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Harvard Pops Orchestra Guo Feinstein John Williams Carpenter Nichols Ernst Toch Aram Kachaturian Leroy Anderson Sánchez Maes Peters Brooke Pak 2021
PLEASE NOTE: Turning on subtitles is recommended A violin prodigy and her trumpet playing roommate must find her missing breakfast cereal before her debut performance with The Harvard Pops Orchestra. Tune in live to follow our protagonists on their adventure in this live adaptation of Popscast: CEREAL. Episode 1: The Missing Cereal (2:36) Popscast Theme - Rachel Guo; Allen Feinstein Inspector Gadget Theme - Shuki Levy and Haim Saban; Arranged by Georgiy Kent Imperial March - John Williams; Arranged by Maya Bharara Episode 2: The Adams House Kitchen (13:41) Popscast Theme - Rachel Guo; Allen Feinstein Addams Family - Vic Mizzy; Arranged by Georgiy Kent X-Files Theme - Mark Snow; Arranged by Sebastian Garcia Episode 3: The Cemetery (23:17) Popscast Theme - Rachel Guo; Allen Feinstein Thriller - Rod Temperton; Arranged by Rachel Guo Halloween Theme - John Carpenter; Arranged by Sebastian Garcia Gregorian Chant - Arranged by Georgiy Kent; Lyrics by Harry Sage Episode 4: The Depths of Lamont (30:37) Popscast Theme - Rachel Guo; Allen Feinstein Gregorian Chant - Arranged by Georgiy Kent; Lyrics by Harry Sage Scooby Doo - Ted Nichols; Arranged by Elida Kocharian Anatomical Fugue - Inspired by Ernst Toch; Arranged by Sam Cohen Spooky Scary Skeletons - Andrew Gold; Arranged by Elida Kocharian Episode 5: The Concert (38:07) Popscast Theme - Rachel Guo; Allen Feinstein Sabre Dance - Aram Kachaturian; Arranged by Georgiy Kent Concerto - Rachel Guo; Allen Feinstein Sleigh Ride - Leroy Anderson Actors Thea: Mireya Sánchez-Maes Seth: David Peters Ashley: Brooke Newbury Professor Treble: Harry Sage Dean Rakesh Khurana: himself Remy the Cat: Georgiy Kent Professor Spookyooky: Maya Bharara Pledges: Harry Sage, Georgiy Kent Bones Kid: Michael Pak HRO Conductor: Maya Bharara Pops Conductor: Allen Feinstein Narrator: Georgiy Kent The voice of Thea’s violin: Skye Park The voice of Seth’s trumpet: Forrest Flesher The voice of Ashley’s violin: Michael Pak
Join us as we experience Lord Henry Mystic’s collection come alive as we reveal the story, secrets and behind the scenes details of Hong Kong Disneyland’s Mystic Manor. Thank you to our Patrons for sponsoring this video! - Jake Kuhl, Jame McRoberts, Jeremy Koufakis, Louis Noguera, Luke Sciacchitano, Peter Matthews, Ruben Maes, Ray Dredge, Jon Madison, Michael Pin, Janine Kerr Become a Patron at - (http•••) For more great content visit our website - (http•••) Facebook - (http•••) Instagram - (http•••) Dom's Twitter - (http•••) Luke's Twitter - (http•••)
Enesco Béla Bartók Paul Sacher Zoltán Székely Kolisch Maes Hungarian Quartet Budapest Quartet 1656 1939 1941 1945 1998
The String Quartet No. 6, Sz. 114, BB 119, was the final string quartet that Béla Bartók wrote before his death. It was begun in August 1939 in Saanen, Switzerland, where Bartók was a guest of his patron, the conductor Paul Sacher. Shortly after he completed the Divertimento for String Orchestra on the 17th, he started on a commission for his friend, the violinist Zoltán Székely. Székely was acting as intermediary for the "New Hungarian Quartet", who had given the Budapest premiere of the String Quartet No 5. With the outbreak of World War II and his mother's illness, Bartók returned to Budapest, where the quartet was finished in November. After his mother's death, Bartók decided to leave with his family for the United States. Due to the difficulties of the war, communication between Bartók and Székely was difficult, and the quartet was not premiered until 20 January 1941, when the Kolisch Quartet, to whom the work is dedicated, gave its premiere at the Town Hall in New York City. The work is in four movements ; each movement opens with a slow melody marked "mesto" (sadly). This material is employed for only a relatively short introduction in the first movement, but is longer in the second and longer again in the third. In the fourth movement, the mesto material, with reminiscences of the first movement material, consumes the entire movement. It can be seen from Bartók's sketches that he had intended the last movement to have a quick, Romanian folk dance-like character with an aksak rhythmic character,[5] but he abandoned this plan, whether motivated by pure compositional logic or despair at the impending death of his mother and the unfolding catastrophe of the war. In poor health and financially insecure, Bartók composed relatively little in the United States before his death in 1945, but, in the last year or so of his life, he made some sketches hypothesized to be the slow movement of a never completed seventh quartet. Recording made in 1998, with the record label "Pierre Verany" Picture : Nicolas Maes, "Old woman dozing" (1656)
Edith Volckaert - Antonio Vivaldi, Concerto in A Minor, Op. 3 No. 8, for two violins and strings 00:00 Part 1: Allegro 04:11 Part 2: Larghetto e spiritoso 09:01 Part 3: Allegro From collection "Four concertos for Strings". With soloists of the Belgian Chamber Orchestra conducted by Georges Maes. Solo violins: George Maes, Paul Malfait Edith Volckaert's Biography (in french only): (http•••)
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