Marianne Auenbrugger Videos
österreichische Pianistin und Komponistin
- Klavier
- Österreich
- Komponist, Pianist
Letzte Aktualisierung
2024-05-26
Aktualisieren
Marianna Auenbrugger Franz Joseph Haydn Antonio Salieri Barrington Carey Weill Cortot Greene Hudson Lehman Carnegie Hall Salle Cortot Bargemusic Steinway Hall 1759 1782 2017 2018
Marianna Auenbrugger: Sonata in E-flat (1782) II: Largo Marianna Auenbrugger +••.••(...)) was a Viennese pianist and composer and a student of Franz Joseph Haydn. The publication of this keyboard sonata was funded by Antonio Salieri after her death at the age of 23. Recorded January 17, 2018 at Bard College at Simon's Rock, Great Barrington, Massachusetts (http•••) American pianist Manon Hutton-DeWys has long been earning praise and recognition for her performances of classical and modern music. In Musical America, Christian Carey wrote: “Hutton-DeWys did an admirable job creating legato lyricism in a solo line that resides amidst a tremendously active accompaniment. Her sensitive dynamic shadings and subtle use of rubato demonstrated an artist possessing a great deal of promise." Dr. Hutton-DeWys has performed in some of classical music's best-known venues, including Weill and Zankel Halls at Carnegie Hall, and the Salle Cortot at the École Normale de Musique in Paris. She has also appeared at Symphony Space, Bargemusic, the Metropolitan Museum of Art, Steinway Hall, the Richard B. Fisher Center for the Performing Arts at Bard College, Northeastern and Tufts Universities, and The Jerome L. Greene Performance Space, home to radio station WNYC. Dr. Hutton-DeWys holds degrees from the City University of New York Graduate Center, Mannes College of Music, Bard College, and Bard College at Simon's Rock. Her research, for which she received a 2017 Elebash Research Grant, focuses on early twentieth-century American music. A native of New York's beautiful Hudson River Valley, Hutton-DeWys currently works as a teacher and freelance pianist in New York City and Great Barrington, MA. She is on the faculty of Bard College at Simon's Rock and the Bard Academy. She formerly served on the faculty of Lehman College and Greenwich House Music School and on the Executive Board of the Piano Teachers' Congress of New York.
Elisabetta Gambarini Marianne Martinez Auenbrugger Haydn 1731 1744 1751 1759 1765 1767 1782 1812 1859 2020
PRVO VEČE FESTIVALA 16.11.2020. u 19.30, Svečana sala Skupštine Grada Žensko stvaralaštvo u drugoj polovini osamnaestog veka Koncert čembalistkinje BOJANE DIMKOVIĆ Program: Elizabeta de Gambarini (1731–1765) Menuet i varijacije, op. 2 04:57 Marijana Martinez (1744–1812) Sonata u A–duru Allegro: Rondo 10:07 Adagio 13:41 Tempo di Menuetto 20:03 Marijana Fon Auenbruger (1759–1782) Sonata u Es–duru Moderato 22:50 Adagio 28:55 Rondo Allegro 35:06 Cecilija Marija Bertelemon (1767–1859) Sonata u Ge–duru, op. 3 (posvećena J. Hajdnu) Allegro vivace 39:10 Adagio 44:40 Rondo alla hornpipe 47:52 Iz perspektive izvođača, druga polovina 18. veka je vrlo interesantan period koji nameće dosta pitanja o muzičkim stilovima i izvođačkoj praksi. Ovim resitalom, Bojana Dimković je pokušala da se osvrne na bogatstvo ideja i pravaca koji su koegzistirali u ovom momentu u istoriji a sve kroz predstavljanje odabranog ali zapostavljenog opusa kompozitorki. Publika će imati priliku da čuje dela koja predstavljaju novinu na našim prostorima i koja bi trebalo da preispitaju ideju o ženskom stvaralaštvu kao pukom hobiju. Instrument: franko-flamansko čembalo, replika rađena prema originalima Hemša (c. 1751), graditelj: Kristijan Bjelanović / 17th International Festival “Harpsichord, Living Art”: BOJANA DIMKOVIĆ FIRST EVENING OF THE FESTIVAL 16/11/2020 at 19.30, City Hall Women composers in the second half of the 18th century BOJANA DIMKOVIĆ, harpsichord Program: Elisabetta de Gambarini +••.••(...)) Menuet and variations, Op. 2 Marianne von Martinez +••.••(...)) Sonata in A major Allegro: Rondo Adagio Tempo di Menuetto Marianna fon Auenbrugger +••.••(...)) Sonata in E flat major Moderato Adagio Rondo Allegro Cecilia Maria Barthelemon +••.