Jack Beeson Videos
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Menotti Moore Norton Beeson Beethoven Lalli Dallas Opera Fort Worth Opera Connecticut Grand Opera Orchestra Shreveport Opera Connecticut Opera New York City Opera Carnegie Hall 2004 2020
In this aria, the Countess prays for the Count's love to be restored to her or to let her die. Regina Walter Cartwright, soprano, is accompanied by Kevin Eubanks, piano. This video was filmed in June 2020. If you would like to make a donation to Regina Cartwright please do so here. It will help to continue producing free music videos and concerts. Thank you! Venmo app donations @ReginaEWalter PayPal donations @ReginaWalterSings You may contact Ms. Cartwright at through her website to book an event or to schedule voice lessons at www.ReginaWalterCartwright.com. Soprano Regina Walter Cartwright has the rare voice that can carry beautiful legato lines with the strength of a dramatic soprano and the flexibility of a coloratura soprano. Her tone contains both a warmth and a ring that are refreshing to hear. She made her professional operatic debut as Monica in Menotti’s The Medium. Ms. Cartwright’s other credits include Susanna in Le Nozze di Figaro, Rosalinda in Die Fledermaus, Lola in Moore’s Gallantry, Ms. Alt in Mozart’s Impresario, and Widow Rachel Norton in Beeson’s Dr. Heidegger’s Fountain of Youth. She has appeared with the Dallas Opera, the Regal Opera, the Fort Worth Opera, the Connecticut Grand Opera and Orchestra, The Metroplex Opera, the Central Texas Opera Festival, the Shubert Opera Ensemble, and the Italian National Opera. Ms. Cartwright made her Carnegie Hall debut in 2004 as the soprano soloist in Beethoven’s Mass in C with the North Texas Festival Choir. As a guest artist, Ms. Cartwright has performed as soprano soloist in a number of choral performances and had the pleasure of performing in Germany, Scotland, Ireland, Czech Republic, and France. Ms. Cartwright’s honors include her selection in the prestigious Who's Who in America, Semi-Finalist Shreveport Opera Singer of the Year, Semi-Finalist Connecticut Opera Guild Vocal Competition, Voice Teaching Fellowship (University of North Texas), and Voice Scholarship (Furman University). Regina Walter Cartwright is also a private voice and piano teacher in the DFW area with over 20 years’ experience. Additionally, she accompanies students in both recitals and the Texas UIL Vocal Contests. Ms. Cartwright received her Master of Music degree in Vocal Performance from the University of North Texas and the Bachelor of Arts degree from Furman University. She also studied under Dr. Richard Lalli of Yale University. After graduate school, she continued her studies with Mr. Grant Williams, formerly of the New York City Opera, and Dr. Stephen Dubberly of the University of North Texas. As a teacher, Ms. Cartwright has a wide variety of experience. She began teaching while a student at the University of North Texas, teaching undergraduate voice to music majors and preparing them for their juries and proficiency exams. After graduation, she taught private lessons in several high schools in the DFW area and a private music school. She also taught at several area colleges. Ms. Cartwright is an active member of the Music Teachers National Association and the National Association of Teachers of Singing. Ms. Cartwright teaches private lessons both in person and online in the DFW area. She teaches students of all ages and skill levels. Her students are exposed to a variety of different kinds of music including classical, musical theater, popular, movie themes, and contemporary Christian. Each lesson is tailored to the individual student’s needs and interests.
Menotti Moore Norton Beeson Beethoven Lalli Dallas Opera Fort Worth Opera Connecticut Grand Opera Orchestra Shreveport Opera Connecticut Opera New York City Opera Carnegie Hall 2004 2020
In this aria, Susannah sings an old folk song taught to her by her mother. Regina Walter Cartwright, soprano, is accompanied by Kevin Eubanks, piano. This video was filmed in June 2020. If you would like to make a donation to Regina Cartwright please do so here. It will help to continue producing free music videos and concerts. Thank you! Venmo app donations @ReginaEWalter PayPal donations @ReginaWalterSings You may contact Ms. Cartwright at through her website to book an event or to schedule voice lessons at www.ReginaWalterCartwright.com. Soprano Regina Walter Cartwright has the rare voice that can carry beautiful legato lines with the strength of a dramatic soprano and the flexibility of a coloratura soprano. Her tone contains both a warmth and a ring that are refreshing to hear. She made her professional operatic debut as Monica in Menotti’s The Medium. Ms. Cartwright’s other credits include Susanna in Le Nozze di Figaro, Rosalinda in Die Fledermaus, Lola in Moore’s Gallantry, Ms. Alt in Mozart’s Impresario, and Widow Rachel Norton in Beeson’s Dr. Heidegger’s Fountain of Youth. She has appeared with the Dallas Opera, the Regal Opera, the Fort Worth Opera, the Connecticut Grand Opera and Orchestra, The Metroplex Opera, the Central Texas Opera Festival, the Shubert Opera Ensemble, and the Italian National Opera. Ms. Cartwright made her Carnegie Hall debut in 2004 as the soprano soloist in Beethoven’s Mass in C with the North Texas Festival Choir. As a guest artist, Ms. Cartwright has performed as soprano soloist in a number of choral performances and had the pleasure of performing in Germany, Scotland, Ireland, Czech Republic, and France. Ms. Cartwright’s honors include her selection in the prestigious Who's Who in America, Semi-Finalist Shreveport Opera Singer of the Year, Semi-Finalist Connecticut Opera Guild Vocal Competition, Voice Teaching Fellowship (University of North Texas), and Voice Scholarship (Furman University). Regina Walter Cartwright is also a private voice and piano teacher in the DFW area with over 20 years’ experience. Additionally, she accompanies students in both recitals and the Texas UIL Vocal Contests. Ms. Cartwright received her Master of Music degree in Vocal Performance from the University of North Texas and the Bachelor of Arts degree from Furman University. She also studied under Dr. Richard Lalli of Yale University. After graduate school, she continued her studies with Mr. Grant Williams, formerly of the New York City Opera, and Dr. Stephen Dubberly of the University of North Texas. As a teacher, Ms. Cartwright has a wide variety of experience. She began teaching while a student at the University of North Texas, teaching undergraduate voice to music majors and preparing them for their juries and proficiency exams. After graduation, she taught private lessons in several high schools in the DFW area and a private music school. She also taught at several area colleges. Ms. Cartwright is an active member of the Music Teachers National Association and the National Association of Teachers of Singing. Ms. Cartwright teaches private lessons both in person and online in the DFW area. She teaches students of all ages and skill levels. Her students are exposed to a variety of different kinds of music including classical, musical theater, popular, movie themes, and contemporary Christian. Each lesson is tailored to the individual student’s needs and interests.
