Margareta Klobučar Videos
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Orchester Wiener Staatsoper Wiener Staatsoper Pyotr Il Yich Tchaikovsky Klobučar 2015
Provided to YouTube by NAXOS of America Eugene Onegin, Op. 24, Act II: Act III: Polonaise · Orchester der Wiener Staatsoper Tchaikovsky: Eugene Onegin, Op. 24, TH 5 (Sung in German) (Live) ℗ 2015 Andromeda Released on: 2015-03-03 Conductor: Berislav Klobučar Orchestra: Orchester der Wiener Staatsoper Composer: Pyotr Il'yich Tchaikovsky Auto-generated by YouTube.
Hans Hotter Verdi Hermann Prey Amo Simon Estes Vienna State Opera 1978
Hans Hotter in Don Carlos as King Philip II (sung in German) 1) "Ein wort noch.." ("Restate") with Hermann Prey (Posa) 2 )"Sie hat mir nie geliebt" ("Ella Giammai m'amo") Taken from ZDF TV "Hermann Prey presents". ZDF late 1960s No orchestra and conductor known. This is a great rarity with Hotter and Prey together, Hotter sang the role of Philip very rarely and only early in his career. 3) Grand Inquisitor Scene - Vienna State Opera 10 December 1978 Berislav Klobucar with Simon Estes (Philip II) Hotter sang the role of the Grand Inquisitor over 400 times during his career. His interpretation here of the 90 years old Inquisitor is ideal. As it should be. Hotter was approaching his 70th birthday at the time of this performance.
Oper Graz Giuseppe Verdi Arrigo Boito Bürger Matheson Shakespeare Reich James Rutherford Stolz Johannes Fritzsch Janson Andrè Schuen Fenton Fournier Margareta Klobučar Klobučar Dshamilja Kaiser 1893
Giuseppe Verdi Commedia lirica in drei Akten Libretto von Arrigo Boito Um seine finanziell prekäre Lage zu entspannen, macht Sir John Falstaff zwei wohlsituierten, lustigen Weibern von Windsor Avancen. Da er auf den bürgerlichen Ehrbegriff pfeift, kümmert es ihn nicht, dass Alice Ford und Meg Page verheiratet sind. Nicht so sehr der Annäherungsversuch des dicken und trinkfesten Ritters stört die beiden Freundinnen, sondern vielmehr die Tatsache, dass er ihnen gleichlautende Briefe geschickt hat. So beschließen sie, Sir John nach Kräften zu foppen. Mrs Quickly überbringt die Einladung zum Stelldichein im Hause Ford, doch Sir John landet nicht in den Armen der Angebeteten, sondern erst im Wäschekorb, um dann in die Themse gekippt zu werden. Da wird Sir John abermals zu einem Treffen mit Alice geladen / dieses Mal um Mitternacht im Schlosspark von Windsor. Die Bürger von Windsor drangsalieren und piesacken Sir John, bis er den grausamen Schabernack mit der verblüffenden Erkenntnis beendet: „Alles auf Erden ist Spaß." Sowohl als Schauspieler wie auch als Regisseur hat der junge Australier Tama Matheson vielfältige Erfahrung mit dem Werk William Shakespeares. Den künstlerischen Leiter des Brisbane Shakespeare Festivals fasziniert an Giuseppe Verdis letzter, 1893 in Mailand uraufgeführter Oper, wie sich dem Mikrokosmos der Bürger von Windsor durch Falstaffs Zutun das Reich der Phantasie eröffnet. Für die Titelrolle sowohl physisch als auch stimmlich perfekt disponiert ist der englische Bariton James Rutherford, der hier sein Rollendebut als Falstaff gibt. Und einen weiteren Rollendebutanten darf die Oper Graz stolz verkünden: Ensemblemitglied David McShane wird erstmals in seiner beeindruckenden Karriere die Titelpartie verkörpern. BESETZUNG: Musikalische Leitung: Johannes Fritzsch • Florian Erdl Inszenierung: Tama Matheson Ausstattung: Peter Corrigan Licht: Rainer Janson Dramaturgie: Bernd Krispin Sir John Falstaff: David McShane • James Rutherford Ford: Andrè Schuen Fenton: Abdellah Lasri Dr. Cajus: Manuel von Senden • Taylan Reinhard Bardolfo: Martin Fournier Pistola: Wilfried Zelinka Mrs Alice Ford: Margareta Klobučar Nannetta: Nazanin Ezazi • Tatjana Miyus Mrs Meg Page: Xiaoyi Xu • Dshamilja Kaiser Mrs Quickly: Silvia Beltrami
Georg Friedrich Händel Majer Alfred Cortot Lučić Anđelko Klobučar André Jolivet Franjo Dugan Max Reger Ferruccio Busoni Ottorino Respighi Vatroslav Lisinski Ruža Pospiš Baldani Ivanka Boljkovac Ljiljana Molnar Talajić Stilinović Dubravka Šeparović Mušović Puškarić Dupré Duruflé Langlais Dubois Widor Hakim Kolb Varaždin Baroque Evenings Osor Musical Evenings Vatroslav Lisinski Concert Hall Ensemble Syntagma 1685 1759 1855 1947 1972 1973 1987 1998 2008 2013 2017
