Liliane Berton Videos
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2024-05-16
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Ermitage Peyron Berton Gachet Dupeyron 2018
TO FORGIVE / THEOREM OF JOY LIVE AU STUDIO DE L ERMITAGE 02/05/2018 Thomas Julienne : contrebasse & compositions Ellinoa : voix & textes Boris Lamerand : violon & alto Thomas St Laurent : guitare Tom Peyron : batterie Invité : Maxime Berton / Saxophone Soprano Label : Collectif Déluge Réalisation : Loïc Leglise - Le Studio de l'Ermitage Cadreur : Lenny Fontaine, Thibauld Gril Lumière : Maxime Baron Son / Mixage : Cyrille Gachet Montage Vidéos : Marine De Contes Art Work : Photos : Alexandre Dupeyron / Logo : Nicolas Delbourg Photos Live : Jerome Leao Graphisme Album : Nicolas Catherin
Charles Lecocq Willy Clément Liliane Berton Berton 2012
Provided to YouTube by The Orchard Enterprises Chanson du petit bossu (Montlandry) · Charles Lecocq · Grand orchestre de Raymond Saint-Paul · Choeurs de Raymond Saint-Paul · Jules Gressier · Willy Clément · Liliane Berton Le Petit Duc - La Magie de l'Opérette en 38 volumes - Vol. 20/38 ℗ 2012 Isis Released on: 2012-05-02 Auto-generated by YouTube.
Liliane Berton Berton Johann Strauss II Massenet Richard Genée Scala 1874 1924 1952 1957 1958 1965 2009
THE SONGBIRD: French soprano Liliane Berton +••.••(...)) studied in Lille, and made her debut in Marseille as Blonde. Her debut at the Paris Opera came in 1952 as Siebel in "Faust." She sang light soubrette and coloratura roles including both Strauss's and Massenet's Sophies, Susanna and Cherubino, Rosina, and Eurydice. A pinnacle of her career came in 1957 when she created Soeur Constance in the French premiere of "Dialogues des Carmélites" (the world premiere at La Scala earlier that year was sung in an Italian translation); she also sang the role in the 1958 studio recording. Berton appeared throughout France and at festivals in Aix-en-Provence, Edinburgh, Glyndebourne and the Netherlands. THE MUSIC: "Die Fledermaus" is the most performed operetta in the world to the point of essentially coming to define the genre. It premiered in Vienna in 1874, composed by Johann Strauss II to a libretto by Karl Haffner and Richard Genée that was in turn based on a French adaptation of an earlier German play. The work has two principal soprano roles: Rosalinde, a married woman of means, and her maid Adele. Adele is a coloratura soubrette with two arias (in the operetta "couplets" form). Her most famous comes in Act Two, when she attends a ball disguised as an actress. After she is almost recognized, she reacts incredulously and sings the "laughing song" aria to the party goers to illustrate how amusing it is that someone might mistake her for a maid. It's not the first or last time a composer used coloratura figures to convey laughter, but it is one of the most clever and well-executed / and surely the most ubiquitous!
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- Zeitleiste: Lyrische Sänger (Europa).
- Indizes (in alphabetischer Reihenfolge): B...