István Thomán Videos
(1862–1940) ungarischer Pianist und Musikpädagoge
- Klavier
- klassische Musik
- Ungarn
- Klassischer Pianist, Komponist, Musikpädagoge
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2024-05-04
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Béla Bartók Franz Liszt Hans Koessler Max Reger Johannes Brahms István Thomán David Popper Dittrich Stravinsky Malipiero Milhaud Debussy Franz Liszt Academy Music 1885 1895 1903 1904 1905 1908 1958
Samuel Michalec - Piano 00:00 Allegro Appasionato 08:56 Tempo di minuetto - Poco piu lento - Andante con motto - Allegro molto moderato Alexander Albrecht +••.••(...)) was a Slovak composer and an important exponent of the Slovak music in the first half of the 20th century. From 1895 to 1903 he attended the Royal Catholic Gymnasium in Bratislava, where he met and befriended Béla Bartók. From 1904 to 1908 he studied at the Franz Liszt Academy of Music in Budapest. He studied composition as a pupil of Hans Koessler (a cousin of Max Reger and a great admirer of Johannes Brahms), and piano with István Thomán. Among his other teachers were Ferencz Szandtner, with whom he studied conducting, and David Popper (a chamber music teacher). During his studies Albrecht asserted himself as a successful pianist. Following his return to Bratislava in 1908, he accepted the post of organist at the St. Martin's Cathedral. Simultaneously he perfected his organ playing technique with Rudolph Dittrich in Vienna. He began his composing career at the Budapest Academy. His teacher Hans Koessler attempted to instill the classical composing principles in his pupils, but Albrecht found an inspiration also in modern compositions of his contemporaries. He studied works of Stravinsky, Malipiero, Milhaud, Reger, Debussy and others. He commited suicide.
Ernst Dohnányi István Thomán Hans Koessler Max Reger Franz Liszt Johannes Brahms Eugen Albert Bronisław Huberman Bartók Royal National Hungarian Academy Music Kodály 1877 1894 1897 1912 1917 1919 1949 1953 1955 1957 1960
Ernst von Dohnányi +••.••(...)) was a Hungarian composer, pianist and conductor. He used a German form of his name on most of his published compositions. (not Dohnányi Ernő). Dohnányi was born in Pozsony, Kingdom of Hungary, Austria-Hungary (today Bratislava, capital of Slovakia). He first studied music with his father, a professor of mathematics and an amateur cellist, and then when he was eight years old, with Carl Forstner, organist at the local cathedral. In 1894, in his 17th year, he moved to Budapest and enrolled in the Royal National Hungarian Academy of Music, studying piano with István Thomán and composition with Hans von Koessler, a cousin of Max Reger. István Thomán had been a favorite student of Franz Liszt, while Hans von Koessler was a devotee of Johannes Brahms's music. These two influences played an important part in Dohnányi's life: Liszt on his piano playing and Brahms on his compositions. Dohnányi did not study long at the Academy of Music: in June 1897 he sought to take the final exams right away, without completing his studies. Permission was granted, and a few days later he passed with high marks, as composer and pianist, graduating at less than 20 years of age. After a few lessons with Eugen d'Albert, another student of Liszt, Dohnányi made his debut in Berlin in 1897 and was recognized at once as a performer of high merit. Similar success followed in Vienna and on a subsequent tour of Europe. Before World War I broke out, Dohnányi met and fell in love with a German actress (also described as a singer), Elsa Galafrés, who was married to the Polish Jewish violinist Bronisław Huberman. They could not yet marry as their spouses refused to divorce them, but nonetheless, Dohnányi and Elsa Galafrés had a son, Matthew, in January 1917. Both later gained the divorces they sought and were married in June 1919. (this piece was composed in 1912) From 1949, Dohnányi taught for ten years at the Florida State University School of Music in Tallahassee. He became an honorary member of the Epsilon Iota chapter of Phi Mu Alpha Sinfonia fraternity there. He and his wife Ilona became American citizens in 1955. In the United States, he continued to compose and became interested in American folk music. His last orchestral work (except for a 1957 revision of the Symphony No. 2) was American Rhapsody (1953), written for the sesquicentennial of Ohio University and including folk material, for example, "Turkey in the Straw", "On Top of Old Smokey" and "I am a poor wayfaring stranger". Dohnányi's composing style was personal, but very conservative. His music largely subscribes to the Neoromantic idiom. Although he used elements of Hungarian folk music, he is not seen to draw on folk traditions in the way that Bartók or Kodály do. Some characterize his style as traditional mainstream Euro-Germanic in the Brahmsian manner (structurally more than in the way the music actually sounds) rather than specifically Hungarian, while others hear very little of Brahms in his music. / - A method to find scores: (http•••) - My donation link to keep the channel growing: (http•••) Thanks for listening :-)
