Joseph Woelfl Videos
Salzburger Pianist und Komponist
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2024-06-10
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Joseph Woelfl Guillaume Sutre 2015
Preview of the new CD released July 2015 - Piano and Violin Grand Duo in D Minor, Op. 31 - Harp and Piano Grand Duo in F Major, Op. 29 - Piano Sonata in B Minor Op. 38 - Piano and Violin Sonata in A Major, Op. 14 Kyunghee Kim-Sutre, Harp Steven Vanhauwaert, Piano Guillaume Sutre, Violin CD Sonarti RT02 - www.sonarti.com - www.stevenpiano.com Sonarti 2015
Joseph Johann Baptist Wölfl Een Schwartz Leopold Mozart Michael Haydn Haydn Ogiński Beethoven Schikaneder Fétis Cherubini 1751 1773 1783 1786 1790 1792 1795 1798 1804 1805 1812 1830
★ Follow music ► (http•••) Composer: Joseph Johann Baptist Wölfl +••.••(...)) Work: Sonata (in d) pour le piano-forte, Op.33 No.2 (1805) Performers: Vladimir Pleshakov (piano) Sonata (in d) pour le piano-forte (1805) 1. Allegro 0:00 2. Andante 4:13 3. Alla pollaca 8:38 Drawing: Anoniem - Interieur met een man voor een boekenkast Image in high resolution: (http•••) Painting: Johann Baptist Edler von Lampi d. Ä. +••.••(...)) - Josef Wölfl (c.1795) Image in high resolution: (http•••) Further info: (http•••) Listen free: No available / Joseph (Johann Baptist) Wölfl [Wölffl, Woelfl] (Salzburg, 24 December 1773 - London, 21 May 1812) Austrian pianist and composer. His earliest musical instruction was as a chorister at Salzburg Cathedral from 1783 to 1786, where he studied with Leopold Mozart and Michael Haydn. In 1790, on his father’s advice, he went to Vienna, apparently to study with the younger Mozart, though it is unclear whether he ever became his pupil and how close their relationship actually was. Some authorities claim, however, that it was through Mozart’s intervention that Wölfl was appointed composer to Count Ogiński in Warsaw, where in 1792 he made his first public appearance as a pianist. Having established a reputation both as a performer and a teacher, Wölfl returned to Vienna in 1795, where his talents propelled him to the forefront of public attention. He was soon regarded as the only serious rival to Beethoven; indeed, the Allgemeine Musikalische Zeitung preferred his ‘unpretentious, pleasant demeanour’ to Beethoven's more emotionally charged style and praised him for playing that showed ‘not just a pleasing originality, but also a very rare combination of power and delicacy’. In 1798 he married the singer Therese Klemm and the following year embarked on a lengthy concert tour that took him to Brno, Prague, Dresden, Leipzig, Hamburg, Berlin and Paris. He was well received everywhere, but nowhere more so than Paris, where his welcome was every bit as rapturous as that he had received in Vienna, with the Journal de Paris describing him as ‘one of the most exciting pianists in Europe’. In addition to his activities as a performer, Wölfl was also establishing a reputation as a composer. His first opera, Der Höllenberg, to a libretto by Schikaneder, was well received on its first performance in Vienna in 1795, as was Der Kopf ohne Mann three years later and the pasticcio Liebe machen kurzen Prozess. In Vienna he also began to compose instrumental music in earnest, dedicating his three piano trios op.5 to Haydn and his set of three piano sonatas op.6 to Beethoven. These activities continued in Paris, where in early 1804 his opera L’amour romanesque was performed to considerable acclaim. The reasons for Wölfl's sudden departure from Paris in 1805 are unclear. Some authorities ascribe it to the lukewarm reception accorded his next opera, Fernando, though that seems unlikely given the high regard in which he was otherwise held. What is almost certainly true is that neither of two other popular explanations has any basis in fact: either, as Fétis would have it, that he fell in with the bass singer Ellenreich, who was a notorious card sharp and dragged Wölfl into some unspecified scandal; or, according to Schilling, that he became music master to the Empress Josephine, accompanied her to Switzerland following her divorce, and thence made his way to England. In May 1805 Wölfl arrived in London and immediately set about establishing his reputation. He was enthusiastically fêted both as a performer and as a composer. His G major Piano Concerto op.36 (known as ‘Le calme’) was especially popular and performed at four concerts within the space of just two months; among his orchestral works, the G minor Symphony op.40, which he dedicated to Cherubini, was highly regarded. As in Paris, Wölfl tried to make his mark as an operatic composer, but apart from two well-received ballets, given at the King's Theatre, he failed to secure a commission. He died suddenly in May 1812, but for almost two years there was speculation, fuelled in part by the Allgemeine Musikalische Zeitung, that he was still alive.
Südwestdeutsches Kammerorchester Pforzheim Joseph Wölfl 2021
Provided to YouTube by NAXOS of America Piano Concerto No. 3 in F Major, Op. 32: I. Allegro · Nataša Veljković · Südwestdeutsches Kammerorchester Pforzheim · Johannes Moesus Wölfl: Piano Concertos ℗ 2021 CPO Released on: 2021-09-03 Artist: Nataša Veljković Orchestra: Südwestdeutsches Kammerorchester Pforzheim Conductor: Johannes Moesus Composer: Joseph Wölfl Auto-generated by YouTube.
Joseph Wölfl Luigi Cherubini 1804
The symphony is set in 4 movements: 1. Largo - Allegro (0:00) 2. Minuetto (7:21) 3. Andante con moto (12:13) 4. Finale: Presto (18:09) Composed in 1804 and dedicated to Luigi Cherubini. Performers: Pratum Integrum.
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