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2024-05-21
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Kerstin Avemo Christoph Willibald Gluck Biel Maya Boog 2002
Provided to YouTube by NAXOS of America Orphée et Eurydice: Act II, Scene 2: Ballo · Kerstin Avemo Gluck: Orfeo Ed Euridice ℗ 2002 Naxos Released on: 2002-08-14 Artist: Kerstin Avemo Artist: Ann-Christine Biel Artist: Maya Boog Choir: Drottningholm Theatre Chorus Conductor: Arnold Ostman Orchestra: Drottningholm Court Theatre Orchestra Composer: Christoph Willibald Gluck Auto-generated by YouTube.
Kerstin Avemo Christoph Willibald Gluck Biel Maya Boog 2002
Provided to YouTube by NAXOS of America Orphée et Eurydice: Overture · Kerstin Avemo Gluck: Orfeo Ed Euridice ℗ 2002 Naxos Released on: 2002-08-14 Artist: Kerstin Avemo Artist: Ann-Christine Biel Artist: Maya Boog Choir: Drottningholm Theatre Chorus Conductor: Arnold Ostman Orchestra: Drottningholm Court Theatre Orchestra Composer: Christoph Willibald Gluck Auto-generated by YouTube.
- About the New Apostolic Church - We are a Church where people feel at home, inspired by the Holy Spirit and their love for God, aligning their lives to the Gospel of Jesus Christ and preparing for His return and eternal life. INFO : (http•••) (http•••) (http•••) (http•••) Throughout the universe a song is heard - the song of the creation praising its Creator. We hear it at the singing of the birds, at rushing brooks and the swirling sounds of the wind; at the rustling sound of falling leaves, and the rumbling of the thunder in the distance; we find it in the soft breeze of silence, and in the sound of the waves; but above all we find it in the soul of human beings, whom God has endowed with the most expressive sounds of all. In the song of the creation, the human being is the lead singer. The glorious being of God has unlock the human soul to wondrous admiration, and mankind's words of praise reach out to the infinite; the soul acquires wings and soars upwards where it dwells in the sunshine of His benevolent countenance. By uniting the art of music and poetry, mankind has created a special kind of song to express its deepest and holiest thoughts towards God. This is the hymn, its melody by nature restricted, and its form subjected to metre and repitition. And yet, when couched in the language of prayer, faith, praise, and self-commitment, its range extend from the most intimate recesses of the heart to the sublime regions of the heavens. / Door het hele universum weerklinkt een lied - het lied van de schepping dat haar Schepper prijst. Wij horen het in het zingen van de vogels, in het geklater van de beekjes, in het ruisen van de wind, in het geritsel van vallende bladeren, in het rommelen van ver gedonder, in het geloei van de golven, of als ons zachte Stilte omringt. Maar boven alles weerklinkt dit lied in de ziel van de mens die de wonderbare God met de mogelijkheid heeft uitgerust om de sterkst uitgedrukte en mooiste klank te formeren. De lofliederen van de mensen op onze schepper zijn veelvoudig, nagenoeg onmetelijk. Ze verlenen de ziel vleugels, die zij omhoog laat gaan om in het heldere Licht der Genade en goedheid Gods te vertoeven. Door de vereniging van muziek en dichtkunst hebben mensen een heel bijzondere manier van liederen gemaakt om hun diepste en heiligste gevoelens tegenover God uit te drukken. Dat is dat - van nature uit eenvoudige - kerklied, door vanaf de vorm aan vers- en maatsoort gebonden. Ondanks deze eenvoudigheid, in de taal van het gebed en geloof gelezen, spant het in inhoud en uitdrukking een wijde boog - van de stilste kamer van ons hart tot in de uitgestrektheid van de hemel.
Scarlatti Stille Carissimi Maya Boog Helmut Müller Brühl Brühl 1660 1725
Allesandro Scarlatti +••.••(...)) Cantata pastorale per la nascita di Nostro Signore: O di Betlemme altera povertà Aria: 'L'Autor d'ogni mio bene' One late seventeenth-century opera composer towers above the rest. While the genius of the Sicilan born Allesandro Scarlatti has been somewhat eclipsed by that of his extraordinary son, Domenico, in his day he was one of the greatest musical celebrities in Europe. Born in Palermo into a musical family, he was despatched off to Rome while stille a boy to study possibly with Carissimi. While he was there his first opera attracted the attention of the exiled Queen Christina of Sweden, who appointed him musical director of her private theater. More successes followed, and the remainder of Allesandro's working life was spent in an upward spiral of ever more prestigious musical posts in Rome and in Naples - a city which he can firmly claim to have put on the musical map of Europe. Allesandro Scarlatti was an exceptionally prolific composer in an age of prolific composers, with at least 114 operas and some 500 small-scale chamber cantatas to his credit. A pastorale Christmas cantata he wrote, 'O di Betlemme', contains a lovely aria sung by Mary to her mewborn son that shows him to be a great master of vocal style, with its soothing melodic lines and sensitive setting of Italian verse. It is a miniature masterpiece, and a textbook example of that newly evolved musical sandwich the da camp aria. Maya Boog, soprano Cologne Chamber Orchestra conducted by Helmut Müller-Brühl
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- Zeitleiste: Lyrische Sänger (Europa).
- Indizes (in alphabetischer Reihenfolge): B...