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Giuseppe Verdi Neate Bayreuth 1956
Se quel guerrier io fossi... Celeste Aida Aida by Giuseppe Verdi / Ken Neate, tenor / recorded 1956 (Ken Neate, the original "ozitenor") (Photo: Ken Neate at Bayreuth)
Beethoven Mansion Sir Mark Elder Sophie Bevan Ed Lyon Darren Jeffery Ferdinand Ries Neate George Smart Schott Hanover Band Consone Quartet Kärntnertortheater 1822 1824 1825 1826 1827 2020
Beethoven 250 | Symphony Series 09: THE HANOVER BAND - BEETHOVEN Symphony No. 9 in D minor, Op.125 ‘Choral’ The Hanover Band plays Beethoven’s Symphony No. 9 as the culmination of their Beethoven 250 celebrations at Mansion House in the City of London. Premiering on the 250th anniversary of Beethoven’s birth, 16th December 2020. (http•••) (http•••) (http•••) Conductor: Sir Mark Elder Leader: Jorge Jimenez Soprano: Sophie Bevan Alto: Madeleine Shaw Tenor: Ed Lyon Bass: Darren Jeffery with The Hanover Band Chorus Beethoven accepted the commission to write a new symphony for the Philharmonic Society of London; in a letter he wrote to Ferdinand Ries on 20 December 1822, ‘Even though the fee to be paid by the English cannot be compared with the fees paid by other nations’. The work was completed by February 1824 and, according to Beethoven’s correspondence, the copying of the parts and several scores was in progress by April 1824. The Ninth Symphony was first performed at a benefit concert in Vienna at the Kärntnertortheater on 7 May 1824 and repeated on 23 May 1824, receiving a tumultuous reception. The score was sent to Mr Neate of the Philharmonic Society, London, in December 1824. Beethoven gave some hints on rehearsal: ‘You must have limited rehearsals, perhaps four parts at a time; for this is the only way to study such a work well; above all the choruses must be well practised!’ He also mentioned that there were still some errors in the score. The Symphony was first performed in England at a Philharmonic Society concert on 21 March 1825, which was held at the New Argyll Rooms and was conducted by Sir George Smart. He was very anxious about the performance and had previously urged the Society to induce Beethoven to come to London to conduct the work himself. In the event, the composer’s deteriorating health prevented his coming and Smart had to do the best he could. He wrote, ‘I candidly own that I do not understand his [Beethoven’s] meaning as to the style of the Recitative for the Basses–perhaps it should be played faster’. Similar discussions about the complexity of the work must have taken place, as they still do today. The Symphony was published by Schott of Mainz in August 1826, with a dedication to Friedrich Wilhelm III, King of Prussia. On 18 March 1827, just eight days before his death, Beethoven sent a letter (in Schindler’s hand) thanking the Philharmonic Society for their generous donation of £100 which they had sent in order that it might ‘be applied to his comforts and necessities during his illness’. He enclosed in this letter a list of metronome markings relating to the Ninth Symphony. / BEETHOVEN 250 - An online festival of Beethoven’s Symphonic and Chamber Music brought to you by The Hanover Band & Consone Quartet. For further information and to make a donation to help us continue our work, please visit (http•••) /
Neate John Brownlee Brownlee Bayreuth Richard Strauss Covent Garden Festival Bayreuth 1914 1939 1945 1954 1956 1963 1975 1997
Ken Neate - Rigoletto - Parmi veder le lagrime - Le Chant du Monde LDX-A-8170 enregistré en 1956 / " né le 28 juillet 1914 à Cessnock (Australie)fit ses études à l'Université de Melbourne et forma, avec des étudiants, une troupe d'am ateurs qui entreprit une tournée en Australie. Sur les conseils de John Brownlee, il alla travailler le chant avec Emilio de Gogorza. Après la guerre de 1939-1945, il commença une brillante carrière qui le conduisit notamment au Covent Garden, aux Opéras de Lyon, Bologne, Turin, Madrid (1954), Bordeaux (création de Sampiero Corso de H.Tomasi(1956), Paris (Roméo et Juliette 1956). Il obtint de vifs succès lors des concerts qu'il donna aux Etats-Unis, au Canada, en Australie, en Angleterre. En 1963, il fut invité au Festival de Bayreuth( Le Ring: Loge) Il fit ses adieux à la scène en 1975 dans le rôle d'Othello au Théâtre d'Innsbrück." Source: Jean Gourret : Nouveau dictionnaire de chanteurs de l'Opéra de Parisdu 17ème siècle à nos jours Ken Neate mourut le 27 juin 1997 Kenneth (Ken) Neate (28 July 1914 – 27 June 1997) was a renowned Australian operatic and concert tenor, opera producer and singing teacher. He was a regular artist in Wagnerian opera at Bayreuth, and he was noted as a dramatic tenor in German, French, and Italian repertoire in opera houses in England, France, Italy, Austria, Germany, and Australia His operatic career lasted 38 years, followed by ten years as Lecturer in Voice and Opera Studies at the Richard Strauss Conservatorium in Munich. For more details, see: (http•••) /
Gustav Mahler Jascha Horenstein Agnes Giebel Watts Joyce Barker Kerstin Meyer Helen Watts Kenneth Neate Alfred Orda Orda Haitink Bbc Chorus London Symphony Orchestra 1860 1911 1959
Gustav Mahler +••.••(...)) Symphonie n° 8 en mi bémol majeur "Symphony of A Thousand" in E flat major /Sinfonie der Tausend in Es-Dur Part I - Hymnus "Veni, Creator Spiritus" 00:00 02. Imple superna gratia 03. Infirma nostri corporis 04. Accende lumen sensibus 05. Tu septiformis munere 06. Gloria sit Patri Domino Part II - Final scene from "Faust" 22:28 (Closing scene from Goethe's Faust/ Schlusszene aus Faust II) 01. Poco adagio – Waldung, sie schwankt heran 02. Ewiger Wonnebrand 03. Wie Felsenabgrund mir zu Fussen 04. Gerettet ist das edle Glied 05. Uns bleibt ein Erdenrest 06. Hier ist die Aussicht frei 07. Dir, der Unberuhrbaren 08. Bei der Liebe, die den Fussen 09. Neige, neige, du Ohnegleiche 10. Komm! hebe dich zu hohern Spharen! 11. Blicket auf zum Retterblick, alle reuig Zarten 12. Alles Vergangliche ist nur ein Gleichnis Joyce Barker; Beryl Hatt; Agnes Giebel (soprano) Kerstin Meyer; Helen Watts (contralto) Kenneth Neate (tenor) Alfred Orda (baritone) Arnold van Mill (bass) BBC Chorus; BBC Choral Society Goldsmiths Choral Union; Hampstead Choral Society; Emanuel School Boys' Choir; Orpington Junior Singers London Symphony Orchestra Conducted by Jascha Horenstein London, 20 March 1959 _ Mahler Symphony n° 8 (Haitink): (http•••)
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- Zeitleiste: Lyrische Sänger (Ozeanien).
- Indizes (in alphabetischer Reihenfolge): N...