelm Backhaus in 1909.[9] Due to the technology of the time, it was heavily abridged and ran only six minutes. Grieg revised the work at least seven times, usually in subtle ways, but the revisions amounted to over 300 differences from the original orchestration. In one of these revisions, he undid Liszt's suggestion to give the second theme of the first movement (as well as the first theme of the second) to the trumpet rather than to the cello. The final version of the concerto was completed only a few weeks before Grieg's death, and it is this version that has achieved worldwide popularity. The original 1868 version has been recorded, by Love Derwinger, with the Norrköping Symphony Orchestra under Junichi Hirokami.
Hansen Eduard Müller Johann Gottfried Müthel Bach Johann Gottlieb Goldberg Busch Streicher Christoph Stepp Neupert August Wenzinger Mozartsaal Rudolf Oetker Halle Schola Cantorum 1655 1700 1707 1727 1728 1756 1760 1788 1948 1950 1960 1961 1962
'Aus dem Schülerkreis J.S. Bachs (Two pupils of J.S. Bach), Zwei Cembalokonzerte (two concertos for harpsichord): Johann Gottlieb Goldberg & Johann Gottfried Müthel.' XI. Research Period: The German Pre-Classics +••.••(...)), Series D: Orchestral And Chamber Music In Transition Released (1962?) by Archiv Produktion 198 411 Manufactured by Deutsche Grammophon, Hamburg Cover: Johann Gottfried Müthel: Gemälde eines unbekannten Meisters, im Besitz von Frau Adelheid Busch, geb. Müthel, und Fräulein Livia Müthel, Hannover. Thanks to Robert Tifft the webmaster of the European Revival Harpsichordists ((http•••) ) for providing all the documentation and already cleaned up acoustic material to make this publication possible. Seite A JOHANN GOTTLIEB GOLDBERG +••.••(...)) Konzert für Cembalo und Streichorchester Cembalo: Eliza Hansen Streicher des Pfalzorchesters, Ludwigshafen, Dirigent Christoph Stepp Ausgabe: Edition Moeck, Nr. 3001 (Hermann Moeck - Verlag, Celle 1948) Herausgeber: Ernst Dadder Tonart: d-moll (D minor / re mineur) Instrumentarium: Cembalo von J. C. Neupert, Modell »Bach» ca. 1950 Satzfolge 00:00 1. Allegro, Konzert J.G. Goldberg 15'12 15:11 2. Largo, Konzert J.G. Goldberg 7'58 23:06 3. Allegro di molto, Konzert J.G. Goldberg 10'52 Total 34'02 Aufnahme: Mannheim, Mozartsaal, 11.-13.9. 1961 Produktionsleitung Prof. Dr. Hans Hickmann Aufnahmeleitung (Technical Supervisor): Gerhard Henjes Seite B JOHANN GOTTFRIED MÜTHEL +••.••(...)) Konzert für Cembalo, 2 Fagotte und Streichorchester Cembalo: Eduard Müller Fagot I/II: Heinrich Göldner, Otto Steinkopf Schola Cantorum Basiliensis, Dirigent August Wenzinger Quelle: Westdeutsche Bibliothek Marburg/Lahn (Mus. ms. 15 760/2) Sichtung des Materials: Herbert Wulf Tonart: d-moll (D minor / re mineur) Instrumentarium: Cembalo K. Sperrhake, Passau, 1962 Fagotte: Rekonstruktionen von Otto Steinkopf, 1960, nach Originalen von ]ohann Christoph Denner +••.••(...)) in der Instrumentensammlung des Instituts für Musikforschung, Berlin Satzfolge 34:01 1. Moderato, Konzert J.G. Müthel 9'12 43:13 2. Adagio, Konzert J.G. Müthel 10'53 54:03 3. Allegro di molto, Konzert J.G. Müthel 6'09 Total 26'20 Aufnahme: Bielefeld, Rudolf-Oetker-Halle, 4.-5.3. 1962 Produktionsleitung: Prof. Dr. Hans Hickmann Aufnahmeleitung (Technical Supervisor): Harald Baudis #Neupert #Sperrhake #ElizaHansen #EduardMüller
Ludvig Schytte Niels Gade Edmund Neupert Franz Liszt 1848 1884 1886 1898 1903 1907 1909
Ludvig Schytte | Etude in G | Op 160 No 12 Ludwig Schytte: 25 Easy Studies For Piano Op.160 Ludvig Schytte +••.••(...)) was a Danish composer, pianist, and teacher. Born in Aarhus, Denmark, Schytte originally trained as a pharmacist. He studied with Niels Gade and Edmund Neupert. In 1884, he travelled to Germany to study with Franz Liszt. Schytte lived and taught in Vienna between 1886 and 1907 and spent the last two years of his life teaching in Berlin. Schytte composed a Piano Concerto in C-sharp minor, Op. 28, and a Sonata in B-flat, among numerous other piano works. He also wrote two operas: Hero (25 September 1898 in Copenhagen) and Der Mameluk (22 December 1903 in Vienna). His shorter works are still used today as educational studies for piano students. Ludvig Schytte +••.••(...)) fue un compositor, pianista y profesor danés. Nacido en Aarhus, Dinamarca, Schytte se formó originalmente como farmacéutico. Estudió con Niels Gade y Edmund Neupert. En 1884 viajó a Alemania para estudiar con Franz Liszt. Schytte vivió y enseñó en Viena entre 1886 y 1907 y pasó los dos últimos años de su vida enseñando en Berlín. Schytte compuso un Concierto para piano en do sostenido menor, Op. 28, y una Sonata en si bemol, entre otras numerosas obras para piano. También escribió dos óperas: Hero (25 de septiembre de 1898 en Copenhague) y Der Mameluk (22 de diciembre de 1903 en Viena). Sus obras más cortas se siguen utilizando hoy en día como estudios educativos para estudiantes de piano. Suscribe (http•••) René Sanhueza Gaete, Piano #LudvigSchytte #EtudeinGOp160No12 #renesanhuezagaete Performance, Audio & Video Editing by René Sanhueza Gaete. My donation link to keep the channel growing: (http•••) Thanks for listening :-)
oder
- Zeitleiste: Komponisten (Europa). Interpreten (Europa).
- Indizes (in alphabetischer Reihenfolge): N...