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Wolfgang Amadeus Mozart Henryk Szeryng Ingrid Haebler Robins Josepha Auernhammer 1756 1762 1764 1778 1781 1783 1788 1791
Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791) was one of the most influential, popular and prolific composers of the classical period. A child prodigy, from an early age he began composing over 600 works, including some of the most famous pieces of symphonic, chamber, operatic, and choral music. Please support my channel: (http•••) Sonata for violin & piano No. 24 in F major, K. 376 (K. 374d) 1. Allegro (0:00) 2. Andante (4:57) 3. Rondo. Allegretto grazioso (9:55) Henryk Szeryng, violin and Ingrid Haebler, piano Description by Brian Robins [-] Although in his time the genre never achieved a status rising much above that of social domestic music, Mozart composed sonatas for piano and violin throughout most of his life. The earliest date from 1762-1764, works of childhood precociousness produced before the age of ten, while his final essay in the form, K. 547 in F, was written in Vienna in the summer of 1788. Between came two sets of published works and a few odd works composed in Vienna during the latter part of the 1780s. The second published group first appeared in Vienna in December 1781 under the imprint of Artaria. It includes six sonatas (K. 296, composed in 1778 in Mannheim, and five more recent works, K. 376 - K. 380) published as "Op. 2." It appears they were prepared for publication by the set's dedicatee, Mozart's piano pupil Josepha Auernhammer, for whom he also composed the splendid two piano Sonata in D, K. 488. As with the earlier set, published in Paris as "Op. 1," they were advertised as being for piano with accompaniment for violin, a designation that not only highlights the expected dominance of the piano, but also makes clear that the sonatas were aimed at the domestic, amateur market. However, a review which appeared in the Magazin der Musik (Hamburg) in April 1783, clearly recognized that the greater equality between instruments Mozart had achieved in "Op. 1" is also a feature of the new set: "These sonatas are unique in their kind. Rich in new ideas and traces of their author's great musical genius. ... At the same time the violin part is so ingeniously combined with the clavier part that both instruments are constantly kept in equal prominence; so that these sonatas call for as skilled a violinist as a clavier player." The unique quality referred to is a new relationship between the two instruments which is based on a closer integration of thematic material than hitherto. The Sonata in F was composed in Vienna during the summer of 1781, just weeks after Mozart settled in the Viennese capital following his dismissal from the Salzburg court. Like all the sonatas of Op. 2, it abandons the two-movement form of the large majority of the earlier sonatas in favor of three movements: a dynamic Allegro, a delicately flowing Andante, and a graceful Rondo.
Wolfgang Amadeus Mozart Josephine Aurnhammer Grego Cortes Longo Bach Beethoven 1756 1781 1791
Se inscreva no canal! (http•••) Nosso canal traz as melhores musicas relaxantes e classicas toda semana. A Sonata para dois pianos em ré maior, K. 448 é uma obra de piano composta em 1781 por Wolfgang Amadeus Mozart, aos 25 anos de idade. É escrito em estrita forma de sonata-allegro, com três movimentos. A sonata foi composta para uma performance que ele daria com a colega pianista Josephine von Aurnhammer. Mozart compôs isso no estilo galante, com melodias entrelaçadas e cadências simultâneas. Essa é uma de suas únicas composições formais escritas exclusivamente para dois pianos. Essa sonata também foi usada no estudo científico que testou a teoria do Efeito Mozart, sugerindo que a música clássica aumenta a atividade cerebral mais positivamente do que outros tipos de música. A sonata é escrita em três movimentos, 1. Allegro con spirito 2. Andante e 3. Molto Allegro. O primeiro movimento começa em ré maior e define o centro tonal com uma introdução forte. Os dois pianos dividem a melodia principal da exposição e, quando o tema é apresentado, ambos tocam simultaneamente. Mozart passa pouco tempo desenvolvendo um novo tema, diferente da maioria das formas de sonata, e inicia a recapitulação, repetindo o primeiro tema. Todo o segundo movimento é jogado Andante, em um ritmo muito relaxado. A melodia é tocada com os dois pianos, mas não há clímax forte nesse movimento. Está escrito em um formulário ABA estrito. Molto Allegro começa com um tema galopante. As cadências usadas nesse movimento são semelhantes às do Rondo alla Turca de Mozart. De acordo com a Organização Britânica de Epilepsia, a pesquisa sugeriu que o K 448 de Mozart pode ter o "efeito Mozart", pois ouvir a sonata de piano melhorou as habilidades de raciocínio espacial e reduziu o número de crises em pessoas com epilepsia. Além de outro concerto de Mozart, o K 488, apenas uma outra música foi encontrada para ter um efeito semelhante, uma música do compositor grego Yanni, intitulada "Acroyali / Standing In Motion", que está em seu álbum Yanni Live no A Acrópole. Foi determinado que o "efeito Mozart", do Journal da Royal Society of Medicine, era semelhante ao K 448 de Mozart em andamento, estrutura, consoante e previsibilidade melódica e harmônica Wolfgang Amadeus Mozart, nasceu em Salzburgo, 27 de janeiro de 1756 – faleceu em Viena, 5 de dezembro de 1791) foi um prolífico e influente compositor austríaco do período clássico. Mozart mostrou uma habilidade musical prodigiosa desde tenra infância. Já competente nos instrumentos de teclado e no violino, começou a compor aos cinco anos de idade, e passou a se apresentar para a realeza europeia, maravilhando a todos com seu talento precoce. Chegando à adolescência, foi contratado como músico da corte