Georg Friedrich Händel +••.••(...).) Ombra mai fu (Largo from Xerxes); organ arrangement Hvalimira Bledšnajder, organ Instrument: Walcker, 1855. Zagreb Cathedral, April 23rd 2017. Hvalimira Bledšnajder (Zagreb, 27.IX.1947.) is Croatian organist and pianist, currently on position as titular organist of Zagreb Cathedral. After graduation at "Pavao Markovac" Music School in Zagreb (in class of Maša Majer), she continued her studies at Music Academy in Zagreb; piano with Petar Dumičić (student of Alfred Cortot), organ with Vlasta Hranilović (student of Franjo Lučić) and Anđelko Klobučar (student of André Jolivet), a brother of conductor Berislav Klobučar, and harmony with Natko Devčić (student of Franjo Dugan (Max Reger's student), and Svetislav Stančić (student of Ferruccio Busoni)). After she graduated as concert pianist and organist in 1972, she continued her education with famous Fernando Germani (student of Ottorino Respighi) at Accademia Nazionale di Santa Cecilia in Rome, where she perfected her pedal technique and gained delicate registration skills. In the early 1970s, after several solo recitals she gave in Zagreb Cathedral, she started to perform duty of deputy organist and assistant of Anđelko Klobučar, main cathedral organist whose position she succeeded as main titular organist in 1987 until today! Maestro Klobučar (also a composer) dedicated several compositions for organ to her as a token of respect. She also worked as permanent church organist of St. Joseph Church for more than four decades and organist of St. Blaž Church in Zagreb for one decade. She continued her international career in Slovenia, Austria, Germany, France, Switzerland and Netherlands as concert organist. As a soloist, she has played at many international music festivals, churches and concert halls, such as "Europaeische Kirchenmusik", "Orgelmusik in Domkirche-Wien", "Organ of the Zagreb Cathedral", "Varaždin Baroque Evenings", "Osor Musical Evenings", "Heferer Organs", "Požega Organ Evenings", "Hvar Summer Concerts", "Organ of St. Mark's Church in Zagreb", "Vatroslav Lisinski" Concert Hall... In chamber ensembles, she performed with artists as Ruža Pospiš Baldani (mezzosoprano), Josip Klima (violinist), Ivanka Boljkovac (soprano), Ljiljana Molnar Talajić (soprano), Branka Oblak-Stilinović (soprano), Dubravka Šeparović Mušović (mezzosoprano), Želimir Puškarić (tenor), as well as permanent piano and organ accompanist of several choirs ("Ivan Goran Kovačić" Male Vocal Ensemble, "Zagreb Doctor's Choir", "Zagreb Cathedral Mixed Choir", etc.). She made several recordings for labels Jugoton (later Croatia Records) and "Sacred Music", both as soloist, accompanist in sacred music and with her early music ensemble "Syntagma musicum", where she played positive, portative organ and harpsichord. Her organ repertoire consists of works from renaissance and baroque period up to contemporary composers, with a special affinty for late romantic and modern French composers (Dupré, Duruflé, Franck, Langlais, Dubois, Boëllmann, Widor, Hakim...) and modern Croatian authors (Dugan, Kolb, Vidaković, Odak, Klobučar, Njirić, Magdić, Lešćan...). As claimed by herself, she never gave a recital without playing at least one composition by Anđelko Klobučar, the professor whom she was most grateful for. In her long career, she especially emphasizes her playing at the liturgical celebration in Marija Bistrica during the visit of Pope John Paul II. to Croatia in 1998. Apart from concert career and contribution to liturgical celebrations, she left an enormous impact in musical pedagogy in Croatia. She worked as assistant professor (docent) of organ at "Albe Vidaković" Church Music Institute +••.••(...)) as well as organ and piano professor at "Pavao Markovac" Music School in Zagreb +••.••(...)). In those four decades, she raised many students and several prominent organists, always imparting them her knowledge of pedal technique and registration, until her retirement in 2013. As a member of "Organum" organological society, she held several masterclasses and courses as part of the Organ Summer School in Šibenik (Croatia). Hvalimira Bledšnajder was appointed by the Croatian Episcopal Conference in the Professional Organ Protection Trust of the Cultural Heritage Directorate of the Ministry of Culture of the Republic of Croatia. She was often invited to play at the formal collaudation concerts of new or renewed organs in Croatia and abroad.
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