Jack Beeson Charles Wuorinen Joan Tower Bright Sheng Gregg Smith Nadia Boulanger Metropolitan Opera Gregg Smith Singers 1921 1951 2010
One of America's most important vocal and opera composers died this month. Jack Beeson decided to become an opera specialist, having been influenced by listening to broadcasts of The Metropolitan Opera in his youth. He studied privately with Bela Bartok, and Beeson's most famous works include "Lizzie Borden," "Hello Out There!" and "The Sweet Bye and Bye." His own students include such notables as Charles Wuorinen, Joan Tower, John Kander and Bright Sheng. Albany recently issued a disc of his choral music; here are "Three Settings from the Bay Psalm Book" (1951): 1) My Heart's Not Haughty, Lord (Psalm 131) 2) Clap Hands (Psalm 47) 3) The Lord to Mee A Shepheard Is (Psalm 23) The Gregg Smith Singers conducted by Gregg Smith from Albany TROY1036 (http•••) Jack Beeson's unsurpassed choral music is given outstanding performances by the Gregg Smith Singers. Jack Beeson's musical background resembles those of many another contemporary composer but his storyline diverges from the expected mid-century composer-in-formation's path when he chose to study in New York City with Bela Bartok rather than go to France to work with Nadia Boulanger. His loyalty to Columbia University, where he has worked for more than 63 years, again, breaks the mold. Few of his colleagues can boast of such singular interweaving of individual creativity and organizational fealty. Widely known as he is for his operas, Beeson is no slouch in other areas of vocal music. In addition to his ten operas, he has written many songs and a good number of choral works, seven of which are featured on this recording. The individuality that marks his creative output is evident, showing itself in his selection of texts. Contents: Jack Beeson, composer Three Settings from the Bay Psalm Book (a cappella) Gregg Smith Singers, Gregg Smith, conductor Jack Beeson, composer Three Settings from the Bay Psalm Book (with piano) Gregg Smith Singers, Gregg Smith, conductor Jack Beeson, composer Tides of Miranda Gregg Smith Singers, Gregg Smith, conductor Jack Beeson, composer Three Rounds Gregg Smith Singers, Gregg Smith, conductor Jack Beeson, composer Knots Gregg Smith Singers, Gregg Smith, conductor Jack Beeson, composer In Praise of Singing Gregg Smith Singers, Gregg Smith, conductor Jack Beeson, composer Summer Rounds and Canons Gregg Smith Singers, Gregg Smith, conductor Jack Beeson, composer Epitaphs Gregg Smith Singers, Gregg Smith, conductor
Wolfgang Amadeus Mozart Beeson Benz Robert Johnson Bach Levin Lorens 1756 1771 1773 1791 1979
Wolfgang Amadeus Mozart +••.••(...)) Divertimento for 2 clarinets, 2 horns & strings in E-flat major, K. 113 (1771) 00:00 - Allegro 04:05 - Andante 08:45 - Menuetto & Trio 10:32 - Allegro Members of the New York Philomusica (1979) Violins: Felix Galimir & Isidore Cohen Viola: John Graham Violoncello: Gerald Appleman Contrabass: Richard Beeson Clarinets: Peter Simenauer & Joseph Rabbai Horns: Virginia Benz & Robert Johnson "The Divertimento in E-flat major, K. 113, was given the double title 'Concerto or Divertimento' by Mozart. It exists in two different versions: the original, recorded here / written in Milan in November 1771, for strings, two clarinets, and two horns / and the Salzburg transcription, made in approximately 1773 / which substitutes pairs of oboes, English horns, and bassoons for the clarinets and horns. (The revision was probably made because there were no clarinetists in Salzburg at the time.) The alternate title 'Concerto' reveals one of Mozart's focal concepts in his occasional music involving strings. The concertante element is either explicit / the wind concertante in the 'Posthorn' serenade and the violin concerti in the orchestral 'Final-Musiken' / or implied, as is the case here and in the great works for strings with two horns. Though the legacy of the concerto grosso is obvious, performance with multiple strings is not inevitable. (It is clear, for example, that Bach's Fifth Brandenburg Concerto was performed by single players.) In orchestral performances, a continuo harpsichord would be entirely appropriate. The concertante wind writing is the salient feature of K. 113. Increasing independence of the wind parts from the supporting strings as the work progresses points to the many subsequent works for winds alone. The musical ideas are characteristic of Mozart's Italian period / catchy and terse. (Compare the symphonies from the same period, the quartet divertimenti K. 136-8, and the four-hand piano sonata in D, K. 123a/381.) Unlike most of the occasional music, K. 113 has but one minuet, making it identical in form to a symphony, if lighter in content." - Robert D. Levin Painting: Dancing Children, Lorens Pasch the Younger
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