••(...)) Sonata in G major Op. 3 (dedicated to J. Haydn) Allegro vivace Adagio Rondo alla hornpipe Through the lens of a performer, the second half of the Eighteenth century represents a fascinating period urging us to find answers regarding musical styles and performance practice. For this recital, Bojana Dimković has attempted to reminisce on the wealth of musical ideas and directions that coexisted in this moment in history and all through the selected yet neglected repertoire by women composers. The audience will have the rare opportunity to hear pieces which are meant to reexamine the idea about female creativity as a mere distraction. Instrument: Franco-Flemish harpsichord, after Hemsch (c. 1751), Maker: Kristijan Bjelanović
Joseph Haydn Proto Marianna Auenbrugger 1732 1771 1809
Keyboard Sonata in C minor, Hob.XVI:20 ……………… Joseph Haydn +••.••(...)) Moderato Andante con moto Finale. Allegro Haydn’s Sonata in C minor, Hob. XVI:20 was written in 1771 (published a decade later) and marks a transition in Haydn’s compositional style from traditional light-hearted galant music, to a complex, minor-key sonata of greater length. It encompasses Sturm and Drang, a proto-Romantic movement usually associated with darker, unpredictable, and emotional characters in music. Written for Katharina and Marianna von Auenbrugger, two students of Haydn, he described the work as “the longest and most difficult.” For his time, it features a wide range of explicit dynamic markings written throughout the three movements, suggesting that it may have been one of the first keyboard pieces intended for the fortepiano, rather than the clavichord or the harpsichord. This sonata would debatably be one of the best he wrote until the early 1790s, in his later, more mature period. It represents a milestone in Haydn’s career, and remains a one-of-a-kind gem within his enormous musical output. (17 minutes)
Marianna Auenbrugger Franz Joseph Haydn Antonio Salieri Barrington Carey Weill Cortot Greene Hudson Lehman Carnegie Hall Salle Cortot Bargemusic Steinway Hall 1759 1782 2017 2018
Marianna Auenbrugger: Sonata in E-flat (1782): I - Moderato Marianna Auenbrugger +••.••(...)) was a Viennese pianist and composer and a student of Franz Joseph Haydn. The publication of this keyboard sonata was funded by Antonio Salieri after her death at the age of 23. Recorded January 17, 2018 at Bard College at Simon's Rock, Great Barrington, Massachusetts (http•••) American pianist Manon Hutton-DeWys has long been earning praise and recognition for her performances of classical and modern music. In Musical America, Christian Carey wrote: “Hutton-DeWys did an admirable job creating legato lyricism in a solo line that resides amidst a tremendously active accompaniment. Her sensitive dynamic shadings and subtle use of rubato demonstrated an artist possessing a great deal of promise." Dr. Hutton-DeWys has performed in some of classical music's best-known venues, including Weill and Zankel Halls at Carnegie Hall, and the Salle Cortot at the École Normale de Musique in Paris. She has also appeared at Symphony Space, Bargemusic, the Metropolitan Museum of Art, Steinway Hall, the Richard B. Fisher Center for the Performing Arts at Bard College, Northeastern and Tufts Universities, and The Jerome L. Greene Performance Space, home to radio station WNYC. Dr. Hutton-DeWys holds degrees from the City University of New York Graduate Center, Mannes College of Music, Bard College, and Bard College at Simon's Rock. Her research, for which she received a 2017 Elebash Research Grant, focuses on early twentieth-century American music. A native of New York's beautiful Hudson River Valley, Hutton-DeWys currently works as a teacher and freelance pianist in New York City and Great Barrington, MA. She is on the faculty of Bard College at Simon's Rock and the Bard Academy. She formerly served on the faculty of Lehman College and Greenwich House Music School and on the Executive Board of the Piano Teachers' Congress of New York.
oder
- Zeitleiste: Komponisten (Europa). Interpreten (Europa).
- Indizes (in alphabetischer Reihenfolge): A...