Arvo Pärt Hagman Storey Albertina 1719 1720 1727 1772 1778 1793 1829 1881 1950 1978 2015
Tullgarn Palace. The Royal Sweden & Arvo Pärt Estonia Tullgarn Palace (Swedish: Tullgarns slott) is a royal summer palace in the province of Södermanland, south of Stockholm, Sweden. Built in the 1720s, the palace offers a mixture of rococo, Gustavian and Victorian styles. The interior design is regarded as one of Sweden's finest. Music by Arvo Pärt EST Spiegel im Spiegel is a piece of music written by Arvo Pärt in 1978, just prior to his departure from Estonia. Enjoy watching!/ Head vaatamist! Tullgarn Palace is mainly associated with King Gustaf V and Queen Victoria, who spent their summers here at the end of the 19th century and beginning of the 20th century. However, the palace was originally built for Duke Fredrik Adolf in the 1770s. Since Tullgarn was a popular summer palace amongst Swedish royalty, the palace houses fine examples of interiors from different epochs and personal styles, such as the small drawing room, decorated in the 1790s, the breakfast room in southern German Renaissance style from the 1890s and Gustav V's cigar room, which has remained largely untouched since his death in 1950. In 1719, the old Renaissance castle from the late 16th century was demolished. The newly appointed Privy Councillor Magnus Julius De la Gardie commissioned architect Joseph Gabriel Destain to design the present palace, built between 1720 and 1727. The courtyard is open to the sea and took on its present appearance in the 1820s. It is modelled on the garden of Logården at the Royal Palace in Stockholm. In 1772, Tullgarn was acquired by the crown and became a royal residence. Occupancy was granted to Duke Fredrik Adolf, youngest brother of King Gustav III. Between 1778 and 1793, Frederick Adolf resided there with his lover Sophie Hagman, and many episodes from this period are preserved as the Tullgarnsmminnena, The Tullgarn memories. Frederick Adolf modernized the palace in neo classical style, adding another storey to the wings, giving the palace a flat Italian-style roof. Fredrik Adolf's interiors are some of the finest examples of Gustavian style in Sweden. Among the designers involved were Louis Masreliez, Jean Baptiste Masreliez, Per Ljung and Ernst Philip Thoman. Many of the interiors created at that time remain today in their original form. After the death of Frederick Adolf, it was granted to his sister, Princess Sophia Albertina, who spent all her summers her until her death in 1829. The following year, it was granted to the heir to the throne, the future Oscar I of Sweden, and served as the summer residence of the Swedish royal court during his reign. King Gustaf V (then Crown Prince) took over Tullgarn in 1881 and together with his consort Victoria, implemented extensive changes. The main building was decorated more like a modern functional summer home then a royal pleasure palace. Much of the present interior dates from the time of King Gustav V and Queen Viktoria, including the vestibule, whose walls are covered in hand-painted Dutch tiles. The breakfast room is furnished like a south German Bierstube, possibly reflecting the fact that Queen Viktoria came from Baden in Southern Germany. The royal couple used the palace as their summer residence. Cameras: GoPro3, GoPro4 & Canon EOS 5D Mark III Filmed by Allan Tark Company: Rein Mets 2015 Stockholm. Sweden This video is not for commercial purposes, only educational / See video ei taotle ärilisi eesmärke, ainult üldhariduslikul eesmärgil. Enjoy watching!/ Head vaatamist!
Ákos Buttykay Kogan István Thomán Bernhard Stavenhagen 1907 1922
Piano - Tobias Bigger Violin - Inna Kogan Ákos Buttykay is a Hungarian composer. Buttkay is the son of Victor and Gabriella Nagy. He was a student of István Thomán and then studied in Weimar with Bernhard Stavenhagen. From 1907 to 1922 he taught at the Academy of Music.He mostly wrote operettas, several of which have been performed abroad.
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