em Salzburgo, porém as limitações da vida musical na cidade o impeliram a buscar um novo cargo em outras cortes, mas sem sucesso. Ao visitar Viena em 1781 com seu patrão, desentendeu-se com ele e solicitou demissão, optando por ficar na capital, onde, ao longo do resto de sua vida, conquistou fama, porém pouca estabilidade financeira. Seus últimos anos viram surgir algumas de suas sinfonias, concertos e óperas mais conhecidos, além de seu Requiem. As circunstâncias de sua morte prematura deram origem a diversas lendas. Deixou uma esposa, Constanze, e dois filhos. Livre .mp3 and .wav files of all Mozart's music at: (http•••) / NOTE: I do not know who the performers of this are, nor the place and date of recording!!! Any suggestions are welcome. / Aproveitem!!!! : D As pessoas tambem buscam por: música para relaxar, músicas para relaxar, musica de meditacao, musica de relaxar, música de relaxar, musica p relaxar e dormir, musica para acalmar bebe, musica para acalmar bebê, musica para meditacao, musica para relaxar e dormir, musica relaxante, música relaxante, musica relaxar, musica para dormir, musica para acalmar a mente, musica de yoga musica para fazer yoga, mozart, j.s. bach bach, beethoven, w. a. mozart, Se inscreva no canal! (http•••)
Wolfgang Amadeus Mozart Henryk Szeryng Ingrid Haebler Robins Josepha Auernhammer 1756 1781 1785 1787 1791
Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791) was one of the most influential, popular and prolific composers of the classical period. A child prodigy, from an early age he began composing over 600 works, including some of the most famous pieces of symphonic, chamber, operatic, and choral music. Please support my channel: (http•••) Sonata for violin & piano No. 25 in F major, K. 377 (K. 374e) 1. Allegro (0:00) 2. Theme with 6 Variations. Andante (4:38) 3. Tempo di Menuetto (13:44) Henryk Szeryng, violin and Ingrid Haebler, piano Description by Brian Robins [-] This is the second of two sonatas for piano and violin in the same key composed during the summer of 1781. It was a period during which Mozart was settling to his new life in Vienna after his ignoble dismissal from the service of the Archbishop of Salzburg, Hieronymus Colloredo on June 8. The two F major Sonatas are very different in character. The first to have been composed, K. 376, is a work of considerable brilliance, but the present work has an intense, agitated opening Allegro, a set dark-hued theme and set of variations in D minor (marked Andante) for its second movement. The final bars of the theme introduce some particularly felicitous interplay between the two instruments, a mark not only of the new equality Mozart had introduce to the medium, but also the greater motivic integration between them. The final movement, marked Tempo di Minuetto, is a rondo. Before the end of the year five sonatas were published along with the C Major Sonata, K. 296, by the firm of Artaria and Co., Mozart's first works published in Vienna. The set was issued with a dedication to Josepha Auernhammer, a pupil of Mozart's for whom he wrote the Sonata in D for two pianos, K. 448, and who later read proofs for the composer. The set was issued as "Op. 2," a meaningless appendage since it was the third of Mozart's to be so called. A subsequent review of the set recognized their great advance, remarking on their richness in new ideas and manner in which "the violin is so artfully combined with the clavier part." The fact that the set was also published in Paris (in 1785) and was still being advertised by Artaria in 1787 leads to the assumption that the sonatas attained considerable popularity.
Wolfgang Amadeus Mozart Henryk Szeryng Ingrid Haebler Rondeau Josepha Auernhammer 1756 1778 1781 1791
Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791) was one of the most influential, popular and prolific composers of the classical period. A child prodigy, from an early age he began composing over 600 works, including some of the most famous pieces of symphonic, chamber, operatic, and choral music. Please support my channel: (http•••) Sonata for violin & piano No. 28 in E flat major, K. 380 (K. 374f) (1781) 1. Allegro (0:00) 2. Andante con moto (6:51) 3. Rondeau. Allegro (14:25) Henryk Szeryng, violin and Ingrid Haebler, piano The Sonata in E flat is the last of a group of four, possibly five sonatas for piano and violin composed by Mozart during 1781, the year in which he commenced a new life as a freelance musician in Vienna. By the end of the year, all five, along with the earlier Sonata in C, K. 296, were published by the Viennese house of Artaria, the start of a long association with Artaria, who would publish more of his works than any other house. The set was issued with a dedication to Josepha Auernhammer, a pupil of Mozart's with whom his name was romantically linked during his early days in Vienna. She was a fine keyboard player, although apparently not very attractive looking. Mozart defended himself from gossip by painting a very unflattering picture of the young lady in a letter to his father. Mozart was no doubt being ingenuous (he initially did much the same when writing home about his future wife Constanze), since he certainly continued to see Josepha. Like all this group of sonatas, the E flat is in three movements, thus abandoning the galant two-movement structure of the previous group (K. 301 - K. 306, composed in Mannheim and Paris in 1778). Here it is the central Andante con moto in G minor that particularly takes the attention, its chromatic inflections giving the movement a feel of restless agitation. It is framed by an opening Allegro with much brilliant passage work and a concluding Rondeau with a hunting horn theme announced by the piano and subsequently taken up by the violin.
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