Arseni Nikolajewitsch Koreschtschenko Videos
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2024-06-16
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Arseny Koreshchenko Josef Hofmann 1870 1898 1921
Phillip Sear plays the last piece from a set of six 'Scènes enfantines' from 1897 by the Russian composer Arseny Nikolayevich Koreshchenko ( Арсений Николаевич Корещенко ) +••.••(...)). / Koreshchenko studied at the Moscow Conservatoire - where he was an outstanding student - and later taught there. He wrote opera, ballets and symphonic music as well as piano works. This piece comes from a suite of six pieces published in 1897 and dedicated to the pianist Josef Hofmann. The given French title is Valse à la Neapolitaine, but the Russian title merely translates as Italian Waltz. Whatever its derivation, it is very Tchaikovskian in style. / / Played by Phillip Sear (http•••) (Email: •••@••• WhatsApp: (http•••) )
Arseny Koreshchenko Josef Hofmann 1870 1898 1921
Phillip Sear plays 'The Ogre', the first piece from a set of six 'Scènes enfantines' from 1897 by the Russian composer Arseny Nikolayevich Koreshchenko ( Арсений Николаевич Корещенко ) +••.••(...)). / Koreshchenko studied at the Moscow Conservatoire - where he was an outstanding student - and later taught there. He wrote opera, ballets and symphonic music as well as piano works. This piece comes from a suite of six pieces published in 1897 and dedicated to the pianist Josef Hofmann. I have used the French translation of the Russian title БУКА , but if you want to get a feel of the sort of folk character evoked, have a look at this poem and the pictures with it: (http•••) My thumbnail shows a 2018 picture of a Dungeons and Dragons ogre by LadyofHats (source: tinyurl.com/yzzzd6ru ). / / Played by Phillip Sear (http•••) (Email: •••@••• WhatsApp: (http•••) )
Sergei Stadler Stadler Alexander Lazarev Koreshchenko Arensky Glazunov Tchaikovsky Bolshoi Theatre
ОРИГИНАЛЬНЫЙ СОВЕТСКИЙ КОМПАКТ-ДИСК | ORIGINAL USSR CD ЧИТАЙТЕ ОПИСАНИЕ НИЖЕ | READ ENGLISH DESCRIPTION BELOW / Скрипичные соло в русских балетах Исполняют: Сергей Стадлер, скрипка Оркестр Большого театра СССР, дирижер Александр Лазарев Violin solo in Russian Ballets Sergei Stadler, violin The USSR Bolshoi Theatre Orchestra, conductor Alexander Lazarev ТРЕКЛИСТ ДИСКА: Корещенко - Фрагменты из балета «Волшебное зеркало» | Koreshchenko - Excerpts from the ballet "The Magic Mirror" 1. 00:00 Сцена | Scene 2. 02:03 Вариация танцовщицы | Variation 3. 03:18 Adagio 4. 08:16 Вальс принцессы | Princess' Waltz 5. 09:52 Аренский - Andante sostenuto из балета «Египетские ночи» | Arensky - Andante sostenuto from the ballet "Egyptian Nights" Глазунов - Два фрагмента из балета «Раймонда» | Glazunov - Two excerpts from the ballet "Raymonda" 6. 17:03 Большое adagio | Grand adagio 7. 21:45 Вариация III (Раймонда) | Variation III (Raymonda) 8. 23:52 Чайковский - Антракт (№18) из балета «Спящая красавица» | Tchaikovsky - Entr'acte (No.18) from the ballet "The Sleeping Beauty" Три фрагмента из балета «Лебединное озеро» | Three excerpts from the ballet "The Swan Lake" 9. 30:07 Русский танец | Russian Dance 10. 34:22 Pas d'action 11. 41:13 Pas de deux / Вы очень поможете этому видео в поисковой выдаче поставив лайк или написав комментарий, а лучше и то и другое :) Нам же это даст понять, что время на монтаж потрачено не зря. Спасибо! Your Like and Comment, better both, will help in ranking this video :) And we will know that the editing hours are not a waste of time. Thank you! / Instagram - (http•••) Facebook - (http•••) Детальную информацию о диске вы можете прочитать на странице сайта (http•••)
Sergei Ivanovich Taneyev Mikhail Voskresensky Ivanovich Arseny Koreshchenko Rubinstein Johannes Brahms Johann Sebastian Bach Wolfgang Amadeus Mozart Beethoven Leopold Auer Tchaikovsky Saltykov Shchedrin César Franck Camille Saint Saëns Alexander Scriabin Sergei Rachmaninoff Reinhold Glière Paul Juon Julius Conus Conus Nikolai Medtner Moscow Symphony Orchestra 1875 1876 1877 1878 1885 1889 1905 1998
Sergei Ivanovich Taneyev (Taneev or Taneiev) - Piano Concerto in E flat major 1. Allegro (E♭ major) 2. Andante funebre (E♭ minor) [World Premiere] Mikhail Voskresensky - piano Moscow Symphony Orchestra Conductor Vladimir Ziva Great Hall of Moscow Conservartory Live recording 25.05.1998 This video is taken from the private collection of Mikhail Voskresensky. Taneyev graduated in 1875, the first student in the history of the Conservatory to win the gold medal both for composition and for performing (piano). He was also the first person ever to be awarded the Conservatory's Great Gold Medal; the second was Arseny Koreshchenko and the third was Sergei Rachmaninoff.That summer he travelled abroad with Rubinstein. That year he also made his debut as a concert pianist in Moscow playing the first piano concerto in D minor of Johannes Brahms, and would become known for his interpretations of Johann Sebastian Bach, Wolfgang Amadeus Mozart and Ludwig van Beethoven. In March 1876 he toured Russia with violinist Leopold Auer. Taneyev was also the soloist in the Moscow première of Tchaikovsky's First Piano Concerto in 1875. Tchaikovsky was clearly impressed by Taneyev's performance; he later asked Taneyev to be soloist in the Russian premiere of his Second Piano Concerto. (After Tchaikovsky's death, Taneyev also completed and premiered his Third Piano Concerto and Andante and Finale. Taneyev attended Moscow University for a short time and was acquainted with outstanding Russian writers, including Ivan Turgenev and Mikhail Saltykov-Shchedrin. During his travels in Western Europe in 1876 and 1877, he met Émile Zola, Gustave Flaubert, César Franck and Camille Saint-Saëns amongst others. When Tchaikovsky resigned from the Moscow Conservatory in 1878, Taneyev was appointed to teach harmony. He would later also teach piano and composition. He served as Director from 1885 to 1889, and continued teaching until 1905.[8] He had great influence as a teacher of composition. His pupils included Alexander Scriabin, Sergei Rachmaninoff, Reinhold Glière, Paul Juon, Julius Conus, and Nikolai Medtner. The polyphonic interweaves in the music of Rachmaninoff and Medtner stem directly from Taneyev's teaching. Scriabin, on the other hand, broke away from Taneyev's influence. (http•••)
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