Friedrich Weidemann Videos
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2024-05-01
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Grete Forst Friedrich Weidemann 1871 1878 1907 1919 1942
Grete Forst, soprano [1878 -1942]; Friedrich Weidemann, baritono [1871 - 1919] Dunque io son ('Il barbiere di Siviglia') Il duetto è cantato in tedesco. [Luogo e data dell'incisione: Vienna, 1907]
Friedrich Weidemann Weideman Handel Quantz 1697 1704 1725 1727 1738 1746 1764 1778 1782
Autor: Carl Friedrich Weidemann (c.1704-1782) Obra: Flute Concerto No.6, Op.2 (c.1746) Intèrprets: Nаncy Haddеn (flute); Erin Hеаdley (viola da gamba); Susаn BicknеII (viola); Risа Browdеr (violin); Cаthеrine Mаckintosh (violin); Lucy Cаrolаn (harpsichord) Pintura: William Hogarth +••.••(...)) - Marriage A-la-Mode 4, The Toilette Més info: (http•••) / Carl Friedrich [Charles Frederick] Weideman [Weidemann, Weidmann, Wiedeman] (Germany, c.1704 - London, 24 May 1782) German flautist and composer. He spent the greater part of his career in England; the date of his arrival is not known, but he was in London by spring 1725 when he took part in a performance of Handel’s opera Tamerlano at the New Theatre in the Haymarket. This information derives from a handwritten note on Weideman’s own copy of a set of trio sonatas ascribed to Handel: ‘Tamerlan 1725. which was the first Opera I play’d in … C:W:’ (see Deutsch, p.174). By the time Quantz visited England in 1727 Weideman was firmly established as one of London’s leading flautists. He is also remembered as a co-founder, with Festing and Thomas Vincent, of a charitable ‘Fund for the Support of Decayed Musicians and their Families’. This institution, later known as the Royal Society of Musicians of Great Britain, was founded in April 1738 and attracted widespread support from eminent members of the profession, Handel included. Weideman’s activities in London musical circles were many and varied: he engaged in fund-raising concerts for the newly formed society, was in frequent demand as an instrumentalist, produced a succession of compositions, and composed minuets for the court balls. In 1778 he was a member of the King’s Band of Musicians with an annual income of £100. Weideman’s chamber and orchestral works, though a little unenterprising, are neatly constructed and show a sympathetic understanding of woodwind techniques; stylistically, they reflect his known admiration for Handel’s works. The occasional music is in a lighter vein. His songs are charmingly simple, and one at least proved extremely popular with audiences at Vauxhall Gardens. According to G.C. Lichtenberg, Weideman was the flautist depicted by Hogarth in the fourth picture of Marriage à la mode.
Friedrich Weidemann Tokunaga Hirao 1704 1782 1998 2002 2005
◆ Weidemann : Sonata op.3 No.6 1st mov. Vivace [on recorder] カール・フリードリヒ・ワイデマン(またはヴァイデマン) Karl Friedrich Weidemann (1704?-1782)作曲のソナタ作品3の6より、第1楽章ヴィヴァーチェ。リコーダー3本による演奏です。先日全曲版をアップロードした作品3の3と同じく、リコーダーで吹いても楽しく充実した曲ですので、こちらもいずれ全曲を動画化したいと思っています。 ************************************* ※現代楽譜の表記を鵜呑みにして、原曲はトラヴェルソ3本のための曲とばかり思っていましたが、調べるうちに作品3はトラヴェルソ、ヴァイオリン、通奏低音のためのトリオである可能性が出てきました。複数のソースでそれが確認出来ましたら、少なくとも作品3の3の全曲版とこの動画は、いったん削除して修正版を再アップロードいたします。 【追記】原譜のタイトルより、作品3は2曲の「トラヴェルソ、ヴァイオリン、通奏低音のためのトリオ」と、2曲の「2本のトラヴェルソと通奏低音のためのトリオ」、そして2曲の「3本のトラヴェルソのためのトリオ(通奏低音無し)」から成ることが分かりました。作品3の3と作品3の6の2曲が元々トラヴェルソ3本のための曲であったのは間違いないようです。ドイツ語wikiが作品3を「トラヴェルソ、ヴァイオリン、通奏低音のためのトリオ」と明記していたおかげで焦りました(^_^;)。きっちり書いて欲しいものです… ◇演奏者及び使用楽器 1st part : K.N. Instruments:Treble recorder in F (a=415) after Stanesby Jr. by Ryuji Tokunaga(c.2002) 2nd part : Fuemanatee Instruments:Treble recorder in F (a=415) after Stanesby Jr. by Shigeharu Hirao (1998) 3ird part : N.N. Instruments:Treble recorder in F (a=415) after Stanesby Jr. by Ryuji Tokunaga(c.2005) #recorder #Weidemann #リコーダー
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- Zeitleiste: Lyrische Sänger (Europa).
- Indizes (in alphabetischer Reihenfolge): W...